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Art Subject: Outdoors
A Human Sacrifice, in a Morai, in Otaheite (Tahiti) 1784 James Cook Final Voyage
Located in Paonia, CO
 A Human Sacrifice in a Morai in Otaheite (Tahiti)  1784 by John Webber is from the  First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain...
Category

1780s Realist Figurative Prints

Materials

Engraving

Bomber and Buckeroos by Till Goodan, Westward Ho Company
Located in Phoenix, AZ
Bomber And Buckeroos ca. 1939 Till Goodan Offset Lithograph PRINTS ARE IN GOOD CONDITION. PRINTS MAY HAVE SMALL FLAW ALONG EDGE OF PAPER, DOES NOT EFFECT THE PRINT IMAGE All the prints are 26 x 31 inches, Mustang Peeler, Bombers and Buckaroos, The stranger, Guardians of the Range and Range Baby. Note that “The Mustang Runner” is 3 inches shorter in height, 23 x 31 inches The print by Till Goodan was originally a painting and reproduced by the Westward Ho company as a set. Westward Ho produced the most sought after Western dinnerware ever made. The most popular pattern was the Rodeo pattern by Till Goodan. He Illustrated and branded many accessories sold by the Westward Ho Company. Tillman Parker Goodan 1896-1958 To the casual observer his paintings are exciting and colorful. To the scholars of the Western Era they are benchmarks of authenticity. Such is the style of Till Goodan. He was born Tillman Parker Goodan in Eaton, Colorado on March 27, 1896. His father was a true western pioneer, mayor of Eaton, publisher of its first newspaper, and County Commissioner for several years. After moving to California in 1905 and settling on a little farm that bordered the Michel Cattle Ranch, Till spent much of his boyhood with the Michel sons working on their ranch. There he developed his expertise as a calf roper and the skills of a working cowboy. As a young man Till pursued endeavors that would initially callous his emerging artistic hands. He worked for the famous Miller and Lux Ranch in California. He packed mules and ran pack trains into the Sierra Mountains. He broke horses and competed in local rodeos riding saddle broncs and roping calves. And during the quiet hours he would draw pictures of ranch life and the action of the rodeo. People began commenting on his talents as an artist. In 1917 he left the rodeo circuit and turned his full attention to a career in art. He studied with Roger Sterrett, William Paxton, and Dana Bartlett, all highly respected California artists. Till soon became a free-lance commercial artist doing work for Grauman’s Chinese and Lowe’s Theaters, Helms Bakery and Security Bank. He later assumed a position as Art Director for the Richfield Oil Company. However, his first love was still the art of the old west, horses, cowboys, and ranching. So, he left Richfield and gave his full attention to the field of fine arts. He did oil painting, water colors and lithographs. He drew the Gene Autry Comic Books. He illustrated and hand lettered a large collection of stories about famous bucking horses, ranches, horsemen of the world, and western gear. In association with W.C. Wentz, he started producing a complete line of western gift wares, ceramics, bronzes, leather, paper, and fabric. By the 1930′s he was beginning to receive recognition for his western art and by the early 1940s, he and his daughter, Betty, were illustrating comic books for his longtime friend, Gene Autry. Betty was also a world champion cowgirl. Till Goodan designs appeared in virtually every medium. But, the most famous was the four lines of dinnerware produced by Wallace China...
Category

1930s American Impressionist Figurative Prints

Materials

Lithograph

Valtur Where the Summer Lasts Eight Months - Original Screen Print by C. Cintoli
Located in Roma, IT
Original Title: Valtur, Dove l'Estate dura otto mesi. Edition of 120 pieces numbered and signed by the Artist. The name of the artist is Cintoli, but the artwork is signed under t...
Category

1970s Pop Art Figurative Prints

Materials

Screen

Bror Jonsson (b.1931) - 20th Century Etching, The Firewood Cart
Located in Corsham, GB
Signed to the lower right. Presented in a part gilt frame. On canvas.
Category

20th Century Figurative Prints

Materials

Etching

Timber Raft on the Rhine
Located in Storrs, CT
Timber Raft on the Rhine (after the watercolor by J.M.W. Turner in the National Gallery). 1898. Mezzotint. Hardie 66. 8 1/4 x 11 11/16 (sheet 10 5/16 x 13 1/2). Edition 100. A rich, ...
Category

1890s Romantic Landscape Prints

Materials

Mezzotint

Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

On a horizon. Limited edition print Surreal Established Polish artist
Located in Warsaw, PL
Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man standing on the road. The road is transforming into a bir...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

Four Walking Figures
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed "Artist Proof" in pencil Paper: Arches ...
Category

Late 20th Century American Impressionist Landscape Prints

Materials

Lithograph

Schermerthorn Windmuhle, Holland
Located in San Francisco, CA
This artwork titled "Schemerthorn Windmuhle, Holland" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by th...
Category

Mid-20th Century Realist Figurative Prints

Materials

Etching

Parabole 2 (Sunshine streams through clouds and trees as three men observe)
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...
Category

Late 20th Century Surrealist Landscape Prints

Materials

Mezzotint

Dog: realist expressive black and white portrait drawing of pet dog in the sun
Located in New York, NY
This tenderly illustrated print depicts a black dog sitting comfortably on the lawn. A low fence and a bench can be seen in the background. Plants grow along the sides of the lawn, b...
Category

1980s Contemporary Animal Prints

Materials

Lithograph

La Sortie du Chenil, Michel Delacroix
Located in Fairfield, CT
Artist: Michel Delacroix (1933) Title: La Sortie du Chenil Year: 1988 Edition: LXXVII/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon pap...
Category

1980s Impressionist Landscape Prints

Materials

Lithograph

Veduta della Gran Caduta dell' Aniene... - Etching by L. Rossini - 1825
Located in Roma, IT
Veduta della Gran Caduta dell'Aniene in Tivoli Image dimensions: 63x46 cm. From the series “Le antichità de’ contorni di Roma (...)” an artist's proof of technical virtuosity with sh...
Category

1820s Old Masters Figurative Prints

Materials

Etching

The Inside of a Hippah in New Zealand from Captain Cooks Travels
Located in Paonia, CO
The Inside of a Hippah in New Zealand is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook John...
Category

1780s Realist Landscape Prints

Materials

Engraving

Lawrence Beall Smith, Seaside Nomads
Located in New York, NY
A perfect summer day. A young mother, little boy, and even smaller girl have their luncheon under a make shift 'fly' -- a stripped cloth canopy fixed up with poles. Although it is titled 'Seaside Nomads,' to me it has the look of a bay or inlet. It's relatively flat and there are all sorts of grasses, old...
Category

Mid-20th Century Ashcan School Landscape Prints

Materials

Lithograph

Donald Shaw MacLaughlan, A Tuscan Farm
Located in New York, NY
Donald Shaw MacLaughlan's small, even 'miniaturist' etching, 'A Tuscan Farm,' features an idyllic view of a scene he would have encountered on his European...
Category

Early 1900s American Modern Landscape Prints

Materials

Etching

"Three Mountaintops Emerging From Fog" Copper Plate Heliogravure
Located in Chicago, IL
2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...
Category

1910s Symbolist Figurative Prints

Materials

Paper

TRES CHIC Signed Lithograph, 1920's Fashion Illustration Art Deco Lady Portrait
Located in Union City, NJ
TRES CHIC is an original hand pulled color lithograph by the Russian-born French artist Romain de Tirtoff (23 November 1892 – 21 April 1990) known by the pseudonym Erté. Erté, who is best known for his elegant fashion designs which capture the Art Deco period in which he worked. One of his earliest successes was designing for the French dancer Gaby Deslys who died in 1920. His delicate figures and sophisticated, glamorous designs are instantly recognizable, and his ideas and art still influence fashion into the 21st century. His costumes and set designs were featured in the Ziegfeld Follies of 1923 and many productions of the Folies Bergeres. TRES CHIC is a stylish Art Deco fashion portrait portraying a sophisticated, fashionable woman wearing a soft, elegant blue coat with a luxurious brown fur shawl...
Category

1970s Art Deco Portrait Prints

Materials

Lithograph

Vuillard, Les Communs Au Chateau Des Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph, Stencil

Gardens in Scilla - Original Lithograph by Giovanni Omiccioli - 1971
Located in Roma, IT
Gardens in Scilla is a beautiful original lithograph on cardboard, realized by the Italian artist Giovanni Omiccioli (Rome, 1901-1975) in 1971. Signed and dated in pencil, on the lo...
Category

1970s Contemporary Landscape Prints

Materials

Lithograph

Greetziel, North Sea, Germany
Located in San Francisco, CA
This artwork titled "Greetziel, North Sea, Germany" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand...
Category

Mid-20th Century Realist Figurative Prints

Materials

Etching

American Dream
Located in Palm Springs, CA
An idealized American suburb, but without an exit... Werger's mezzotint prints are masterful at capturing a mood and suggesting a story for the viewer to complete. He is known for h...
Category

2010s Contemporary Landscape Prints

Materials

Mezzotint

Dove of peace - Surrealist print, Limited edition, Established Polish artist
Located in Warsaw, PL
The work comes directly from the artist, is numbered, signed and made on sealed paper. Limited edition of 20. RAFAŁ OLBIŃSKI (born in 1943) He graduat...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

Diagonal Landscape - Vintage Offset Print after Giorgio Morandi - 1973
Located in Roma, IT
Image dimensions: 31.2 x 21 cm. Diagonal Landscape is a superb original offset print, reproducing the original watercolor by Giorgio Morandi. Signature by the artist is perfectly r...
Category

1970s Figurative Prints

Materials

Offset

Baigneuses - Original Etching by L. Lacouteux - 1899
By Lionel Lecouteux
Located in Roma, IT
Baigneuses is an original artwork realized by the French artist Lionel Lecouteux in 1899. Original etching on paper. The original dry hallmark on the lower right corner is present....
Category

1890s Figurative Prints

Materials

Etching

Whirlpool at Awa - Lithograph After Utagawa Hiroshige - 19th Century
Located in Roma, IT
Whirlpool at Awa is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th c...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

H.O. Miethke Das Werk folio "The Hope II" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

The Sea and the Sky - Lithograph by Claudio Cintoli - 1974
Located in Roma, IT
The Sea and the Sky is an original Contemporary Artwork realized in 1974 by Claudio Cintoli, with the pseudonym of Marcanciel Stupro. Plate-signed on the center. Numbered on the lo...
Category

1970s Pop Art Landscape Prints

Materials

Paper, Lithograph

Luna Tortilla (Moon Tortilla)
Located in San Francisco, CA
Francisco Toledo Luna Tortilla (Moon Tortilla), 2014 Poster 35.40 x 23.60 inches Edition of 33 This poster is part of a series called "No a los Transgénicos” - a visual arts campaig...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Color

Panoramic View of Saruhashi After Utagawa Hiroshige-Mid 20th Century
Located in Roma, IT
Panoramic View of Saruhashi is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

Food - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Food is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt between 18...
Category

1880s Modern Figurative Prints

Materials

Lithograph

La Charrue - Lithograph by Georges Braque - 1960
Located in Roma, IT
Hand signed and numbered. Edition of 150 prints. 
Category

1960s Modern Figurative Prints

Materials

Lithograph

Sleeping with the Fishes
Located in Greenwich, CT
Sleeping With the Fishes is a lithograph on paper, 9.25 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 171/275 (there were also 100 Roman a...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

The Rabbit on Volcano - Original Lithograph - Late 20th Century
Located in Roma, IT
The Rabbit on Volcano is an original lithography realized by an unknown artist of the late 20th Century. Hand-signed on the lower right in pencil, numbered" H.C." The state of pres...
Category

Late 20th Century Modern Figurative Prints

Materials

Lithograph

Devil's Bridge - Lithograph - 1862
Located in Roma, IT
Devil's Bridge is a hand colored lithograph realized in 1864. Good condition. The artwork belongs to ththe Suite Uses and customs of all the peoples of the universe, or History of ...
Category

1860s Modern Figurative Prints

Materials

Lithograph

Egypt - Lithograph after Karl Werner - 1881
Located in Roma, IT
Egypt is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt between 1...
Category

1880s Modern Figurative Prints

Materials

Lithograph

Spring - Original Screen Print by Maddalena Striglio - Late 20th century
Located in Roma, IT
The Spring is a very brightly colored serigraph realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-sign...
Category

Late 20th Century Contemporary Figurative Prints

Materials

Screen

Three Quarter Moon - Two Evening Stars, Lithograph by Bill Beckley
Located in Long Island City, NY
Artist: Bill Beckley, American (1946 - ) Title: Three Quarter Moon - Two Evening Stars Year: circa 1980 Medium: Lithograph, signed and numbered in pencil...
Category

1980s Conceptual Figurative Prints

Materials

ABS, Lithograph

Gordon Hunt, Wild Swim, Seascape Art, Affordable Art, Art Online
Located in Deddington, GB
Gordon Hunt Wild swim Limited edition print Image size: H 60cm x W 60cm Sheet Size: H 70cm s W 70cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication o...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Giclée

Country Town - Screen Print by Ivan Rabuzin - 1990s
Located in Roma, IT
Country Town is an original colored screen print realized by Ivan Rabuzin in the 1990s. Hand-signed on the lower margin. Numbered on the lower left.143/150. This very fine print re...
Category

1990s Contemporary Figurative Prints

Materials

Screen

Circle of Sheep, Pop Art Serigraph by Menashe Kadishman
Located in Long Island City, NY
Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Circle of Sheep Year: circa 1979 Medium: Serigraph, Signed in Pencil Edition: PP Size: 29 in. x 41 in. (73.66 cm x 104.14...
Category

1970s Conceptual Animal Prints

Materials

Screen

Winter - 21st century, Figurative Surrealist print
Located in Warsaw, PL
The work comes directly from the artist, is numbered out of limited edition of 20, signed and made on sealed paper. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Ar...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

de Vlaminck, La Maladrerie sous la neige, Vlaminck (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.08 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...
Category

1950s Fauvist Figurative Prints

Materials

Lithograph

Skiing Girls with Screen Print by Anne Storno
Located in Deddington, GB
Skiing girls by Anne Storno [2021] This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative c...
Category

2010s Abstract Figurative Prints

Materials

Screen

Goujaterie Allemande et... Résignation Française - Original Lithograph 1888
Located in Roma, IT
Goujaterie Allemande et... Résignation Française is an satyrical original lithograph realized by the italian illustrator and engraver Giuseppe Tarantino...
Category

1880s Figurative Prints

Materials

Lithograph

Forest 8 - Contemporary Linocut, Flora, Nature, Polish artist, Young art
Located in Warsaw, PL
MARTA GARBACZEWSKA (born 1987) - Graduate of the Academy of Fine Arts in Gdańsk. Diploma in 2012 in the studio of prof. Maria Targońska, annex by prof. Czesław Tumielewicz. PROVENAN...
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Paper, Linocut

Red Sand, Woodcut print, Traditional Japanese style print, Beach House Art
Located in Deddington, GB
Red Sand by Rod Nelson [2022] Please note that insitu images are purely an indication of how a piece may look Red Sand is a beautifully crafted woodcut prin...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Woodcut

Ancient Views of Yokohama - Vintage Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Yokohama is an original vintage albumen print on single cardboard: 34 x 26 cm. It was realized in the 1890s. Good conditions except for being aged. Caption in Ita...
Category

1890s Surrealist Figurative Prints

Materials

Cardboard

Landscape - Etching on Paper by Francesco Vitalini - 1904
Located in Roma, IT
Landscape is an original etching artwork realized in the 1904 ca. by Italian artist Francesco Vitalini. Hand-signed on the lower right in pencil. The State of preservation is very ...
Category

Early 1900s Figurative Prints

Materials

Etching

The Bridge House
Located in San Francisco, CA
Artist: Hans Figura (Austrian, 1898-1978) Title: The Bridge House Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Plate mark (Image) size: 10 ...
Category

Mid-20th Century Realist Figurative Prints

Materials

Etching

Landscape - Screen Print by Ivan Rabuzin - 1990
Located in Roma, IT
Landscape is an original colored screen print on paper realized by Ivan Rabuzin in the 1990s. Hand-signed in pencil on the lower margin. Excellent conditions. This very fine pr...
Category

1990s Contemporary Figurative Prints

Materials

Screen

Agony - The architecture of decay -
Located in Berlin, DE
Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...
Category

1980s Realist Figurative Prints

Materials

Etching, Paper

Ancient View of Capri - Original Lithograph on Paper - 19th Century
Located in Roma, IT
Capri is an original modern artwork realized in Italy in the half of the 19th Century. Original lithograph on Ivory Paper. Inscripted on the lower margin. Good conditions. Some ...
Category

19th Century Figurative Prints

Materials

Lithograph

Shorebreak, Japanese style woodcut print, contemporary handmade seascape print,
Located in Deddington, GB
Shore Break by Rod Nelson [2021] limited_edition and hand signed by the artist Woodcut Print on on Somerset Satin 300gsm acid free paper Edition number of ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Woodcut

Inondation II - Etching by Maurice Chot Plassot - 1970s
Located in Roma, IT
Illustration II is an original etching by Maurice Chot Plassot (Neully-sur-Seine 1929). Hand- signed by the artist on the lower right corner and the title on the left corner. Imag...
Category

1970s Modern Figurative Prints

Materials

Etching

View of Sepino - Original Lithograph by F- Cirelli - Mid 19th Century
Located in Roma, IT
Veduta di Sepino is an original artwork realized in the XIX Century by Cirelli. Colored Lithograph on paper. On the lower left corner the writing "P. Mattei di dal vero" and, on ...
Category

Mid-19th Century Old Masters Figurative Prints

Materials

Lithograph

S. Angelo dei Lombardi - Lithograph by Giuseppe Megna - 1980 ca
Located in Roma, IT
S. Angelo dei Lombardi is an original lithograph on paper realized by Giuseppe Megna. Hand-signed on the lower right and numbered on the lower left in pencil, edition of 187/200 pri...
Category

1980s Figurative Prints

Materials

Lithograph

"Stockhorn Mountain Range at Thuner Lake" Copper Plate Heliogravure
Located in Chicago, IL
2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extol...
Category

1910s Symbolist Figurative Prints

Materials

Paper

Oscar Weissbuch, Westchester Hills (NY), New Deal, WPA-era wood engraving
Located in New York, NY
New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...
Category

1930s American Modern Landscape Prints

Materials

Woodcut

The Sea of Tiberias. David Roberts Holy Land lithograph, 1844.
Located in Melbourne, Victoria
'The Sea of Tiberias', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s p...
Category

Mid-19th Century Victorian Landscape Prints

Materials

Lithograph

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