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Art Subject: Sink
"Say a Prayer -La Garconne Series, " a Color Pochoir
Located in Milwaukee, WI
This color pochoir by Kees Van Dongen is titled which was done in 1925 on arches paper No. 738/750.
Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum glass.
9...
Category
1920s Art Deco Figurative Prints
Materials
Other Medium
Oil Lamp With Heads of Animals - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Oil Lamp With Heads of Animals from "Antiquities of Herculaneum" is an etching on paper realized by Filippo De Grado in the 18th Century.
Signed on the plate.
Good conditions.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”), an eight-volume volume of engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy).
It was published between 1757 and 1792 by the Regia Stamperia, and copies were delivered to selected recipients across Europe.
Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites of Herculaneum: Resina and Portici.
The Bourbon King Carlo appointed fifteen scholars creating a new “Herculaneum Academy” to study the artifacts and publish the results of the archaeological excavations of the sites.
The engravings are of high quality and the accompanying text shows a large scholarship.
They were realized by 25 prominent artists involved by the King to prepare drawings and engravings on the finds, among which we can find Giovanni Elia Morghen, Carlo Nolli, Luigi Vanvitelli, and Giovanni Battista Casanova.
The “Antiquities” was designed more to amaze readers with the quality of the objects in the collection of the King of Naples than to be used in research., following and increasing the interest of 18th-century society for the classical culture and Art in particular.
Through the exaltation of the classical concept of proportions and harmony, the book was of inspiration to the neoclassical movement in Europe, giving artists and decorators access to a huge shop of Hellenistic motifs.Oil Lamp With Animals...
Category
18th Century Old Masters Still-life Prints
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Ancient Roman Tripods from the series "Antiquities of Herculaneum", is an etching on paper realized by Nicola Vanni in the 18th Century.
Signed on the pl...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
Related Items
Au Lido - Pochoir by G. Barbier - 1920
Located in Roma, IT
This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier.
A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...
Category
1920s Art Deco Figurative Prints
Materials
Stencil
Tango Dancers, Art Deco Screenprint by Igor Galanin
By Igor Galanin
Located in Long Island City, NY
Artist: Igor Galanin
Title: Tango Dancers
Year: circa 1985
Medium: Serigraph, signed and numbered in pencil
Edition: 100
Image Size: 29.5 x 39.5 inches
P...
Category
1980s Art Deco Figurative Prints
Materials
Screen
The pot boiling by David Hockney (Six Fairy Tales from the Brothers Grimm)
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. One of just a few in the series that depicts a single form with such complexity, drawn directly on the plate by Hockney. This is certainly an ode to Giorgio Morandi’s etchings...
Category
1960s Figurative Prints
Materials
Etching, Aquatint
Art Deco Etching "Zest" by Louis Icart
By Louis Icart
Located in Berlin, DE
Etching by Louis Icart ( 1888-1950 ), France. 1928. Signed in pencil lower right: Louis Icart.
Dated top left: Copyright 1928 by L. Icart Paris. Decorative frame. Dimensions: 19.29 ...
Category
Early 20th Century Art Deco Figurative Prints
Materials
Etching
"A Harlot's Progress" Plate 3 Etching
Located in Houston, TX
Etching from the series titled "A Harlots Progress" by William Hogarth. The series consists of six paintings and engravings. The story is about a woman named M. Hackabout who arrived in London and started working as a prostitute. The third plate is of her getting arrest for her choice in profession. The series is a satirical story that emphasizes the dangers of being a prostitute and the health risks that come from it.
In 18th century engraving, the detail of the black mole on women and men's face is a symbol of the deadly venereal disease, syphilis. In this plate, Hackabout has already contracted the disease and that is why the black dot is visible on her forehead as well as her madam's.
In 1828, William Innell Clement published Harlot's Progress in columns on a single page of his newspaper Bell's Life in London #330. The detail with the cross seen in earlier reproductions of the engraving.
Dimensions without Frame: H 14.5 in x W 16.5 in.
Artist Biography: William Hogarth ( 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", perhaps best known to be his moral series A Harlot's Progress, A Rake's Progress and Marriage A...
Category
1730s Old Masters Figurative Prints
Materials
Etching
Limon Lavrae: A 17th C. Hand-colored Engraving of Lemon Anatomy by G. Ferrari
By Giovanni Battista Ferrari
Located in Alamo, CA
This 17th century hand-colored engraving of a lemon entitled "Limon Lavrae", plate 219 from Giovanni Baptista Ferrari's publication "Hesperides, sive, De Malorum Aureorum Cultura Etu...
Category
17th Century Old Masters Figurative Prints
Materials
Engraving
H 23.25 in W 18.5 in D 0.75 in
Set of Two Engravings after Cipriani "Four Muses" & "Father and Two Daughters"
Located in Saint Augustine, FL
Artist: Francesco Bartolozzi (Italian, 1727-1815)
Title: "Four Muses" & "Father and Two Daughters"
Portfolio: Rudiments of Drawing
*Issued unsigned, though both are signed by Bartolo...
Category
1780s Old Masters Figurative Prints
Materials
Engraving, Etching
The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns.
The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category
1820s Old Masters Figurative Prints
Materials
Etching
H 27.5 in W 37.13 in D 0.88 in
Three Faces, Art Deco Serigraph by Erte
By Erté
Located in Long Island City, NY
Artist: Erte, Russian (1892 - 1989)
Title: Three Faces
Medium: Serigraph, Signed and Numbered in pencil
Edition: 92/260
Size: 24 x 18.5 inches
Frame: 33 x 27 inches
Category
1980s Art Deco Figurative Prints
Materials
Screen
Pair of Hand-colored Romantic French Engravings after Francois Boucher
By (After) Francois Boucher
Located in Alamo, CA
A pair of French classical romantic prints original created in the 18th century by Jacques-Firmin Beauvarlet (1731-1797) after paintings by Francois Boucher (1703-1770), utilizing ...
Category
18th Century Romantic Figurative Prints
Materials
Engraving, Etching
H 28.5 in W 23.63 in D 1.13 in
Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it.
The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints.
Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...
Category
1820s Old Masters Figurative Prints
Materials
Etching
H 27 in W 29.07 in D 0.5 in
Untitled (Nike)
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nike), lithograph, edition 250, 1929. Signed and numbered 1 in pencil. Number 1 of Volume 1, a series of 10 lithographs in each of 2 portfolios, publish...
Category
1920s Art Deco Figurative Prints
Materials
Lithograph
Previously Available Items
Giclée Print: 'WARTER'
Located in New York, NY
GRAPHICTHERAPY is David Calderley:
an Englishman in New York, Creative/Art Director, Graphic Designer and Illustrator. After graduating from the esteemed St. Martin’s School of Art...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Giclée
