Sybil Andrews

BRINGING IN THE BOAT - Early Working Proof of One Block

1933

FANNY RABEL (1922 – 2008) and ALBERTO BELTRAN (B. 1923 ISRAEL - 2 Conferencias por Vocente Lombardo 1951 (P.134) Linocut in 3...

HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...

LEOPOLDO MENDEZ (1902 – 1969) THE MAKING OF TORTILLAS 1954 Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...

ANGEL BRACHO (b. 1911 -) NO OLVIDEMOS A JULIUS Y ETHEL ROSENBERG…….1953 (P. 151) Linocut and letterpress 36 13/16 x 26 9/16” Some ...

"History of Detroit" is in the style of a mural by the master muralist from the city of Detroit, Hubert Massey. It renders in dramatic composition the ov...

In front of the mirror 19/100. Paper, linocut, 49,5x31,5 cm. 1970. Arturs Mucenieks (1912-1984) Graphic artist, painter. Born in the family of the tenant. Zenta Muсenieсe wife - painter, daughter Ilse Muceniece - painter. In 1949 he graduated from the AAL department of Painting; Diploma work "Sportsman holiday " (head O. Skulme). He worked as a teacher and head of the teaching department at the J. Rosenthal Riga Art School (1950-56), editorial managers of landscape, poster and cards at publishing house "Liesma" (1966-68). He participated in exhibitions since 1948. Significant personal and memorabilia exhibition: in Riga (1969-70, 1971, 1975, 76, 78-79, 80, 85), Ogre (1978-79, 1989). Member of the Artists` Union of Latvia since 1959. In easel graphic he carried away with monumentalism, poetically rich and naturally true person depiction, which realized in dynamic linocuts cycles ( "Latvian farm Anturage", 1961; "We want peace", 1962; "Spring Song", 1967). Concept of monumantalizing image developed in book graphics, primarily in the illustration to the prose (P. Bauģe "People near the water" 1961, R. Ezeras "Wild apple tree" 1966, and "Water well", 1972, A. Auziņa "Griezies, vilciņ", 1973) and poster art (" Riga - 750! ", 1951; the cycle" Latvian Riflemen", 1959; triptych "Slava" 1967 "on March 8", 1968...

"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) Rush Hour (Coppel SA 11) Linocut printed in Chinese orange, Chinese blue and black, 1930, on tissue thin oriental laid paper. Signed, titled and numbered 8/50 in pencil lower left, framed. Block 209 x 251mm (8 1/4 x 9 7/8in) Sheet 249 x 310mm (9 3/4 x 12 1/4in) Framed by Bark 14 1/2 x 16 inches BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass...

An original linocut print by American artist Irene Zevon. The reclining nude is one of Zevon's most coveted subject matters. This 1959 print is one of a series of ten prints.