Takashi MurakamiGunegune DOB Special Version, 1997, Limited Edition of 100 by Takashi Murakami1997
1997
About the Item
Gunegune DOB Special Version
1997
Offset print in colors
Signed and dated in ink, numbered 30/100
Takashi Murakami’s Gunegune DOB Special Version belongs to the formative period of his exploration of Mr. DOB, the iconic character he created in the early 1990s. Mr. DOB — whose name derives from a fragment of a Japanese slang expression (dobojite, meaning “why?â€) — began as a playful, Mickey Mouse–like mascot but soon evolved into a complex figure embodying the contradictions of contemporary Japan.
In this work, DOB mutates into a vertical totem-like form, proliferating into bulbous, biomorphic extensions covered with wide eyes and razor-sharp teeth. The image captures Murakami’s fascination with the instability of identity, the hybridization of high and low culture, and the uneasy coexistence of cuteness (kawaii) and menace. The stacking, twisting figures suggest a surreal creature that is simultaneously comical and monstrous, reflecting the artist’s ongoing commentary on consumerism, pop iconography, and the darker undercurrents of fantasy.
Thematically, Gunegune DOB Special Version illustrates Murakami’s “Superflat†theory — his response to postwar Japanese visual culture, where distinctions between fine art and popular culture collapse into a single flat, highly saturated surface. The spiraling DOB forms, compressed against a stark gradient background, emphasize this flatness while embodying the hallucinatory excess of manga, anime, and advertising aesthetics.
Produced as a limited edition offset print of only 100 — a notably smaller tirature compared to Murakami’s more common editions of 300 — this work is relatively rare, encapsulating a pivotal early moment when DOB shifted from mascot to polymorphic symbol, at once charming, grotesque, and endlessly adaptable.
- Creator:Takashi Murakami (1963, Japanese)
- Creation Year:1997
- Dimensions:Height: 40.75 in (103.5 cm)Width: 28.75 in (73 cm)
- Medium:
- Period:
- Condition:In overall good condition, given the age. Slight undulations throughout the sheet A few indentation marks. Not examined out of the frame.
- Gallery Location:Hong Kong, HK
- Reference Number:Seller: GLM-TM-2141stDibs: LU1545217041362
Takashi Murakami
Japanese contemporary artist Takashi Murakami may be famous among collectors for the psychedelic flowers and chaotic cartoons that populate his prints and paintings, but artists likely know him as the theorist behind the contemporary art movement he calls “Superflat.”
Partially inspired by the Pop art of Andy Warhol, in which celebrity culture and mundane mass-produced items became the focus of bright and colorful works that both celebrated and criticized consumerism, Murakami’s Superflat encompasses painting, sculpture, digital design and more to present a subversive look at consumerism but is also an effort to blend fine art and lowbrow culture.
A multifaceted and remarkably influential artist as well as a compulsive art collector, Murakami has collaborated with brands such as Louis Vuitton, while one of his most famous Superflat works is the teddy bear on the cover of the Graduation album by American rapper Kanye West.
In 1993 Murakami earned his Ph.D. from Tokyo University of the Arts, where he was trained in nihonga, a style of painting that originated in the late 19th century by artists who worked to preserve and promote the conventions and processes associated with traditional Japanese art. While practicing nihonga, Murakami began to realize that his beliefs didn’t align with the tradition, so his art subsequently took on a satirical feel that embodied a critique of the movement. Before long, his style took a drastic turn, embracing otaku, a rising postwar cultural phenomenon among Japan’s younger crowd who loved anime and manga. (Otaku is also integral to Superflat.)
This is when Murakami’s most well-known character, Mr. DOB, was born. This anime-inspired icon, which Americans might interpret as a cross between Walt Disney’s Mickey Mouse and Lewis Carroll’s Cheshire Cat given its pronounced ears and broad and menacing grin, was part of the artist’s endeavor to elevate the otaku subculture but also to target mass consumerism. While Murakami conceived of Mr. DOB years ahead of his 2000-era Superflat theory, there is much common ground between the two. Not unlike his other creations, Murakami’s Mr. DOB is equal parts erotic, disturbing and cartoonish — an incisive mockery of the mingling of commerce and fine art so prevalent in Japanese popular culture.
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