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Theophile Narcisse ChauvelCerfs en Foret - Etching by Théophile Narcisse Chauvel - 1860s1860s
1860s
About the Item
Cerfs en Foret is a black and White etching realized by Théophile Narcisse Chauvel in the 1860s.
Titled in the lower.
Image size: 24x31.
Very good impression with wide margins and a very fresh inking.
Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the Société des Aquafortistes had the aim of reviving etching which had slowly been replaced by the cheaper lithography. Among the first participants in the association were the Barbizon painters who helped raise the medium to new heights, but over 100 leading French artists contributed to the creation of the 300 engravings. With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, former member, founded the Société Internationale des Aquafortistes in Brussels in December 1869 , while in London The Portfolio and the Society of Painter-Etchers were born respectively in 1870 and 1880. In Paris, in 1873, the magazine Paris à l'eau-forte was founded.
- Creator:Theophile Narcisse Chauvel (1831 - 1909, French)
- Creation Year:1860s
- Dimensions:Height: 21.66 in (55 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1504131stDibs: LU650315045042
Theophile Narcisse Chauvel
A pupil of François-Édouard Picot and Jean-Joseph Bellel, Théophile Chauvel entered the Imperial School of Fine Arts on March 4, 1854. In the same year, he won second prize in Rome for historical landscape. He first entered the Paris Salon in 1855, where he painted and exhibited until 1859. At that time, he devoted himself to dry point, a type of lithography and etching, from 1861 to 1867 where he represented, among other things, views of the forest of Fontainebleau, then reproductions of works by the masters of the Barbizon school.
From 1874–75, Chauvel worked for the annual album L'Eau forte and the magazine L'Art, of which he became director in the 1890s and in which were reproduced his prints after Théodore Rousseau, Jules Dupré, Narcissus Díaz de la Peña, and Charles-François Daubigny. But it is in his engravings of interpretation of Corot that he asserts all his mastery. Chauvel was a medalist at the Salon in 1870, 1873 and 1878. He won the medal of honor at the Salon des Artistes Français, the first awarded to the engraving section, in 1881. He was awarded the grand prix of the Salon in 1889 and 1900. He was appointed Knight of the Legion of Honor in 1879, then promoted to Officer of the same order in 1896.
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