Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Thomas Holloway
Clemency - Original Etching by Thomas Holloway - 1810

1810

$543.80
£409.43
€460
CA$750.53
A$840.76
CHF 438.11
MX$10,255.52
NOK 5,567.40
SEK 5,249.66
DKK 3,501.98

About the Item

Clemency is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, 1810. Titled on the lower center. Good conditions, except for some minor stains and foxing. The artwork represents the portrait of the woman through deft strokes. Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay). Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity) sculptures. Some of the engravings in his volume, made by great masters of the time, are still considered today as graphic masterpieces.
  • Creator:
    Thomas Holloway (1748 - 1827, British)
  • Creation Year:
    1810
  • Dimensions:
    Height: 12.6 in (32 cm)Width: 10.04 in (25.5 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1241171stDibs: LU65038836252

More From This Seller

View All
Portrait of Clemency - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Portrait of Clemency is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge...
Category

1810s Old Masters Portrait Prints

Materials

Etching

Portrait of the Clemency - Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Portrait of the Clemency is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lon...
Category

1810s Modern Figurative Prints

Materials

Etching

Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
Category

1810s Old Masters Portrait Prints

Materials

Etching

Attention - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Attention is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", L...
Category

1810s Modern Figurative Prints

Materials

Etching

Portrait of Men and Women - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Portrait of men and women is an original etching artwork realized by Thomas Holloway after Lebrun, for Johann Caspar Lavater's "Essays on Physiognomy,...
Category

1810s Modern Figurative Prints

Materials

Etching

Portrait - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
Category

1810s Old Masters Portrait Prints

Materials

Etching

You May Also Like

Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category

Late 18th Century Portrait Prints

Materials

Engraving, Etching

Carlo Lasinio "Ermina and the Wounded Tancredi" Original Etching C.1820
Located in San Francisco, CA
Carlo Lasinio "Ermina and the Wounded Tancredi" Original Etching C.1820 Remarkable early 19th century etching Plate dimensions 14.75" wide 11.25" high The frame measures 24.75" wi...
Category

Early 20th Century Figurative Prints

Materials

Etching

c.1830 Exquisite Antique English Etching Artist Proof
Located in Chicago, IL
English etching artist proof. The bottom reads as follows: Printed by Henry Fradelle and engraved by Thomas Lupton. Rebecca and Ivanhoe AS THE WOUNDED KNIGHT WAS ABOUT TO ADDRESS THIS FAIR APPARITION SHE IMPOSED SILENCE BY PLACING HER SLENDER FINGER UPON HER RUBY LIPS...
Category

Antique 19th Century English Romantic Prints

Materials

Paper

Harmony, Framed Vintage Etching by Frank Dicksee
Located in Long Island City, NY
This is an etched rendition of a painting by Frank Dicksee. Harmony is one of the most well-known pictures by Dicksee, depicting a young man staring adoringly into the eyes of a girl...
Category

1870s Figurative Prints

Materials

Etching

Richard Westall Neoclassical Mythology Drawing 1800s pencil on paper
By Richard Westall
Located in Florence, IT
Drawing Pencil on paper, 17.7 x 26.7 inch; with gilded frame 28.3 x 37 inch The scene is set on the seashore, in the part were the stormy sea is licking the land, made of a rocky an...
Category

Early 1800s Other Art Style Figurative Drawings and Watercolors

Materials

Paper, Pencil

James HARDY Jr. Charmeuse, Lithograph 135/350
By James Hardy Jr.
Located in Saint Amans des cots, FR
Lithograph titled "Charmeuse" by James Hardy Jr (1832-1889)., late 19th century. Numbered 135/350. Copyright by Galerie Lutetia, Notre-Dame-des-Victoires, Paris.
Category

Late 19th Century Figurative Prints

Materials

Lithograph