Tom Sachs

Tom Sachs - Too Darn Hot, 2022

James Ulmer Free Flow, 2022 9 Layer Handprinted silkscreen, Fedrigoni Cotton wove 350gsm acid-free paper 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 50 Publ...

Mayuka Yamamoto Sitting Bear, 2022 Lithograph in colors 27 3/5 × 21 3/10 in 70 × 54 cm Edition of 75 Signed and numbered Contact us for the edition nu...

Figurative abstract woodcut print titled "Serpientes Cafe" by Cecelia Sánchez Duarte. Pencil signed with "P/A" (Artist Proof), title, and signature bottom margin. Image, 31"H x 23.25"W. Sanchez Duarte is a visual artist and a cultural activist. Cecelia also teaches Art History at Escuela Profesional de Danza de Mazatlán, is the Fine Arts Coordinator at Centro Municipal de Artes, cofounder of the new Técnico en Artes Plásticas and founder of a painting workshop for children. She has had more than 300 collective exhibits internationally as well as 17 solo shows. Cecelia Sánchez Duarte lives in Mazatlán, Mexico. Cecilia Sánchez Duarte became the new director of the Art Museum of Mazatlan in 2017. Cecilia Sanchez Duarte works in printmaking at the Taller Experimental de Estampa Jose Guadalupe Posada...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...