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  • Design Credit: Kacy Ellis, Photo Credit: Wynn Myers. Dimensions: H 15.25 in. x W 13.5 in.
  • Design Credit: Jeremiah Brent Design, Photo Credit: Nicole Franzen. Dimensions: H 15.25 in. x W 13.5 in.
  • Design Credit: Sarah Shetter, Photo Credit: Boris Breuer. Dimensions: H 15.25 in. x W 13.5 in.
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Tony Minartz
Au Restaurant

1904

$450

About

An original etching on cream laid paper by French artist Tony Minartz (1873-1944) titled "Au Restaurant", 1904. Edition size unknown. Printer unknown and published by Revue de l'Art Ancien & Moderne in Paris, France. Comes with original tissue cover sleeve. Recently matted with 100% cotton rag mat and foam board backing. All archival. Matted size: 15.25" x 13.5". Sheet size: 11.5" x 8.75". Image size: 8.75" x 6.75". A strong impression in excellent condition. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter , draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas and L'Assiette au beurre . It also shows some sheet music and a number of books bibliophile . During the years 1900 and 1910, he worked for the couturier Jacques Doucet , running designs, elegant watercolors and parades . During the Belle Époque, an attentive witness of Montmartre , he resides in Paris at 37 rue Fontaine . He participated in 1918 in an exhibition for the benefit of works of war and seems to permanently retire to Cannes to devote himself to painting.

Details

  • Creator
    Tony Minartz (1873 - 1944, French)
  • Creation Year
    1904
  • Dimensions
    Height: 15.25 in. (38.74 cm)Width: 13.5 in. (34.29 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
  • Gallery Location
    Saint Augustine, FL
  • Reference Number
    1stDibs: LU12127766912

Shipping & Returns

  • Shipping

    Ships From: Saint Augustine, FL
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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