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Basketball - Original Etching and Drypoint - Mid-20th Century

Mid-20th Century

The Exhibition is an original print in etching and drypoint. on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created th...

Figures is an original print in etching and drypoint on white paper realized by an anonymous artist of the mid-20th century. In very good conditions. The artwork created through con...

Abstract Composition is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork create...

Figures is an original print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through con...

Charles Martin - La Mêlée - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris

"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...

Auguste RODIN (after) Dance, 1897 Etching enhanced with watercolor On vellum 31 x 42.5 cm (c. 12.2 x 16.7 inches) Edition limited to 125 copies, send with the certificate of authent...

For your hockey enthusiast! A ca. 1950s, pastel & charcoal on paper drawing of a hockey game by artist Francis Chapin. Artwork size: 9" x 12". Matted to: 14" x 18". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...