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Drawing Lesson - Woodcut Print - Mid-19th century

Mid-19th century

The Living Kite is an original Woodcut print realized in the late 19th century after Utagawa Kunisada. Good condition except for some damaged paper on the edge and Beautiful colore...

The temple is an artwork realized by Mizuno Toshikata (1866-1908). Woodcut print, early 20th Century. 33 x 43 cm with frame. Good conditions

Sculptor at work is an artwork realized in the Early 20th Century after Takakane Fujiwara. Sheet dimensions: 30 x 19.5 cm. Reprint. Good conditions.

Old Samurai is a Woodcut print realized in late 19 century after Utagawa Kunisada. Good condition and Beautiful colored woodblock print, included a cardboard passpartout (46x32 cm...

Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...

Utagawa Yoshitora, ????? ( ????) was a designer of ukiyo-e Japanese woodblock prints and an illustrator of books and newspapers who was active from a...

Japanese Woodblock Print by Eizan Kikugawa,???? (1787~1867) ABOUT THE ARTIST A native of Edo, Eizan Kikugawa was born as Toshinobu Omiya in 1787. He began his artistic career s...

Japanese Woodblock Print by Keisai Eisen ?? ?? (1790~1848), original and unframed. ABOUT THE ARTIST Keisai Eisen (?? ??, 1790–1848) was a Japanese u...