Unknown

Wagon - Original Etching - 1940 ca.

1940 ca.

Untitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...

Landscape is an original Contemporary artwork signed "Oznaut" and realized in the Mid-20th Century. Original Etching on paper. Hand-signed in pencil on the lower right margin. Mi...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

Etching and drypont. Hand Signed and dated. Edition of 30 prints. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created...

Gifford Beal (1879-1956) Original Pencil Signed Etching with Drypoint. Presented in a smart black frame. Signed below plate lines. On paper.

Horse Pulling Hay Cart by Félix Pissarro (1874-1897) Etching 19.5 x 15 cm (7 ⅝ x 5 ⅞ inches) Exhibition London, Stern Pissarro Gallery, Camille Pissarro & his Descendants - A Tradit...

Medium: original etching. Published in Berlin by Bruno Cassirer in 1904 for Kunst und Kunstler. The plate measures 5 1/2 x 7 1/4 inches (140 x 185 mm). Not signed.

Vintage dry point etching "Going to the Wagon, No. 1" with original pencil doodle by noted western artist, Edward Borein, circa early 1900s. The piece is hand signed in pencil by the artist in the lower right and contains a small original pencil doodle in the lower left of a cowboy on a horse. The image (plate mark) is 9.875" x 7.875 and the piece is presented in a custom oak frame measuring 19" x 15.25" with a double cut cream mat. Overall, the etching is in very good vintage condition. This outstanding work is also titled "The Texans" and is extremely rare with the small doodle sketch by Borein. #4452 Born in San Leandro, California, Edward Borein became one of the most popular artists of western scene painting, equally adept at ink drawing, watercolor, and etching. He was raised in San Leandro, a western cow town, in a family where his father was a county politician. Edward had many childhood memories of herded cattle and their cowboys, which he began sketching at the age of five. He was educated in the Oakland, California schools, and at the age of 17 began working on a ranch near Oakland and then drifted and sketched as a working cowboy throughout the Southwest, Mexico, and Guatemala. It was said that he practiced his art on anything he could find from bunkhouse walls to scraps of paper. At age 19, he enrolled at the San Francisco Art School, his only formal art training, and there he met Jimmy Swinnerton and Maynard Dixon who encouraged him in his art career. The first person to purchase his work was Charles Lummis, editor of The Land and Sunshine magazine in California, and the two became life-long friends. Borein and Lucille Maxwell were married in the Lummis home. Borein, a typical westerner in dress and manner, also became close friends with Charles Russell, actor Will Rogers, and President Theodore Roosevelt. Borein often traveled north to visit Russell in Great Falls, Montana and to travel among Indian tribes. In 1899, Borein visited Arizona while returning from Mexico. By 1902, he was a successful illustrator in San Francisco for the San Francisco Call, and in 1907 to enhance his illustration skills, went to New York to learn etching techniques. There he enrolled in the Art Students League and was a student of Child Hassam. In the theatre district, he opened a studio that became a gathering place for 'lonesome' westerners such as Charles Russell, Will Rogers, Olaf Seltzer...