Victor Vasarely

Victor Vasarely, "Tennis Player", silkscreen

1977

An original etching created by Pablo Picasso in 1966 . It is stamp signed and numbered from the edition of 50. This piece measures 8.8 x 12.8 inches and the framed dimensions are 1...

This piece is original ceramic plate by Jean Cocteau, created in 1961. This piece was embellished with black, red, green, blue, and yellow enamels. In 1957, Cocteau met Marie Madeline Jolly and Philippe Madeline and created over 300 ceramics in their workshop at Villefranche-sur-Mer. At this workshop, he began experimenting with new concepts in pottery design. All these ceramic objects, he said, should look as if they were discovered in an archaeological dig. This piece is from a series of 8 ceramic plates that illustrate the ancient Latin...

Salvador Dalí­ "Le Creuset philosophal" from Alchimie des Philosophes Mixed media, from original gouache by Dalí­, printed with lithography, etching and sil...

This piece is an original lithograph created by Pierre- Auguste Renoir in 1896. This piece was done in black on Arches Ingres laid paper. There is also an edition of 100 impression...

Julio Le Parc Jeux Enquête - Choisissez vos Ennemis, 1970-2014 Screenprint on wove paper Hand signed, dated and numbered 46/50 in graphite by the artist on the front Published by Serpentine Galleries, UK Accompanied by official certificate of authenticity from the Serpentine as well as gallery issued Certificate of Guarantee Unframed The long sold out Limited Edition produced on the occasion of Julio Le Parc’s exhibition at the Serpentine Gallery in the UK is a silkscreen print of a dartboard, part of the playful installation Choisissez vos Ennemis (1970) from his Jeux Enquête series, which was featured in the show. This series was borne from the civil unrest in France and the events of May 1968. It depicts social archetypes of different ranks: the imperialist, the capitalist, the military, the intellectual neutral, the policeman, and the indifferent. Julio Le Parc was born in Mendoza, Argentina in 1928 and currently lives and works in Paris where he has resided since the late 1950s. In 1964 he was awarded the Special Prize (acquisition) in the Premio Internacional Torcuato Di Tella, Buenos Aires, Argentina, and in 1996, the International Painting Grand Prix at the XXXIII Venice Biennial, Italy. Following his expulsion from Paris in 1968, he travelled around various European countries only to return five months later when the restriction was revoked. Le Parc participated in Unofficial Latin America, held in Paris, and the Medellín Biennial in Colombia in 1970. Le Parc held his first solo exhibition at the Howard Wise Gallery, New York (1966), which was followed his first retrospective exhibition, held at the Instituto Di Tella in Buenos Aires, Argentina (1967). Subsequently Le Parc has held numerous retrospective exhibitions in major museums in Havana, Düsseldorf, Montevideo, Caracas, Asunción, Mexico City, Stockholm, Berlin, Madrid, Barcelona, Santiago de Chile, and Porto Alegre. His most recent solo exhibitions were held at the Palais de Tokyo in Paris (2013) and at the Daros Foundation (2014). Notable writings include: A propósito de arte espectáculo... (With regard to spectacle art...); Función social del arte en la sociedad contemporánea (The social function of art in contemporary society); Color 1959 (Colour 1959); and El artista en el context social actual (The artist in the present social context). He participated, with the Denuncia group, in the collective work Torture (1972) and joined the International Brigade...

Faces of Dalí #1 is a serigraph on paper with an image size of 26 x 18 inches, signed 'Yvaral' lower right and numbered 91/200 lower left. From the edition of 263 (there were also 20...

Faces of Dalí #2 is a serigraph on paper with an image size of 26 x 18 inches, signed 'Yvaral' lower right and numbered 80/200 lower left. From the edition of 263 (there were also 20...

Faces of Dalí #4 is a serigraph on paper with an image size of 25 x 17 inches, signed 'Yvaral' lower right and numbered 160/200 lower left. From the edition of 263 (there were also 2...