Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

William Auerbach-Levy
Washington's Courtship - 1932 Etching on Paper

1932

About the Item

Washington's Courtship - 1932 Etching on Paper 1932 black and white etching depicting George and Martha Washington by William Auerbach-Levy (Russian, 1889-1964). Titled "Washington's Courtship" (from the portfolio "The Bicentennial Pageant of George Washington"), 1932. Signed "William Auerbach-Levy" bottom center. Mat: 24"H x 18"W Paper: 19.5"H x 14.5"W Image: 15"h x 11"W William Auerbach-Levy was a painter, printmaker, and caricaturist/. He was born William Auerbach in Brest-Litovsk, Russian Empire, on February 14, 1889. His parents added Levy to their last name when they emigrated to the United States in 1894. Auerbach-Levy studied at the School of the National Academy of Design in New York and the Académie Julian in Paris with Jean Paul Laurens. He later taught at the Educational Alliance Art School and the School of the National Academy of Design, both in New York. Auerbach-Levy gained notoriety as a caricaturist and he was considered one of the finest exponents of the art. His caricatures of prominent people appeared in The New Yorker, Vanity Fair, The New York Post, Colliers, Esquire, and American Heritage. In 1926, he was elected an Associate of the National Academy of Design and a full Academician in 1958, and he received a Guggenheim Fellowship in 1929. Auerbach-Levy was also a member of and exhibited with the Chicago Society of Etchers, the Society of American Graphic Artists, and the Salmagundi Club. His prints were selected for "Fifty Prints of the Year" in 1931 and 1933. He was awarded a prize from the National Academy of Design in 1921 and 1925, and the Samuel F. B. Morse gold medal in 1958. He also won the Isaac N. Maynard Prize for portraiture in 1925, the Isidor Prize from the Salmagundi Club, and the Lewis First Prize for Caricature from the Pennsylvania Academy of Fine Arts in 1927. The work of Auerbach-Levy is represented in the permanent collections of the Museum of Fine Arts Boston; the Carnegie Institute, Pittsburgh; the Art Institute of Chicago; the Cleveland Museum of Art; the Detroit Institute of Arts; the Honolulu Academy of Fine Arts; the Library of Congress and the National Portrait Gallery, Washington, D.C.; the New York Public Library; and the Worcester Art Museum.
  • Creator:
    William Auerbach-Levy (1889 - 1964, American)
  • Creation Year:
    1932
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Very good condition. New Mat.
  • Gallery Location:
    Soquel, CA
  • Reference Number:
    Seller: N97211stDibs: LU54215757672

More From This Seller

View All
"Snug Harbor" Etching of a Romantic Harbor Scene 1928
By Armin Hansen
Located in Soquel, CA
"Snug Harbor" Etching of a Romantic Harbor Scene 1928 Tall ships in a "Snug Harbor" by Armin Carl Hansen (American, 1886-1957. On wove paper. Image, 6"H x 8"W Sheet, 9.75"H x 12"W ...
Category

1920s American Impressionist Landscape Prints

Materials

Laid Paper, Etching

Washington At Pohick Church - 1932 Etching On Paper
By Ernest David Roth
Located in Soquel, CA
Washington At Pohick Church - 1932 Etching On Paper 1932 black and white etching depicting George Washington at Pohick Church by Ernest David Roth (German, 1879-1964). George Washin...
Category

1930s American Impressionist Landscape Prints

Materials

Laid Paper, Etching

Bowling on the Green (from the Bicentennial Pageant of George Washington)
By Childe Hassam
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Category

1930s American Impressionist Figurative Prints

Materials

Ink, Etching, Laid Paper

"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching
By Robert Hogg Nisbet
Located in Soquel, CA
"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...
Category

1930s American Impressionist Figurative Prints

Materials

Laid Paper, Etching

"Drowsy Bums" - Mid Century Figurative San Francisco Dock Landscape
By John Stoll
Located in Soquel, CA
Figurative landscape capturing dock workers' afternoon break by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Drowsy Bu...
Category

1940s American Impressionist Landscape Prints

Materials

Paper, Printer's Ink, Etching

Old Houses, Milbank Grosvenor Road London 1906
By Joseph Pennell
Located in Soquel, CA
Old Houses, Milbank Grosvenor Road London 1906 This an etching of Grosvenor Road Old Houses, done in 1906 by American printmaker and Whistler biographer Joseph Pennell (American, 18...
Category

Early 1900s American Impressionist Landscape Prints

Materials

Handmade Paper, Etching

You May Also Like

Over Cape Cod
By Frank W. Benson
Located in New York, NY
"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

Mid-20th Century American Impressionist Figurative Prints

Materials

Etching

Mending the Tears
By Winslow Homer
Located in New York, NY
Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie. This piece is signed in pencil “Winslow Homer, N.A.” in the lower left above the etched remarque of an anchor. Etched above the image (top left) is “Copyright, 1888 by Winslow Homer N.Y.” and (top right) “G. W. H. Ritchie Imp.” Also etched in the plate (lower right) “Winslow Homer Sc.” ). The printed image size 15.25 x 21.5" (38.8 x 54.5 cm) plus margins – printed on Japan paper. This item is in very good condition and framed in 2.25 inch scooped molding finished in gold leaf with a rag stock bevel (mat edge) wrapped in metal leaf and rag stock top mat wrapped in silk. Glazed in TruVue Museum Glass. “Winslow Homer (1836-1910) was one of America's great artists of the 19th century and the sea...
Category

1880s American Impressionist Figurative Prints

Materials

Etching

Arch Beach, California
Located in San Francisco, CA
This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...
Category

Early 20th Century American Impressionist Landscape Prints

Materials

Etching

Village in France
By David Rosenthal
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949) Title: Village in France Year: c.1927 Medium: Color Etching with aquatint Image (Plate mark) size: 13.5 x 10 inches Sheet size: 14.75 x 11.25 inches Signature: Hand signed and numbered 9/50 in black ink by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...
Category

Early 20th Century American Impressionist Landscape Prints

Materials

Etching, Aquatint

Bayfront Park, Miami, Florida
By David Rosenthal
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...
Category

Early 20th Century American Impressionist Landscape Prints

Materials

Etching, Aquatint

Bay Harbor
By David Rosenthal
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949) Title: Bay Harbor Year: c.1930 Medium: Etching Image (Plate mark) size: 6 x 8.25 inches Sheet size: 8.25 x 10.5 inches Signature: Hand signed in pencil by the artist Condition: Very good About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...
Category

Early 20th Century American Impressionist Figurative Prints

Materials

Etching

Recently Viewed

View All