Frederic Amat

Spanish signed limited edition original art print engravin 35x24 in. n4

1983

Ernesto Garcia Peña (Cuba, 1949) 'Our time" (from Porfolio Grabados Cubanos)', 1977 linocut print on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 Ref: GAE-309...

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla I', 2019 Engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-101

José Viera (Spain, 1949) 'El día', ca. 1990-1999 engraving on paper 15.8 x 24.5 in. (40 x 62 cm.) Edition of 225 ID: VIE1176-002-225 Hand-signed by author

José Viera (Spain, 1949) 'La noche', ca. 1990-1999 engraving on paper 15.8 x 24.5 in. (40 x 62 cm.) Edition of 225 ID: VIE1176-001-225 Hand-signed by author

This bold screen print depicts a scene from the 1950s, set in a jazz coffee house in Greenwich Village called Nick's, which Simon patronized while in high school. The original stone ...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Matted size: approx. 37 x...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "The Football Players...