Georges Braque

1990 original exhibition poster for Georges Braque’s “À tire d’aile”

1990

This sublime poster was made by Georges Braque 🇫🇷 (1882-1963) for his 1961 exhibition at the Galliera Museum (Fashion Museum of the City of Paris). The Salon des Peintres témoins de leur temps is a show that was held every year between 1951 and 1983, first at the Museum of Modern Art of the city of Paris and then in the Palais Galliera. Initiated by the painter Isis Kischka, the salon des peintres témoins de leurs temps is one of the most visited salons of the time, bringing together a hundred artists per edition while organizing around various themes over the years. Braque is a major figure of modern art in the world. Along with Pablo Picasso, he was one of the initiators of Cubism, a pictorial movement based on the decomposition and geometrisation of forms. In 1917, he created a series of breathtaking paintings. His paintings are divided into a series of themes: the figure, the still life and the studio. It was in 1953, when he was at the peak of his career, that he completed "The Birds", this magnificent work which is featured on the poster. This work, composed of three canvases...

In 1963, the Bibliothèque littéraire Jacques Doucet in Paris hosted an exhibition titled Livres Gravures Manuscrits Documents, a collaboration between two prominent figures in 20th-century art and literature: the painter Georges Braque and the poet René Char. The exhibition, which showcased their shared interest in the intersections of visual art and written word, was accompanied by a distinctive original poster that has since become a celebrated piece of design in its own right. The Livres Gravures Manuscrits Documents exhibition focused on the works Braque created alongside René Char, combining Braque’s renowned printmaking and visual art with Char's literary texts. Braque, best known for his role in the development of Cubism alongside Pablo Picasso, had a lifelong interest in the integration of text and image, often producing works that bridged the gap between painting, collage, and typography. René Char, a highly respected poet and close collaborator of Braque, shared this interest in the relationship between the visual and the verbal, and their combined works formed a powerful dialogue between the two mediums. The exhibition highlighted a selection of Braque’s engravings and lithographs, many of which were created in collaboration with Char’s poetry. These works, which included books, manuscripts, and documents, displayed the seamless fusion of language and image, where the words were not simply illustrations or captions but were integral parts of the compositions themselves. The exhibition provided an opportunity for visitors to experience how the two artists blurred the boundaries between their respective disciplines. The original exhibition poster for Livres Gravures Manuscrits Documents exemplified the spirit of the exhibition itself. While the exact design details may vary in interpretation, the poster captured the essence of Braque’s and Char’s collaboration—combining elements of the written word with visual art in a way that resonated with the avant-garde movement of the time. The poster, much like the exhibition, served as an invitation to explore the creative synergy between two masters of their respective fields, inviting the viewer to reflect on the interplay of language and visual expression. The Bibliothèque littéraire Jacques Doucet, the venue for this important exhibition, was an ideal setting for showcasing this unique collaboration. As a repository of rare manuscripts...

This offset lithograph titled À tire d'aile by Georges Braque is a high-quality reproduction of the original lithograph created in 1956. Printed on vellum paper, this reproduction ca...

Medium: lithograph (after the original lithograph poster for the Maeght Gallery). During the late 1940's and throughout the 1950's, Georges Braque created a series of posters at the ...