Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Giovanni Battista Piranesi
The Monumental Tablet

c. 1748

$8,500
£6,443.22
€7,523.11
CA$11,906.08
A$13,402.38
CHF 7,090.36
MX$166,240.07
NOK 87,609
SEK 83,790.26
DKK 56,126.11
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

The Monumental Tablet Etching, engraving, drypoint and burnishing, c. 1748 Series: Grotteschi (Grotesques, 4 plates) Original, unwashed condition. Excellent. Second edition first issue through third edition first issue, 1750-mid to late 1780s A similar state impression is in the collection of the Metropolitan Museum of Art. Plate size: 15 3/8 x 21 1/8 inches Reference: Robison 21 ii/V Focillon 12.20 Wilton-Ely 1.41.21 "Piranesi made his series of print the Grotteschi when he returned to Rome after a stay in Venice, where he is said to have worked briefly with Tiepolo. The four etchings reflect encounter with the remarkable prints of the famous Venetian . In The Skeletons, the light, sketchy strokes of varying lengths found in some areas of the print recall Tiepolo's technique, while the combination of skulls, vegetation, and crumbling ruins, as well as the ambiguity of the subject, are characteristics shared with Tiepolo's Scherzi (1976.537.19) and Capricci series. A few direct quotations from Tiepolo are seen in the Grotteschi—the smiling herm who appears here and in The Triumphal Arch has its source in one of Tiepolo's Scherzi. Whether Piranesi worked for Tiepolo or merely became acquainted with him, it appears likely that the older artist introduced Piranesi to the work of his favorite seventeenth-century printmakers. The skeletons in this print recall certain etchings by Stefano della Bella (59.570.379[3]), while Salvator Rosa (17.50.17–85)—who also depicted piles of bones, ruins, and smoking urns—provides a model for the scribbled lines and webs of crosshatching that first appear in this series." Courtesy Metropolitan Museum of Art
  • Creator:
    Giovanni Battista Piranesi (1720-1778, Italian)
  • Creation Year:
    c. 1748
  • Dimensions:
    Height: 15.375 in (39.06 cm)Width: 21.125 in (53.66 cm)
  • Medium:
  • Movement & Style:
  • Period:
    1740-1749
  • Condition:
    Original, unwashed condition. Excellent.
  • Gallery Location:
    Fairlawn, OH
  • Reference Number:
    Seller: FA20061stDibs: LU14010611112

More From This Seller

View All
View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido
By Giovanni Battista Piranesi
Located in Fairlawn, OH
View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido, and like others built by Marcus Agrippa in the time of Augustus when he cleaned all the sewers leading...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Piazza del Popolo con Obelisco Egizio
By Giuseppe Vasi
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Mod...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Piazza Colona
By Giuseppe Vasi
Located in Fairlawn, OH
Piazza Colona Etching, 1752 From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, ...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Scene II, Le Nozze Degli Dei
By Stefano Della Bella
Located in Fairlawn, OH
Scene II, Le Nozze Degli Dei Etching, 1637 Signed in the plate lower left The scene depicts the initial moment when Diana is revealed, surrounded by her nymphs, celebrating a success...
Category

1630s Old Masters Landscape Prints

Materials

Etching

XXXIII Fig. I Avanzo del Tempio di Castore e Polluce
By Giovanni Battista Piranesi
Located in Fairlawn, OH
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce .View of the Remains of the Peristyle of the House of Nero, Etching, 1756 Signed in the plate (see photo) From: Le Antichità Roma...
Category

1750s Old Masters Landscape Prints

Materials

Etching

The Arch of Constantine and the Colosseum
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Arch of Constantine and the Colosseum Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo From: "Vedute di Roma" (Roman Views), part II An early Paris edition,...
Category

1760s Old Masters Landscape Prints

Materials

Etching

You May Also Like

The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Category

17th Century Old Masters Landscape Prints

Materials

Laid Paper, Etching

Venus Lamenting over the Death of Adonis
By Herman van Swanevelt
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...
Category

Mid-17th Century Old Masters Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...
By Giuseppe Vasi
Located in Middletown, NY
By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Watercolor, Laid Paper, Engraving, Etching

Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]
Located in Middletown, NY
A beautiful Arcadian landscape after Johannes Glauber. Amsterdam: 1721. Etching on handmade laid paper with an intact fleur-de-lis watermark. 203 x 275 mm; 8 x 10 7/8 inches, trimm...
Category

18th Century Old Masters Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
By Israel Silvestre
Located in Middletown, NY
Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...
Category

18th Century Old Masters Landscape Prints

Materials

Handmade Paper, Laid Paper, Engraving, Etching

Il tempio del Sole
By Israel Silvestre
Located in Middletown, NY
Etching on hand made cream laid paper, 2 7/8 x 6 1/4 inches (72 x158 mm), 1/4 inch margins. In very good condition with minor edge wear. Adhered with adhesive along the left top shee...
Category

Early 17th Century Old Masters Landscape Prints

Materials

Handmade Paper, Etching, Laid Paper