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Henri Matisse
Henri Matisse - Dancer on Wooden Armchair (Danseuse au Fauteuil en Bois), 1927

1927

About the Item

Duthuit-Garnaud 483 From the Portfolio of Ten Lithographs: “Dix Danseuses (ten dancers)” Lithograph on wove paper, c. 1927 Hand-signed and numbered in pencil in lower margin Impression 63 from an edition of 130 (total edition included 15 on Japan paper and 5 on China paper) The total edition was 150 Image Size: 18” x 10 1⁄4” Published by Galerie d’Art Contemporain de Paris Matisse considered his drawing to be a very intimate means of expression. The method of artistic execution — whether it was charcoal, pencil, crayon, etcher’s burin, lithographic tusche or paper cut — varied according to the subject and personal circumstance. His favorite subjects were evocative or erotic — the female form, the nude figure or a beautiful head of a favorite model. Other themes relate to the real or imagined world of both Oceania and the Caribbean — the lagoons, the coral and the faces of beautiful women from these far-off lands. Matisse worked in various mediums simultaneously—sometimes setting one aside for years, taking it up again when a particular technique offered the possibility of a desired result. Matisse’s etchings and drypoints were executed on a small scale with linear fluidity, giving them a sense of immediacy and spontaneity, like pages in a sketchbook. Alternately, his lithographs were on a larger scale and made grander statements. These lithographs exploited the tonal possibilities of the medium that allowed Matisse to achieve effects of volume and depth. Henri Matisse is widely regarded as the greatest colorist of the 20th century and as a rival to Pablo Picasso in the importance of his innovations. He emerged as a Post-Impressionist, and first achieved prominence as the leader of the French movement Fauvism. Although interested in Cubism, he rejected it, and instead sought to use color as the foundation for expressive, decorative, and often monumental paintings. As he once controversially wrote, he sought to create an art that would be "a soothing, calming influence on the mind, rather like a good armchair." Still life and the nude remained favorite subjects throughout his career; North Africa was also an important inspiration, and, towards the end of his life, he made an important contribution to collage with a series of works using cut-out shapes of color. He is also highly regarded as a sculptor.
  • Creator:
    Henri Matisse (1869-1954, French)
  • Creation Year:
    1927
  • Dimensions:
    Height: 29.5 in (74.93 cm)Width: 22.75 in (57.79 cm)Depth: 1 in (2.54 cm)
  • More Editions & Sizes:
    Edition 63 of 130 on wove paperPrice: $25,000
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    This piece is in a brand new custom frame with uv protective plexiglass.
  • Gallery Location:
    Hinsdale, IL
  • Reference Number:
    Seller: 21421stDibs: LU1384214446852

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HENRI MATISSE (1869 – 1954) Teeny Duthuit-Garnaud 723 Linocut, c. 1938 From an edition of 1500 Image Size: 12.2” x 9.5” Published in The Homage to Henri Matisse Published by Galerie d’Art Contemporain de Paris Matisse's striking linocut shows Alexina "Teeny" Duchamp, the second wife of artist and pioneer of the ready-made, Marcel Duchamp. She was married to Pierre Matisse, Henri Matisse's eldest son, first and they had three children, Jacqueline, Paul and Peter. They separated in 1949 but Matisse was incredibly fond of his daughter-in-law until his death in 1954. Henri Matisse (French, 1869-1954) is primarily known as the founder of the Fauvist movement, a result of Impressionism, whose works fundamentally altered the course of Modern Art in the late 20th Century. Innovative in his original treatment of the human figure and an expressive use of color, Matisse forged his own pictorial language. Matisse's career can be divided into several stylistic periods, but he remained focused on discovering “the essential character of things” through his art. Matisse considered his drawing to be a very intimate means of expression. The method of artistic execution — whether it was charcoal, pencil, crayon, etcher’s burin, lithographic tusche or paper cut — varied according to the subject and personal circumstance. His favorite subjects were evocative or erotic — the female form, the nude figure or a beautiful head of a favorite model. Matisse’s etchings...
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