Horizontal Interior Prints

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

PORTRAIT OF MONET is an original limited edition lithograph printed using traditional hand drawn lithographic plates, one color at a time, on archival Arches printmaking paper, 100% acid free, not a photo reproduction or digital print. PORTRAIT OF MONET is a humorous portrayal of the famous French impressionist painter, Claude Monet, posed in front of his masterpiece Water Lilies with paint laden wood palette...

details of an almost monochromatic and timeless urban vignette in Rome, Italy captured with a large format camera to allow epic scale print sizes with incredible image details SPQR ...

Original American Lobby Card of Walt Disney’s Movie „Pinocchio“, USA 1940. Title Page Lobby Card of Walt Disney’s All-Cartoon Classic „Pinocchio“. Pure Enjoyment … with no strings at...

A play on words provides the title for this image -- a circle created out of the deconstructed parts of Singer IV This image is #37 from an edition of only 50, referenced as Firos 78...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

Original UK Lobby Card of Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour Keywords: James Bond, 007, action, Thriller, Great ...

New York Cityscape, panorama photograph capturing the Manhattan skyline from Richard Heeps series, The Streets of New York. This artwork is a limited edition of 25 gloss photographic print from negative, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame. It is signed and numbered on reverse accompanied by a certificate of authenticity. Handmade to order, this artwork is available unframed and in other sizes. It pairs well with other Richard Heeps artworks in our 1stdibs store. “Richard Heeps' seductive, highly-saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for this subject matter – be it cool, descriptive interiors, still life or landscape.” His distinctive style pushes the limits of photography. The collectable and affordable, hand-printed colour photographs combine the best in traditional processing with the latest archival materials – from photographic paper to mounting with a 100% cotton museum board. His artwork has been bought by many international collectors. Exhibitions Include: Royal Academy of Arts London, Photoville Brooklyn, The Photographers Gallery London, The Spitz Gallery London, Kettle's Yard Cambridge, Norwich Arts Centre. The Civic Centre Thurrock, 20-21 Visual Arts Centre Scunthorpe, Rochester Art Gallery, Preston Hall...

Japan: circa 1770. Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining...

Pantheon (Rome) by Frank Schott from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center ...

Vincent van Ojen is a true master of the woodcut technique. Through years of dedication and research, he has perfected this ancient medium, resulting in works of remarkable depth and...

Over 350 year old antique copper engraving of the architectural floor plans to Sacchetti Palace in Italy by Giovanni Giacomo de' Rossi, 1650....

Binyon 232 - A fine impression in fine condition in an edition of 55 signed and inscribed by the artist. Strang was a prolific printmaker and across his lifetime produced over 750 o...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle d'Art, Paris. Printed by l'atelier de Georges Duval, Paris, under the direction of Charles Feld, this work forms part of the artist’s celebrated “California notebook,” a vibrant visual diary capturing his years in Cannes following his move to the villa La Californie. Executed during a period of intense creativity, the series reflects Picasso’s fascination with light, space, and the playful vitality of domestic and studio life. These lyrical compositions, reproduced with exceptional fidelity through the collotype process, reveal Picasso’s mastery of line, gesture, and spontaneity. Executed on velin d’Arches paper, this collotype measures 10.375 x 16.5 inches (26.35 x 41.91 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1959 publication format. This edition, printed in the fourth quarter of 1959, preserves the tonal precision, texture, and immediacy of Picasso’s original drawings from his Carnet de la Californie, one of his most expressive postwar graphic cycles. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: From Picasso, Carnet de la Californie, 1959 Medium: Collotype on velin d’Arches paper Dimensions: Paper size 10.375 x 16.5 inches (26.35 x 41.91 cm) Inscription: Unsigned and unnumbered, as issued Date: 1959 Publisher: Editions Cercle d'Art, Paris Printer: l'atelier de Georges Duval, Paris Catalogue raisonne references: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 101. Picasso, Pablo, and Georges Bloch. Pablo Picasso, Tome I: Catalogue de L’oeuvre Grave et Lithographie, 1904–1967. 3rd ed., rev., Kornfeld et Klipstein, 1975, illustration 94. Condition: Well preserved, consistent with age and medium Provenance: From the 1959 folio Picasso, Carnet de la Californie, published by Editions Cercle d'Art, Paris Notes: Excerpted from the 1959 folio (translated from French): "This album, entitled 'Carnet de la Californie', has a single limited edition and appears simultaneously in France, Germany, Italy, and the United States. The examples reserved for France are numbered from CI to MD. In addition, it was drawn from this album CXX examples, including C numbered from I to C, and XX out of commerce reserved for the artist and his friends. These CXX examples are each enriched with an original lithograph, signed by the artist, and a series of drawings on Arches paper. This 'California notebook', made in lithography under the direction of Charles Feld, was completed for printing in the fourth quarter of 1959 on L’imprimerie Duval for phototypy and on the presses of Mourlot Freres for lithography." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso collotype, Carnet de la Californie Picasso, Picasso California Notebook, Picasso 1959 portfolio, Picasso Editions Cercle d'Art Paris, Picasso Georges Duval atelier, Picasso Mourlot...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava. This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

DEUX AMIES is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. DEUX AMIES depicts an almost birds-eye view of an interior portrait scene portraying two reclining female nudes; their light blue bodies delineated with cobalt blue details and dark blue hair posed lying on a brown and beige damask floral rug. DEUX AMIES captures the eye with its vivid colors of orange, yellow, green, and dark black purple accenting the left area of the composition with a bright blue sofa...

Artist: Peter Milton (American, 1930-) Title: Interiors IV: Hotel Paradise Café Year: 1987 Medium: Resist-ground etching and engraving on copper Paper: BFK Rives Image size: 23.5 x ...

A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941. London: Rudolph Ackerm...

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

Ploughman's Cottage, photograph from Richard Heeps' series, A View of the Fens from the Car with Wings. Richard Heeps is well known for documenting the unique Fenland landscape near ...

This is an original 19th century duotone lithograph entitled "The Letter-Writer" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by...

The Louvre Pyramid, Study II, Paris, France, 2017 32x40 inches Edition of 9 Archival Pigment Print Framed Also available in: 48x60 inches Edition of 5...

'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration' Copper-line engraving. C1770. 380mm by 420mm (platemark) 460mm by 560mm (sheet) From Roubo's 'L'Art du Menui...

London: Tallis & Co., 1851 Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear. ...

Graham Clarke (b.1941) Original etching in colour. 'Excelsior'. Pencil signed below plate lines. Editioned 249/300. On paper.

AMERICAN WOMAN is an original hand drawn lithograph enhanced with hand coloring by the renowned American Pop artist, Peter Max. AMERICAN WOMAN was created in 1980 printed using tradi...

MASSIMO LISTRI Massimo Listri, Castello di Rivoli III, Torino, Italy 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed...

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New Yor...

This artwork titled "Strawberies" 1990 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 45/485 in pencil by ...

JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...

COMPOSITION RED AND GREEN is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithograph...

Original vintage poster for Othello, horizontal format; linen-backed. Full lithograph from the 1920. Stafford & Co., England. Brilliant, scarce stone lithograph of Othello with a dagger and sleeping Desdemona in the climactic scene of Shakespeare’s tragedy. This is an Art Nouveau period English poster for a production of the Shakespeare play Othello. S Co Ltd, Stafford & Co Ltd, Netherfield, 1920s printed this poster. Excellent condition. Othello, a Moorish general of Venice, has just promoted Cassio as his lieutenant; Iago, who was hoping for the promotion himself, plots against both Cassio and Othello to exact revenge. Othello has secretly married Desdemona, the beautiful daughter of Venetian senator Brabantio, and Iago is determined to use Desdemona as the means of his revenge. William Shakespeare's tragedy "Othello," which has been adapted into numerous films, plays, and other media since its original publication in 1622. This is an Original Vintage Theater Poster...

From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 2) Etching with handcoloring in watercolor on cream wove paper, 1835. 210 x 290 mm; 8 3/...

RABBI TEACHING is an original hand drawn, limited edition lithograph printed in sepia brown ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone using traditional hand lithography techniques, not a photo reproduction or digital print. RABBI TEACHING is a realistic, detailed portrait depicting an elder Rabbi teaching a young boy. RABBI TEACHING is in good condition, superb craftsmanship, never been framed or mounted, pencil signed AP (Artists Proof) by Vladimir Dashevsky, printers chop mark embossed on lower corner, from the master printers private collection. Print size - 22" x 30", unframed, good condition, slight handling on print margins, pencil signed by Vladimir Dashevsky Year printed - 1975 Master Printer - Joseph Kleineman, J K Fine Art Editions.Co., NYC Judaic Art...

Etching on wove Japon paper, 8 5/8 x 9 1/4 inches (219 x 235 mm), wide margins. Signed, titled, and numbered 6/75 in pencil, lower margin, and with the Dietrich & Cie éditeurs blinds...

Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...

Original American Lobby Card of Walt Disney’s Movie „Lady and the Tramp“, USA 1955. Tramp in a dog cage carriage. Keywords: Animation , Adventure , Comedy , ...

This vintage lobby card features an iconic moment from Woody Allen’s A Midsummer Night’s Sex Comedy (1982). The close-up shot shows Woody Allen in one of his signature roles, with hi...

Here we go again is an original hand colored wood engraving from a January 1878 Harpers Weekly. Here we see Thomas Nast's ever enduring interpretation of Santa Clause modeled from Clement Moore's Visit from Saint Nicholas. Drawing inspiration from his native German Saint Nicholas, Nast helped the American people believe in a Santa Clause who kindness and generosity brought with it elves, reindeer pulling sleds, Santas workshop, using chimneys...

Afternoon Delight Wicker front porch chair and furniture. Framed 19 X 23 image is 13 x 17. Lloyd van Pitterson was born in Jamaica, West Indies. He studied art with Edna Manley...

Photograph from Richard Heeps commission to document the Preston Hall Museum, this atmospheric piece beautifully captures the Vintage Cash Register...

From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 4) London: Thomas Mclean, 1835. Etching with handcoloring in watercolor on cream wove p...

Captured when documenting the Preston Hall Museum the vintage cash register photographed by Richard Heeps in detail. This artwork is a limited ...

Original American Lobby Card of Walt Disney’s Movie „Pinocchio“, USA 1940. Pinocchio gets his first coat of paint from his father and maker. Keywords: Anim...

A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop. Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...

An early serigraph (screen print) by William Gropper. There's a harpist to provide the music and a choir master conducting. The seated members of the group are individually drawn as ...

Original American Lobby Card of Walt Disney’s Movie „ALICE in WONDERLAND“, USA 1951. Alice at tea time with Mad Hatter and March Hare. Keywords: Animation,...

Classic vintage Vegas Casino at the Flamingo Las Vegas. This art deco interior has the South Beach Miami vibe, opened in 1946 it is the oldest in ...

Part of Richard Heeps 'Dream in Colour' Series, this cool Palm Springs interiors picture featuring a vintage telephone on a nightstand combines gorgeous colours and dreamy nostalgic ...

Original American Lobby Card of Walt Disney’s Movie „Snow White and the Seven Dwarfs“, USA 1937. Here the evil witch gives the poisoned apple to snow whit...

Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...

Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...

'Side Board' From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style ...

Ploughman's Cottage, photograph from Richard Heeps' series, A View of the Fens from the Car with Wings. Richard Heeps is well known for documenting the unique Fenland landscape near ...

Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750. Published by Martin Engelbrecht (1684–1756). Similar works ar...