Large Interior Prints

David Hockney, Mount Fuji and Flowers, 2016 Offset lithograph 63.5 x 86.5 cm Original poster produced by the MET featuring Hockney’s 1972 Mount Fuji and Flowers painting

Ernie BARNES (1938-2009) Sugar Shack (Marvin Gaye), 2002 Original screen print Printed signature in the plate On glossy paper 70 x 94 cm (c. 37 x 27.5 in) Excellent condition

Joan Miró, Design for a Tapestry Lithograph 62 x 82 cm Artwork is framed in a sustainably sourced gallery black box frame with acrylic glazing. Design for a Tapestry' by Joan M...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary...

Red Grooms, American (1937 - ) - Guggenheim, Year: 1972, Medium: Lithograph Poster on Cartridge Paper (unsigned), Size: 39 in. x 26 in. (99.06 cm x 66.04 cm), Description: Depict...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...

SCHOMBURG LIBRARY is a hand drawn, limited edition lithograph printed using traditional hand lithography methods on archival Arches printmaking paper...

Hothead, 2016 Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp 82 x 78 cm - Framed 80 x 75 cm - Sheet Edition of 250 It comes with COA from t...

Dr Seuss THEODOR GEISEL "THE CAT'S DEBUT - DIPTYCH" Limited Edition - Serigraph on Coventry Paper Authorized Estate Edition Edition Size: 850 Arabic Numbers 99 Patrons’ Collection 15...

HONKY TONK is an original hand drawn, limited edition lithograph by the African American artist James Denmark printed using traditional hand lithography techniques on archival Somerset paper, 100% acid free. HONKY TONK is a colorful collage portrait depicting a seated black musician - a male guitar player wearing blue jeans and a brown slouchy cap playing his blues guitar. HONKY TONK is a warm interior scene printed in vivid shades of red orange, red, dark blue, light yellows, cream, tan, browns, and black creating an inviting honky-tonk music setting. Print size - 38 x 23 inches, unframed, mint condition, hand signed and numbered by James Denmark, Certificate of Authenticity included Image size - 31 x 17 in. Edition size - 250, plus proofs Year published - 1996 Publisher - Mojo Portfolio...

BRASS SECTION(Jamming at Minton's) is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival printmaking paper, 100% acid free, in an edition size of 175. Brass Section 1979 from Romare Bearden's colorful JAZZ series of musical imagery, is an abstract portrait that captures the LIVE brassy sounds and energy created by the a jazz horn trio portrayed with expressive fluid brushwork for the musician portrait outlines, complete with brass horns - namely trumpets and trombones thrusting forward toward the viewer. A harmonious complementary color palette consisting of gold ochre yellow, deep navy blue, yellow green, taupe gray, brown beige, hints of burgundy red with the white of the paper creating contrast. Superb and FRESH interpretation of live jazz music...

ROMARE BEARDEN 1970-1980 THE LAMP (after the 1984 collage on board by Bearden) Vintage 1984 Commemorative Poster - Brown v. Board of Education 30 Years later: "The Politics of Excel...

Julian Schnabel NEMO LIBRIZZI 1998 25-color silkscreen with poured resin 38 x 36 inches (97 x 91 cm) Signed and numbered edition of 90 Suite of 3 Also available Born in Brooklyn,...

Original Ajanta India vintage travel poster from 1959. Archival linen backed in Grade A condition, ready to frame. Note that a later edition of this poster was printed but the im...

BROWN LADY II is an original hand drawn lithograph by the American artist and Pop Art icon, Peter Max printed in an edition of 100, using traditional han...

CRUSADERS FOR JUSTICE is a rare commemorative fine art poster designed by the renown woman artist, Elizabeth Catlett featuring a portrait of the iconic 20th century civil rights advo...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº1 + Year: 2024 + Edition Size: 100 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

THE DOOR OF JUSTICE is a rare poster edition lithograph printed in seven colors using traditional hand lithography techniques (not a photo reproduction or digital print) on heavyweig...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh in his bedroom with his dog. Sunflowers appear in the background, brightening up a blue and purple room. Additional information: Mychael Barratt  Once upon a time in London, Morning Woodcut on paper Signed and titled in pencil Numbered from the edition of 100  Image size Height: 27.5 cm Width: 27 cm Complete size of sheet Height: 39.6 cm Width: 37.5 cm Depth: 0.2 cm ARTIST PROFILE: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large format and framed in simpl...

CITY LIGHTS by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free. CITY LIGHTS is a modern Art Deco style portrait depicting a date night couple elegantly dressed to go out for the evening holding bubbling champagne glasses, both with pouty lips, staring at the viewer with one-eyed gazes. Ms. Morris utilizes her characteristic Art Deco stylized drawing in creating a portrayal of a modern couple - the woman with her flowing strawberry blonde hair, red blushed cheeks, dramatic long white pearl necklace and red evening gown; her male companion sporting a black with yellow satin band boater hat and formal grey tweed suit with big squared shoulders, white shirt, and red bow tie. A deep, dark blue moonlit evening sky in the background, tall gray city buildings with light yellow glowing windows, and black and white checkered floor...

La Jolla Thomas McKnight, American (1941) Date: 1987 Screenprint, signed and numbered in pencil Edition of AP 6/40 Image Size: 26 x 29 inches Frame Size: 37 x 39 inches

Poster produced for David Hockney’s 1981 exhibition at The Ashmolean Museum, Oxford, which displayed the sets and costumes he designed for the Glyndebourne Festival Opera’s 1975 prod...

Harriet Hoult At-ha Limited Edition Giclee Print Edition of 50 Sheet Size: H 91cm x W 63cm x D 0.1cm Signed by the Artist This is a signed, Limited Edition Giclée print of the origi...

Original vintage poster: FREEDOM FROM WANT, Ours to fight for ... Original. Artist: Normal Rockwell. Archival linen backed in fine condition, ready to frame. Note: All US Go...

James McQueen, I had fun once it was awful, 2022 (Framed) Mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper 101.5 × 67.5 cm (40 × 26 3/5 in) Edition of 9...

NO PLACE LIKE HOME is a hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the African American artist Louis Delsarte ...

This limited-edition silkscreen poster by Lance Hidy was created to promote Dow & Frosini, a framing store on Telegraph Avenue in Berkeley, California, next to UC Berkeley, which lat...

Gerhard Richter (German, b. 1932) Cage P19-3, 2020 Medium: Diasec-mounted Giclée print on aluminium composite panel Dimensions: 100 × 100 × 3 cm (39 2/5 × 39 2/5 × 1 1/5 in) Edition of 200: Numbered and labelled on verso; unsigned, as issued Publisher: HENI Editions, London Condition: Mint (shipped in original box) “One of a series of Giclée prints based on Gerhard Richter’s ‘Cage...

Original World War Two, U. S. Military poster: ME TRAVEL? … NOT THIS SUMMER, VACATION AT HOME. Artist Albert Dorne. This is the large format printing (26" x 37") of this poster...

AFTERNOON REHEARSAL is an original hand drawn lithograph(not a photo reproduction or digital print) by Douglas Hofmann printed using hand lithography techniques on archival Arches pa...

Fishermen's Mission, Fleetwood, British vintage interior with a nautical theme, photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour co...

This artwork titled "Poker Night at the Club" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, b.1943. It is hand signed and numbered 240/350 in pen...

This is an original 18th century hand-colored copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and valuable...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

Cats, British Vintage interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 and it instantly ...

Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper Dynamic woodblock print with several elegantly dressed figures by Utag...

"Toy Horse Dance" Japanese Woodblock Triptych with Beauties and Mt Fuji Vibrant three-panel woodblock print by Utagawa Toyohiro (Japanese,...

Artist: Ferjo Title: Serenity Size: 30 x 40 Inches Medium: Giclee on Canvas Edition: AP Year: 2003 Notes: Hand Signed on Front. Stretched. Gallery COA Included. Custom Framed...

French Vintage Exhibition Poster for Yves Brayer (1969). Newly framed, the poster announces an exhibition of the works of Yves Brayer at the Galerie de Paris which, at that time, was...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm. Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique. Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

James McQueen, If You Ever Leave Me I'm Coming With You , 2022 Mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper 101.5 × 67.5 cm (40 × 26 3/5 in) Edition...

San Giovanni Stained Glass, brutalist architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 2018 for a sp...

Rainbow Apartments, Italian architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in ...

Richard Serra Silence, For John Cage (Hand Signed), 2016 Offset lithograph (hand signed by Richard Serra) 29 inches vertical × 39 inches horizontal Boldly signed in black marker on t...

Orignal NEW ORLEANS GREYHOUND vintage travel poster; larger format size. Excellent condition that has acid-free archival linen backing; ready to frame. This image is from the old French Quarter section of New Orleans. It features two women entering into the courtyard and in the background, the old stairs leading to the upstairs area. A bright and colorful image that would compliment any room or office. A great New Orleans vintage poster...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite...

Artist: Peter Green Title :Astral Form Year:1969 Edition: Signed, Dated and marked 19/30 Paper Size = 26½" x 38½" inches Type: Woodcut Born in 1933, Peter Green studied at Brighto...

Summer Porch by Ronald Julius Christensen, American (1923–1999) Date: circa 1980 Lithograph, signed and numbered in pencil Edition Size: 150 Image Size: 21 x 30 inches Size: 25.5 x 3...

FIRST TO ARRIVE by the woman artist Robin Morris, is an original limited edition lithograph printed in 14 colors using hand lithography techniques on archival Arches paper, 100% acid free. FIRST TO ARRIVE is an amusing cocktail party portrait...

Part of Richard Heeps 'Dream in Colour' Series, 'Nicely's Café' has a vibe of an American road trip, the classic diner interior has a cool cinematic feel. This artwork is a limited ...

Two hand colored engravings from the Academie de l’Espee ( full title can be translated as Academy of the Sword: wherein is demonstrated by mathematical rules on the foundation of a mysterious circle the theory and practice of the true and heretofore unknown secrets of handling arms on foot and horseback ) by Girard Thibault...

silkscreen

A fabulous example of roadside America sign porn. Part of Richard Heeps Dream in Color Series photographed in Fallon, Nevada. This artwork is a limited edition of 25, gloss photogra...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Damien Hirst, Forgotten Promises (Inachis), 2011 Lithograph print on paper 70.7 x 100 cm (27 7/8 x 39 3/8 in) Rare original exhibition poster in excellent with very light signs ...

"Les valeurs personnelles (Personal Values)" is a color lithograph after the original 1952 painting by Rene Magritte. This interior scene has objects of various sizes. A comb, match, brush, and glass are bigger than typically larger objects like a queen bed and chest of drawers. The walls are a bright cloudy sky. Art: 19.63 x 4.75 in Frame: 34.13 x 38.88 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...

The Poker Game by Israel Rubinstein, Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 250 Image Size: 27 x 38 inches S...

49 Via Dezza at Sunset, Gio Ponti architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in Novembe...