Small Interior Prints

Antique Architectural engraving of the floor plan of the Santo Spirito Palace located in Florence, Italy by Italian, Giacomo Rossi, 16...

"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...

Café Culture, set of three artworks by Richard Heeps, featuring 'Cordial Campari' Milan, 'Nicely's Café' Mono Lake California, 'Milkshake II' Clacton o...

Le Forgeron is a black and White etching realized by Georges  Gassies in the Late 19th Century.  Titled in the lower Image Size: 32x24 Very good impress...

Yves ALIX (1890 - 1969) Le Printemps, Grand Magasin (Department Store in Paris), c. 1930 Original stone lithograph Handsigned in pencil Numbered / 150 copies On vellum 34 x 49 cm (c...

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of O...

This artwork titled "Scotts Antiques" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...

Martini Corner, interior photography by Richard Heeps, photographed in Arizona as part of his Dream in Color series. The artwork has rich orange colours and an elegant mid-century fe...

This is a pair of framed 19th century tinted lithographs with hand-coloring entitled "Gallery Over the Hall, Knowle, Kent" and "Terrace Bramshill, Hants" by Charles Joseph Hullmandel (1789-1850) after drawings by Joseph Nash (1809-1878), from "Mansions of England in the Olden Time", published in London in 1839-1849. Nash's publication consists of a series of views of Tudor domestic architecture, which Nash said depicted "the most characteristic features of the domestic architecture of the Tudor Age, and also illustrating the costumes, habits, and recreations of our ancestors." The scenes of the aristocratic ladies and gentlemen (including Henry VIII and Queen Elizabeth I), who are depicted inhabiting the rooms of these great houses, were taken directly from the portraits on the walls. Charles Joseph Hullmandel, was involved in the creation of these lithographs. He was a famous British lithographer, who invented the "lithotint" process, which he named and patented in 1840. This technique, allowing for greater nuance and value gradation than pure lithography, was an ideal means of expression for Nash's historically rich and picturesque depictions of Tudor mansions and their inhabitants. Hullmandel is also remembered for creating many lithographs from the paintings by J. M. W. Turner. The "Gallery Over the Hall" depicts a great hall with children playing with skittles (wooden pins resembling bowling pins), a doll and what looks to be a St Charles spaniel, while a lady in Tudor attire watches over them next to a massive stone fireplace. Adults are watching from in the distance while a man bows...

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of Ornament, in instalments for subscri...

Antique copper engraving of the floor plan to Crescenzi Palace in Rome, Italy by Italian Giovanni Giacomo de' Rossi, 1650. Original artwork on paper displayed on a white mat with a...

Victor Vasarely (1906-1997) - Balaton Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n...

Young Woman With Long Hair is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Pain...

Finely balanced etching by Benjamin Vasserman (Estonian, b 1949). A squash sits atop a small black box with a latch. There is a drapery behind the squa...

"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava. This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

This Finnish artist creates a mezzotint in black and white. This impression is #34 of 100 and is signed, dated and titled in pencil. Jukka Vanttinen (Finn, b. 1954) Jukka Vanttinen...

Victor Vasarely (1906-1997) - Kris Bille Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavide...

Archival pigment print on hahnemühle Fine Art Paper (matt finish). Contemporary Photography, Photomontages, Interior Spaces, New life Work Title : "Entrance VIII" Artist : Suzanne Moxhay...

Bold antique copper engraving of the floor plan of a French cathedral from Recueil d'Architecture, 1780. Original artwork on paper displayed on a whi...

Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...

Le Matin (Morning) Mezzotint, 1886 Signed and dated in the plate (see photos) Edition: at least 650 impressions in both states Reference: Wentworth 82 ii/II Provenance: Heirs of Edmu...

This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...

This is an original 19th century hand-colored lithograph entitled "Tsur Ancient Tyre, From the Isthmus, April 27, 1839" by David Roberts from his Egypt and Nubia volumes of the large...

Victor Vasarely (1906-1997) - Zeta Silkscreen / Serigraph from 1969. Edition III/VIII. Dimensions of work: 46 x 40 cm. Hand signed. Reference: Catalogue Raisonné Vol I par Pedro...

REINHOUD D'HAESE - WOMAN READING Original lithograph, c.1974 Hand signed in pencil Printers proof printed in Paris France on Arches paper using traditional hand lithography WOMAN READING is a very loosely drawn, black line figurative portrait of a woman dressed in her pink robe seated in a dark brown armchair, totally engrossed in reading from a light gray green book. Her black tousled hair and visibly intense focus towards her book suggests she's settled in for the long-haul. WOMAN READING is an expressive and slightly humorous portrait...

Print, limited edition of 10, Hahnemuehle paper, signed by the author, with gallery certificate.

This artwork titled "The Corner Drugstore" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and num...

A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819. The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...

The item White Books could be also delivered framed. I like the color, the quietness of the situation when I took the picture. Edition of 15, signed by the...

An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...

'Maniere de Coller Les Bois Droit et Les Paneaux Cintree en Plan' French copper-line engraving by Michelinot after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper...

'Maniere de Determiner La Hauteur Des Lambris Dappuis' French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roub...

'Construction des Parclauses et Le Profil des Museaux' French copper-line engraving by Milsan after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roubo's...

'Maniere de Construire Les Bazes, Les Chapiteaux et Les Entablements en Bois' French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid waterm...

'Differents Manieres de Coller les Bois Courbes' French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roubo's 'L...

This engraving is entitled "Philadelphia, PA- The Centennial Exposition - the Jury of Award on an Inspection Tour in the Wine Vaults of Agricultural Hall", ...

"I'm always creating new patterns to use in my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. I think these look nice a...

Mily POSSOZ Sleeping cat, c. 1930 Original etching Handsigned in pencil Limited /40 copies On Rives vellum 20 x 15" INFORMATIONS : Bears the blind stamp...

Original Illustration based on photograph by Kevin Cummins. Signed by Shepard Fairey and Kevin Cummins. A portion of the proceeds went to CALM (Campaign Against Living Miserably). "...

Signed by the artist, Edition 16/75 COA provided Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculpto...

Mikio WATANABE Entrance of the Gallery Original etching Signed and dated in pencil Numbered / 90 ex On vellum 48 x 38.5 cm (c. 18.9 x 14.9 inch) Excellent condition, slight fold i...

Pensao Amor, Lisbon and Oriental Bar, Venice Diptych by Johnny Bull [2021] limited_edition Digital on 315gsm etching paper Edition number 200 Image size: ...

The Artist in Fine Art Academy is an original etching realized by Albert Decaris in the mid-20th Century. In good conditions with some foxing. The artwork is presented through def...

SPANISH STILL LIFE WITH GARLIC by the Spanish artist Carlos Pradal, is an original hand drawn, stone lithograph printed by hand in Paris France using traditional hand lithography techniques on buff color archival printmaking paper, 100% acid free. SPANISH STILL LIFE WITH GARLIC presents an expressionist style still life portrait depicting vegetables - three round onions with a head of garlic positioned toward the center. A broad sweeping brushstroke wash of charcoal black dominates the background creating a dramatic staging for the red and orange vegetable shapes; the off white color of the paper forms the garlic bulb creating contrast for this expressive, energetic Spanish still life composition. Print size - 17 x 20.25 inches, unframed, very good condition, pencil signed by Pradal, inscribed E.A.(Epreuve Artiste) with personal dedication to the master printer Image size - 13 x 16.25 inches Year - c. 1974 About the artist: Carlos Pradal(1923-1988) Spanish ceramist, painter and illustrator was the son of Republican deputy Gabriel Pradal from Almeria, Andalusia. In 1939, his family was forced into exile and settled in France, in Toulouse. In 1956 he obtained a Spanish license and became an auxiliary teacher. He practiced drawing and painting at the same time, following the lessons of Raoul Bergougnan. In 1972, he moved to Paris, where he became a friend of the painters Peinado and Orlando Pelayo. When Franco died...

This image is an artist proof XII / XII. The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...

Signed and numbered by the artist, unique etching with hand coloring. This is based on one section of the larger work, the artist book/wall hanging "endless". "This print is ded...

Work : Original limited Edition Print, Edition 13 of 15+A/P. The work is not framed. * * Frame is for illustrative purposes only. Artwork will carefoully shipped and packaged flat. ...

Dallas artist Gail Norfleet is best known for her color monotypes, paintings, collages, and paintings on glass. Norfleet earned her BFA at The University of Texas, Austin, and her MFA at Southern Methodist University. Among others, she has had solo exhibitions in Dallas at The McKinney Avenue Contemporary and the former Delahunty and DW Galleries. Gail’s studio and the studios where she teaches serve as the settings for her recent body of work titled "The Studio." The studio is a rich visual environment that has inspired artists for centuries. Gail’s studio is strung with brightly colored Mexican papel picado...

"Floating Panel" - Realistic Hand Painted Lithograph Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). In this composition, the pane with four bars is a l...

Scribe and Personal Assistant to the Shogun - Japanese Woodblock Print on Paper Detailed woodblock print by an unknown artist, In the style of Suzuki Harunobu. There are two women i...

Victor Vasarely (1906-1997) - Zara ""Cristal"" Silkscreen / Serigraph from 1969. Edition of 138. Dimensions of work: 46 x 40 cm. Hand signed. Reference: Catalogue Raisonné Vol I...

A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...

Lithograph in colors on paper. Hand signed and numbered AP on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers ...

Guy Gee, Lundy Each artwork by Gee has been digitally reimagined from an original postage stamp. Printed on 350gsm G. F. Smith card, cut out and finished by hand, the artwork is the...

Wooden Table Richard Artschwager, American (1923–2013) Portfolio: Notes on a Room Date: 1998 Etching, signed and numbered in pencil Edition of 102/130 Image Size: 10 x 14 inches Size...

Window Richard Artschwager, American (1923–2013) Portfolio: Notes on a Room Date: 1998 Etching, signed and numbered in pencil Edition of 102/130 Image Size: 10 x 14 inches Size: 16 x...

This artwork "Mujere II" c.1960 is an original color silkscreen by noted Argentinian artist Raul Soldi, 1905-1994. It is hand signed and numbered 93/150 in pencil by the artist. The image size is 13.5 x 20.5 inches, sheet size is 19.75 x 22.75 inches. The colors are fresh and bright, it have a 0.85 inches restored tear at the lower margin (see picture #6 for detail) some paper rubs on the verso, not visible from the front. otherwise in good condition. About the artist: Raúl Soldi was born in Buenos Aire in 1905. He was an argentine plastic artist of recognized international experience. In 1920 he began drawing and painting. He makes reproductions of Quinquela Martín...

Soyer, Raphael. FURNISHED ROOM. Etching, 1937 (Cole 48). Edition of 25 or fewer, signed and titled in pencil. Published by the W.P.A. Federal Arts Project, with its ink stamp in the ...