Small Interior Prints

This artwork is part of a project called "In Portugal", which consists of a selection of photographs taken in public sites throughout the Iberian country. Typical of Candida Höfer, the artist has photographed empty interiors of libraries, museums, palaces and theaters. Deutsche Oper am Rhein Düsseldorf - Contemporary, 21st Century, C Print, Limited Edition...

Rebecca Skinner’s “Daydream” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 16 x 24 inch color photo with sati...

Crisp antique copper engraving of a unique floor plan of French horse stables from Recueil d'Architecture, 1780. Original artwork on paper displayed on a...

This is a mid 18th century engraved portrait of Abel François Poisson de Vandières, Marquis de Marigny by Jean Georges Wille after a painting by Louis Tocque...

Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...

Wassily Kandinsky (Russia, 1866-1944) Centenaire Kandinsky. Fondation Maeght, 1977 lithograph on paper 23.7 x 17.8 in. (60 x 45 cm.) Excellent condition, unframed Ref: KAN100-202 Wa...

Teatro Degollado Guadalajara III - Contemporary, 21st Century, C Print, Limited Edition, Photography, Red, Interiors, Art 38 x 47 cm (15 x 18.5 in.) Edition of 100 Signed and numbered and accompanied by Certificate of Authenticity In mint condition, in the original packaging as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the images. The pictures are only for illustrative reasons, the work is offered unframed. Candida Höfer is known for her images of empty interiors of libraries, museums, palaces and theatres, focusing on the cultural spaces free from human presence. Part of the artist’s latest exhibition at Sean Kelly Gallery, Candida Höfer in Mexico, Teatro Degollado Guadalajara III expands her signature attention to Mexican Baroque...

Interior photograph from Richard Heeps, Prefab series. "Prefab came about as an offshoot of 'A View of the Fens Car with Wings' and I feel the square format artworks are a continuati...

If Series: Space Place Peter Max, German/American (1937) Date: 1981 Screenprint, signed and numbered in pencil Edition: A/P Size: 10 in. x 14 in. (25.4 cm x 35.56 cm) Frame Size: 16....

Work : Original limited Edition Print, Edition 13 of 15+A/P. The work is not framed. * * Frame is for illustrative purposes only. Artwork will carefoully shipped and packaged flat. ...

A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Teatro Microbiotico Year: 1...

Victor Vasarely (1906-1997) - Bellatrix Silkscreen / Serigraph from 1969. Dimensions of work: 46 x 40 cm The work is in Excellent condition. Fast and secure shipment.

This is an original 19th century duotone lithograph entitled "Ruins of Kom Ombo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by...

Trailer Bathroom, interior photography by Richard Heeps part of his Dream in Color series. The artwork has a soft pink color palette and a vintage style with a hint of flamingo kitsc...

This is a rare 19th century satirical lithograph by Honoré-Victorin Daumier entitled "Types Parisiens, L'InstItuteur: Votre fils me fera honneur!....c'est un joli sujet!!!", No. 24 (Parisian Types, The Institutor: Your son will be my honor! ... it's a nice subject !!), published in Paris in the satirical magazine La Caricature, May 24, 1840 by Aubert et Cie. It depicts a man presenting his son to another man, presumably a teacher or school headmaster, who politely states that it would be an honor to take care of such a nice boy, as he watches the boy picking his nose. An apparent teaching poster or map hangs on the wall in the background. This rare Daumier lithograph...

El Morocco Salon, photographed in the historic El Morocco Motel on the famous Las Vegas Strip, this interior photograph by Richard Heeps part of his Dream i...

This is an original 19th century hand-colored lithograph entitled "Absaloms Pillar, Valley of Schoshaphat" by David Roberts, from his Egypt and Nubia volumes of the large folio editi...

Victor Vasarely (1906-1997) - Orom ""Denfert"" Silkscreen / Serigraph from 1969. Dimensions of work: 46 x 40 cm. Hand signed. The work is in Excellent condition.

Baruch Nachshon, was born in Mandatory Palestine in 1939, in the city of Haifa. Nachshon began to paint in early childhood, and developed his relationship to art and to artists throu...

This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...

Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787 Late 18th century hand colored engraving after Thomas Rowlandson A scene of a young student asking ...

Tunisian Architecture is an original photolithography realized by Bettino Craxi in 1995. Hand-signed and artist's proof. Published in the portfolio: "Tunisiaca 1995: d'aprés Auguste...

(after) Diego Rivera "Chapel of the Agricultural School, Chapingo" (Ceiling Detail, Workers) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Size with the Matt: 18.5 x 13.5 inches Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

Days Like These ii [2021] limited_edition Screenprint Edition number 15 Image size: H:60cm cm x W:60cm cm Complete Size of Unframed Work: H:65cm cm x W:65cm cm x D:400gsmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Days Like these ii is the second in a series of coastal print...

This is an original 19th century hand-colored lithograph entitled "Tiberias from the Walls, Saffet (Safed) in the Distance" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1841. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered among the greatest lithographically illustrated works issued in the 19th century. This page from Roberts' 19th century publication includes a half-folio hand-colored lithograph of a view of the town of Tiberias and with the town of Safed on the hill in the distance. They lie along the Sea of Galilee...

The Third Eye Open letterpress incorporates the portrait I originally made for my Make Art Not War print back during the Iraq War. This print image also includes a third eye blooming like a flower, I believe that what the third eye represents: a dialogue with one’s inner self, higher consciousness...

EUGENE ABESHAUS Leningrad, Russia, (1939-2008) Hand-Colored, with watercolor painting, Etching hand signed in pencil in English and Hebrew Numbered 47/110 Framed 21.5 x 16. image 13.5 x 9 Eugene Abeshaus (also spelled Evgeny Abezgauz, Евгений Абезгауз in Russian; 1939–2008) was a Jewish artist who worked in Russia (then USSR) and Israel. Born in Leningrad to a typical intelligentsia family, Abeshaus was educated as an electrical engineer but soon abandoned this career and enrolled in the Mukhina School for Applied Art. By the time of his graduation from the famous “Mukha” (Fly in Russian), he had already developed a critical stance towards the official Soviet art dominated by the Communist ideology and began exhibiting at semi-underground exhibitions. This was culminated by his taking part in a famous 1975 exhibition at the Nevsky Palace of Culture. Abeshaus was fired from his job and censured by the official press – which however admitted his "artistic taste, a good sense of color and form". Soon afterwards, Abeshaus set up, together with several Jewish artists, the Alef Group and became its leader. The group’s first exhibition in November 1975 was held at Abeshauses’ small apartment. According to the Alef Manifesto written by Alek Rapoport, “We are trying to conquer the influence of small-town Jewish art and find sources for our work in deeper, wiser, and more spiritual European culture, and from it build a bridge to today and tomorrow". He was part of a generation of Russian, mostly Jewish artist's that included Oskar Rabin, Evgeny Rukhin...

Joseph Kosuth ( American, b. 1945) L’Essence de la rhétorique est dans l’allégorie IV, 1998 Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper Dimensions: each 4...

Column & Socle 2001 Signed, dated, and inscribed “AP” in pencil, recto Polaroid transfer on Rives BFK paper 22 x 15 inches, sheet 7.5 x 9.5 inches, image This work is offered by ...

Anish Kapoor Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009 Offset lithograph poster Boldly signed by Anish Kapoor on the lower right front 21 ×...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 750. Artwork is in excellent condition. Certificate of authenticity in...

Artist: Andre Minaux, French (1923 - 1986) Title: Nude in Artist's Studio Year: circa 1970 Medium: Lithograph, signed and numbered in pencil Edition: EA 40 Image Size: 22.5 x 16.5 i...

Tall Vase with Glasses by Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed in pencil Edition of AP Image Size: 12 x 10 inches Frame ...

REINHOUD D'HAESE - WOMAN READING Original lithograph, c.1974 Hand signed in pencil Printers proof printed in Paris France on Arches paper using traditional hand lithography WOMAN READING is a very loosely drawn, black line figurative portrait of a woman dressed in her pink robe seated in a dark brown armchair, totally engrossed in reading from a light gray green book. Her black tousled hair and visibly intense focus towards her book suggests she's settled in for the long-haul. WOMAN READING is an expressive and slightly humorous portrait...

Artist: Alexander Calder Medium: Original lithograph Title: Damier Portfolio: Derriere le Miroir #156 Year: 1966 Edition: Unnumbered Framed Size: 21 1/4" x 17 1/4" Sheet Size: 15" x...

Set ancient Roman frescos from the series "Antiquities of Herculaneum", an original etching on paper by Nicola Fiorillo in the 18th Century. Three hand colored copper engravings of classical roman. Each print is matted in a custom made silk mat that matches the clothing. Engraving with two figures measures 21.25" x 18.25". The other two prints measure 20.5" x 16.5". Size includes mat. # greek Pompeii Grand tour

This is an original 19th century duotone lithograph entitled "Side View of the Great Sphinx" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published ...

Signed and numbered, verso “Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene. Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...

Nelson Mandela, The Ward, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family...

(There’s A Place) Pensao Amor, Lisbon [2021] limited edition Digital on 315gsm etching paper Edition of 200 Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look I think the name suggests that this cosy little bar served a slightly more risqué purpose once upon a time. Johnny Bull...

Champagne City, Aqua Blue Thames Clare Halifax Signed by the artist Limited edition of 10 Image size: H:48 cm x W:48 cm Paper size: H:56 cm x W:56 cm x D:0.1 cm Please note that insitus are purely an indication of how a piece may look. Champagne City, Aqua Blue Thames is a limited edition cityscape print by Clare Halifax. Champagne City, Aqua Blue Thames features hand gilded champagne gold leaf 22.5ct with aqua blue thames. This 2 colour screen print with hand finished gilding is printed by the artist and shows the view of the thames from sky garden, edition of 10, printed onto somerset satin 300gms with deckle edge. Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

A chair sits in an otherwise derelict factory in a blue painted room, the depth perspective creates a colour blocking effect. from Richard Heeps 'Ordinary Places', a series capturin...

QUIET AFTERNOON is an original hand drawn lithograph by the American woman artist Susan Sahall, printed in the early 1980's, using hand lithography techniques on archival Arches printmaking paper, 100% acid free. QUIET AFTERNOON portrays a very sensitive female portrait drawing of a seated young woman wearing a black pleated bell sleeve dress posed holding her hands clasped near her cheek, elbows resting on a table; a bouquet of pastel color flowers fill a carafe vase in front of her. She appears to be in quiet thought...

Original Illustration based on photograph by Karen Bystedt. Signed by Shepard Fairey and Karen Bystedt. Comes with C.O.A. from New Union Gallery. "I’ve been a fan of Andy Warhol’s ...

Victor Vasarely (1906-1997) - Elche Lithograph from 1971. Dimensions of work: 48 x 40 cm. Reference: Catalogue Raisonné Vol I par Pedro Benavides n°187. The work is in Excellent ...

Dalton Bank, vintage interior photograph from Richard Heeps' series, Ordinary Places. The square scene in the artwork is of a home in a state of renovation, the distinctive open blac...

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...

Le Matin (Morning) Mezzotint, 1886 Signed and dated in the plate (see photos) Edition: at least 650 impressions in both states Reference: Wentworth 82 ii/II Provenance: Heirs of Edmu...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

This is an original 19th century duotone lithograph entitled "Bazaar of the Coppersmiths, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can't allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change." -Shepard Fairey A portion of proceeds from this print went to Greenpeace USA. Materials: Fine Art Paper with Gold Metallic Inks Size: 24 × 12 in 61 × 30.5 cm Rarity: Limited edition Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist in pencil, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Publisher: Obey Giant Studio...

Title: IHeart Screenprint "The Night Shift" Glow In The Dark Inks Contemporary Street Art Year: 2018 Classification Limited edition Medium Type Print Medium/Materials Hand Pulled Screen Print On 100# (260/m2) French Cover Stock Categories Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Nude / Feminist Art and Contemporary Feminist Provenance Comes With C.O.A. From The Artist. Additional Info Print Glows in the Dark with Special UV Inks. Signature Signed & Numbered In Pencil By The Artist, I Heart Stencil...

Artist: Thomas McKnight (American, 1941-) Title: "Sag Harbor" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original ...

(after) Diego Rivera "Chapel, Agriculture School, Chapingo" (Forces Under the Earth) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Approx. 18.5 x 13.5 with Matting Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

This is an original 19th century duotone lithograph entitled "The Entrance to the Citadel of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pub...

Silkscreen Print on Fine Art Cream Speckletone 24 × 18 in 61 × 45.7 cm Edition of 500 Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary / Contemporary Academic Realism "The Earth's eco-system is beautifully complex but fragile. Biodiversity is essential to maintain the delicate balance our world needs to remain healthy. 68% of the Earth's species have disappeared in the last 50 years alone. Many beautiful creatures are gone forever, and each loss erodes the foundation of our eco-system. My poster...

Hand signed & numbered by the artist. Sheet size: 18.5 x 23 in. Image size: 14 x 17.5 in. Edition of 300. Artwork is in excellent condition. Certificate of authenticity included....

“Margaritas” is a lithograph created by Emilio Sanchez in 1997. This impression is signed, titled, and inscribed "12/50" - the 12 print from an edition of 50 impressions. The printed image size is 12.50 x 14.25 inches (31.3 x 35.7 cm) and the paper size is 18 x 20.13 inches - all four paper edges are decked adding a nice option when framed. This print came to us directly from the Emilio Sanchez Estate (circular estate stamp is on verso). Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

'Church of St Helena, Bethlehem', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the l...

Antique Architectural engraving of the floor plan of the Santo Spirito Palace located in Florence, Italy by Italian, Giacomo Rossi, 16...