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Guillermo KuitcaCuarta Pared, Doble Teatro, Sin Titulo 1, Sin Titulo 21997
1997
About the Item
set of 4 lithographs with etching
signed and numbered lower right
published by Polígrafa, Barcelona
Descended from immigrants and raised during the brutal period of military dictatorship known as the “Argentine Revolution” (1966–73), Guillermo Kuitca produces works resonant with themes of isolation, architecture, and space. Though almost always devoid of humans, his works have a strong sense of human presence, with motifs like airport baggage carousels, maps, apartment floor plans, and theaters running throughout his many creations. This set of prints transform seating plans into abstract compositions that allude to audiences, with rich hues seeping into each other, reflecting the emotions of an audience during a performance
- Creator:Guillermo Kuitca (1961, Argentinian)
- Creation Year:1997
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)
- More Editions & Sizes:edition of 35Price: $12,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU4615638622
Guillermo Kuitca
Guillermo Kuitca is an Argentine artist, who works and lives in Buenos Aires. Kuitca's work has been shown extensively around the globe, and is included in many important public collections, including The Tate Gallery, England; The Metropolitan Museum of Art, New York, NY; Hirshhorn Museum and Sculpture Garden, Washington, DC; the North Carolina Museum of Art, Raleigh; Albright-Knox Art Gallery, Buffalo, NY and The Daros Collection, Zürich, Switzerland,[citation needed] and at the Walker Art Center in Minneapolis.[1] Kuitca represented Argentina at the 2007 Venice Biennale.[2] Recurrent themes of travel, maps, memory, and migration can be found in Kuitca’s work. He won the Konex Award from Argentina in 1992 and 2002. He is represented by Hauser & Wirth. "Portals, doorways and transitional thresholds are recurring themes in Kuitca’s work. This stems, in part, from a response to a series of wall paintings he completed—including a mural in his studio in Buenos Aires, a commission inside Durslade Farmhouse at Hauser & Wirth Somerset, as well as installations in New York and the Fondation Cartier pour l’art contemporain in Paris—which encouraged Kuitca to work on a larger scale: affording a literal incorporation of real space into his canvases, while enabling Kuitca to bridge two-and three-dimensional modes of working. Kuitca’s longstanding involvement with the theatre further informs his integration of architectural features and speaks to his works’ conceptual proximity to scenic design." - Hauser & Wirth

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