Items Similar to Rent Day, English antique engraving after Sir David Wilkie
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Rent Day, English antique engraving after Sir David Wilkie1820
1820
$580
£439.66
€513.34
CA$812.41
A$914.52
CHF 483.81
MX$11,343.44
NOK 5,978.03
SEK 5,717.45
DKK 3,829.78
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
'Rent Day'
Engraving by Abraham Raimbach (1776-1843) after Sir David Wilkie RA (1785-1841). Circa 1820.
'Second Plate' printed under engraver's name.
Wilkie was an important Scottish genre painter.
Raimbach was an English line-engraver of Swiss descent. In 1812 he began to engrave some of Wilkie's best pictures. At his death, he held a gold medal awarded for his Village Politicians at the Paris Exhibition of 1814.
510mm by 660mm (platemark) 590mm by 815mm (sheet)
- Creation Year:1820
- Dimensions:Height: 23.23 in (59 cm)Width: 32.09 in (81.5 cm)
- Medium:
- Movement & Style:
- After:Sir David Wilkie
- Period:
- Condition:Small repair in image - see photo. Scuff mark in title area, slightly going into image - see photo. A few marks and a couple of light creases in the margins. Repaired tear in bottom margin.
- Gallery Location:Melbourne, AU
- Reference Number:1stDibs: LU1244215590832
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2005
1stDibs seller since 2019
580 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Melbourne, Australia
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllChurch of St Helena, Bethlehem. David Roberts Holy Land lithograph, 1842.
By David Roberts
Located in Melbourne, Victoria
'Church of St Helena, Bethlehem', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the l...
Category
Mid-19th Century Victorian Interior Prints
Materials
Lithograph
Différentes Especes de Buffets et Leurs Developments, French design engraving
Located in Melbourne, Victoria
'Différentes Especes de Buffets et Leurs Developments'
(Different types of buffet and their formation)
French copper-line engraving by PL Cor after Andre Jacob Roubo (1739–1791). 18...
Category
Late 18th Century Naturalistic Interior Prints
Materials
Engraving
Leaden Hall Market, London, colour aquatint, 1809, after Thomas Rowlandson
Located in Melbourne, Victoria
Colour aquatint by JC Stadler after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine c...
Category
Early 19th Century Naturalistic Interior Prints
Materials
Aquatint
Drury Lane Theatre, London, colour aquatint, 1808, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Early 19th Century Naturalistic Interior Prints
Materials
Aquatint
Sadlers Wells Theatre, London, colour aquatint, 1809, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Early 19th Century Naturalistic Interior Prints
Materials
Aquatint
Bidet Shaving and Night Tables, Hepplewhite Georgian furniture design engraving
Located in Melbourne, Victoria
'Bidet Shaving Table and Night Table'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These en...
Category
Late 18th Century English School Interior Prints
Materials
Engraving
You May Also Like
"Inspection Tour in the Wine Vaults", 1876 Philadelphia Centennial Exposition
Located in Alamo, CA
This engraving is entitled "Philadelphia, PA- The Centennial Exposition - the Jury of Award on an Inspection Tour in the Wine Vaults of Agricultural Hall", ...
Category
Late 19th Century Naturalistic Interior Prints
Materials
Engraving
Au coin du feu - Original b/w Etching by Armand Queyroy - End of 19th Century
Located in Roma, IT
Au coin du feu is a beautiful original etching realized by Armand Queyroy (1830 -1893), printed on ivory colored paper by Delatre, Paris.
This is an original print signed on plate o...
Category
Late 19th Century Naturalistic Figurative Prints
Materials
Etching
The Smithy
By Sir David Young Cameron, R.A.
Located in Middletown, NY
A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop.
Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...
Category
Late 20th Century Modern Interior Prints
Materials
Laid Paper, Drypoint, Etching
La Messe (The Mass), after Caravaggio
Located in Middletown, NY
Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...
Category
Mid-18th Century Old Masters Figurative Prints
Materials
Laid Paper, Engraving, Woodcut
A Scene in the New Farce —as performed at the Royalty Theater
By George Cruikshank
Located in Middletown, NY
A Scene in the New Farce —as performed at the Royalty Theater
London: George Humphrey, 1821.
Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...
Category
Early 19th Century Figurative Prints
Materials
Watercolor, Engraving, Etching
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion
1984
Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107]
Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category
1980s American Modern Figurative Prints
Materials
Etching, Engraving