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Art Subject: Bride
THE RAG GATHERERS
Located in Santa Monica, CA
JAMES ABBOTT McNEILL WHISTLER (1834-1903)
THE RAG GATHERERS 1858 (Glasgow 29 v/v, - K.23)
Etching on laid paper, signed and dated in the plate, image 5 7/8” x 3 ½”, full sheet 8 x...
Category
1850s Impressionist Interior Prints
Materials
Etching
GLORY Signed Linocut, Opaque Taupe, Buff Paper, Profile Portrait Black Woman
Located in Union City, NJ
GLORY is a hand pulled, original limited edition relief print by the American and Mexican woman artist, printmaker and sculptor, Elizabeth Catlett. GLORY was created using linocut pr...
Category
Early 2000s Contemporary Portrait Prints
Materials
Linocut
INTRODUCTION FOR A BLUES QUEEN (Uptown At Savoy) Signed Lithograph, Jazz Club
Located in Union City, NJ
INTRODUCTION FOR A BLUES QUEEN(Uptown At Savoy) is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival printmaking paper, 100% acid free, in an edition size of 175. INTRODUCTION FOR A BLUES QUEEN 1979 from Romare Bearden's colorful JAZZ series of musical imagery, is an abstract live music scene that captures the energy inside a jazz club where a female blues singer...
Category
1970s Contemporary Portrait Prints
Materials
Lithograph
La Negresse (The Negress)
Located in Fairlawn, OH
La Negresse (The Negress)
Etching & drypoint, 1909
Unsigned (as issued in the portfolio)
From the album "Les Bars" (8 plates plus cover illustration)
Editi...
Category
Early 1900s Art Nouveau Interior Prints
Materials
Etching
The Lonely House at Asajigahara.
Located in Middletown, NY
A scene from a series of ghost stories and spooky rural legends.
Tokyo: Matsuki Heikichi, 1896.
Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry pa...
Category
Late 19th Century Edo Figurative Prints
Materials
Watercolor, Handmade Paper, Woodcut
Julian Schnabel, Portraits, Nemo Librizzi
Located in New York, NY
Julian Schnabel
NEMO LIBRIZZI
1998
25-color silkscreen with poured resin
38 x 36 inches (97 x 91 cm)
Signed and numbered edition of 90
Suite of 3 Also available
Born in Brooklyn,...
Category
1990s Contemporary Figurative Prints
Materials
Screen
Sportsmen
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category
Early 1900s Post-Impressionist Figurative Prints
Materials
Drypoint, Etching
$800 Sale Price
54% Off
A Letter from Picasso
By George Deem
Located in San Francisco, CA
This artwork titled "A Letter from Picasso" 1974 is a color lithograph on Wove paper by noted American artist George Charles Deem, 1932-2008. It is hand signed and numbered 157/300 i...
Category
Late 20th Century American Realist Figurative Prints
Materials
Lithograph
After the Party FS II.183 (Warhol estate stamped)
By Andy Warhol
Located in Aventura, FL
Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...
Category
1970s Pop Art Interior Prints
Materials
Paper, Screen
Original AJANTA INDIA Bodhisattva Padmapani vintage travel poster 1959
Located in Spokane, WA
Original Ajanta India vintage travel poster from 1959. Archival linen backed in Grade A condition, ready to frame. Note that a later edition of this poster was printed but the im...
Category
1950s Old Masters Figurative Prints
Materials
Lithograph
Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Interior Prints
Materials
Etching
SHOUT Signed Lithograph, Preacher Black Church, African American Culture
Located in Union City, NJ
SHOUT by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniques on archival Rives BFK paper, 100% acid free. ...
Category
Early 2000s Contemporary Figurative Prints
Materials
Lithograph
$4,800 Sale Price
20% Off
Original Four Years in the Fight, The Women of France vintage WW1 poster
Located in Spokane, WA
Original "Four Years in the Fight: The Women of France, We Owe Them Houses of Cheer" vintage war poster. Archival linen backed, ready to frame. By Lucien Jonas. Excellent colors a...
Category
1910s American Realist Portrait Prints
Materials
Lithograph
Original 'Penelope" vintage 1913 opera poster
Located in Spokane, WA
Original linen-backed stone lithograph opera poster for Penelope. Done in 1913 by the great lithographer Georges Rochengrosse who created several opera ...
Category
1910s Art Nouveau Figurative Prints
Materials
Lithograph
$599 Sale Price
20% Off
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
1760s Old Masters Figurative Prints
Materials
Etching
An Election Ball
Located in Middletown, NY
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fres...
Category
Mid-19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
The Fortune - Etching and Aquatint by Franco Gentilini - 1970s
Located in Roma, IT
The Fortune is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s.
From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte.
...
Category
1970s Contemporary Figurative Prints
Materials
Etching, Aquatint
Original 'Soldiers - Sailors and Women Guests' Welcome to the YWCA Hostess House
Located in Spokane, WA
Original poster: SOLDIERS-SAILOR AND WOMEN GUESTS
welcome to the Y.W.C.A. hostess house "A bit of home within the camps". A sailor shakes the hand of a man while a woman is standing and smiling at them.
Linen-backed original WW1 poster...
Category
1910s American Realist Portrait Prints
Materials
Lithograph
"James Bond 007 - Live and let die", UK 1973
Located in Cologne, DE
Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973.
Actors: Roger Moore and Jane Saymour
Keywords: James Bond, 007, action, Thriller, Great Britain, adventure, live ...
Category
1970s Modern Interior Prints
Materials
Color
AFTERNOON REHEARSAL Signed Lithograph, Ballerinas, Dance Studio, Tulle TuTu
Located in Union City, NJ
AFTERNOON REHEARSAL is an original hand drawn lithograph(not a photo reproduction or digital print) by Douglas Hofmann printed using hand lithography techniques on archival Arches pa...
Category
1990s Photorealist Figurative Prints
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...
Category
19th Century Victorian Interior Prints
Materials
Lithograph
Ruine di Sepolcro antico
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Interior Prints
Materials
Etching
GERTRUDE Hand Drawn Lithograph, Young Black Girl Portrait, Sunflower
Located in Union City, NJ
GERTRUDE by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniqu...
Category
Early 2000s Contemporary Portrait Prints
Materials
Lithograph
$4,980 Sale Price
23% Off
Bernard Schardt, Appeal Denied (NYC Courtroom)
Located in New York, NY
Bernard Schardt worked on the the WPA in NYC during the Depression. (During this period, off and on, he lived with friend and colleague Jackson Pollock...
Category
1930s Ashcan School Figurative Prints
Materials
Intaglio
Cafe Rouge, Impressionist Lithograph by Edward M. Plunkett
Located in Long Island City, NY
Edward M. Plunkett, American (1922 - 201?) - Cafe Rouge, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 14.5 x 22 inches, Size: 2...
Category
1980s Impressionist Interior Prints
Materials
Lithograph
Elegant Couple at Maxim's Café - Original Etching Handsigned
Located in Paris, IDF
Alméry Lobel-Riche
Elegant Couple at Maxim's Café
Handsigned original engraving
Signature printed in the plate
Numbered /12
On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches)
Excelle...
Category
Early 20th Century Modern Interior Prints
Materials
Etching
Scene Galante au XVIII eme Siecle #2
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left.
About the artist.
Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert.
Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime.
Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration .
Selected museums and collections
Dallas , Dallas Museum of Art : Back woman...
Category
Mid-20th Century Realist Figurative Prints
Materials
Aquatint
Print Porcelain Plaque Last Supper Painting after Leonardo in Carved Wood Frame
Located in Firenze, IT
A lovely early 20th century printed porcelain miniature of The last supper painting after Leonardo Da Vinci in Italian Cenacolo. This Swiss Fr...
Category
Early 20th Century Renaissance Figurative Prints
Materials
Porcelain, Color
Conversation - Lithograph by Adolphe Albert - 20th Century
Located in Roma, IT
Conversation is an original lithograph artwork realized by Adolphe Albert (1855-1938). Signed on the plate,
The state of preservation is very good.
The artwork represents a convers...
Category
20th Century Modern Figurative Prints
Materials
Lithograph
“Red Room, White Pitcher” Red Toned Interior Still Life
Located in Houston, TX
Red toned interior still life depicting a white pitcher, two beverage bottles, three yellow ripe mangoes and one unripe, and a shape that resembles a sliced cantaloupe--all on top of...
Category
Early 2000s Abstract Still-life Prints
Materials
Acrylic, ABS, Giclée
Sight Lines II : The Green Room
By Peter Milton
Located in New York, NY
SIGHT LINES II : THE GREEN ROOM. This archival digital print was created in 2010. This original print was directly drawn into the computer by Peter Milto...
Category
21st Century and Contemporary American Realist Figurative Prints
Materials
Digital
The Little Wanderer (Framed 19th Century Antique Figure Etching)
Located in New Orleans, LA
(Sorry for the reflections on the glass in the photos.) A little boy runaway has returned home, hat in hand, to the relief of his poor beleaguered mother (burdened with four other children, apparently) and the upbraiding of his grandmother. So many fabulous details in this 19th-century etching, in addition to its amazing engraving work (every bit of it originally incised on a metal plate!). Placard on back says "Published exclusively for members of the Crosby Opera House Art...
Category
1860s Interior Prints
Materials
Etching
$380 Sale Price
20% Off
Frankie and Johnnie
Located in New York, NY
Lithograph on wove paper, 1936. Edition of 100. Signed by the artist in pencil, lower right. Published by Associated American Artists, New York.
Framed dimensions, 28.5 x 33.75 i...
Category
1930s Other Art Style Interior Prints
Materials
Lithograph
$12,500
Woman with Apples (Sepia), Lithograph by Branko Bahunek
Located in Long Island City, NY
Woman with Apples (Sepia)
Branko Bahunek, Croatian (1935)
Lithograph, Signed in Pencil
Edition of 50
Size: 28.5 in. x 21 in. (72.39 cm x 53.34 cm)
Category
1990s Figurative Prints
Materials
Lithograph
Sala dei Busti, Museo Pio Clementino - Musei Vaticani XII
Located in New York City, NY
48 x 60 inches - edition of 5
Chromogenic Print – Unframed
Signed by the artist - Certificate of Authenticity
Free Shipping – Ask us foar custom framing options.
As a world-renowned...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, C Print
Don Juan
By Louis Icart
Located in Missouri, MO
Aquating Engraving
Image Size: approx. 20 1/4 x 13 3/8
Framed Size: 28 x 20.5 inches
Pencil Signed Lower Right
Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women.
He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec.
Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act.
It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history.
Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard.
In Icart's drawings, one sees the Impressionists Degas...
Category
1920s Art Deco Figurative Prints
Materials
Engraving, Aquatint
$2,800 Sale Price
20% Off
William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Mid-18th Century Old Masters Interior Prints
Materials
Engraving, Etching
L'examen (The Examination)
Located in Middletown, NY
Heliogravure on light weight Japan paper, full margins. Titled in pencil in the lower right margin. In good condition with some minor handling creases, dog-eared lower right corner, ...
Category
Late 19th Century Victorian Figurative Prints
Materials
Photogravure
Theater
Located in New York, NY
Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit.
Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...
Category
1990s Contemporary Interior Prints
Materials
Mezzotint
$720 Sale Price
52% Off
The Great Depression 3, dramatic, black & white, noir, mystery, genre
By Tom Bennett
Located in Brooklyn, NY
Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism
About Tom Bennett:
With quick brushstrokes, Tom Bennett ...
Category
2010s Surrealist Figurative Prints
Materials
Monotype, Archival Paper
Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 112]
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Interior Prints
Materials
Drypoint, Etching, Aquatint, Laid Paper
Massimo Listri - Gipsoteca di Canova a Possagno, Italy (Portrait of Interiors)
Located in New York City, NY
MASSIMO LISTRI
Gipsoteca di Canova a Possagno, Italy (Portrait of Interiors), 2019
48 x 60 inches
120 x 150 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso ...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Reggia di Caserta, Caserta, Italy
Located in New York City, NY
Giacomo da Prato
Reggia di Caserta, Italy, 2022
40 x 40 inches
edition of 10
Archival Pigment Print
Mounted and Framed
Certificate of Authenticity
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
TENOR SERMON Signed Lithograph, Abstract Portrait Jazz Music Drum Sax Trombone
Located in Union City, NJ
TENOR SERMON is a limited edition color lithograph by the renowned African American artist Romare Bearden(September 2, 1911 – March 12, 1988), printed on archival printmaking paper, ...
Category
1970s Contemporary Portrait Prints
Materials
Lithograph
Candle Light (a serene sacred shrine for decency and peace with Asian feel)
By Masahiro Arai
Located in New Orleans, LA
"Candle Light" is a lithograph signed, dated, titled and editioned in pencil. It is #2 from an edition of 65 and was an exclusive publication of Stone and Press. Shadow and light are...
Category
1990s Modern Interior Prints
Materials
Lithograph
Vinyl Record Collection, Stockton-on-Tees - British Vintage Interior Color Photo
Located in Cambridge, GB
Vinyl Collection, vintage interior photograph from Richard Heeps series, Forward to the Past. Richard was commissioned by Preston Hall Museum in Stockton-on-Tees to document the Muse...
Category
Early 2000s Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
THE SMITH’S YARD
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124)
lithograph, 1895, on wove paper, from the edition of 3000, published by
The Inter...
Category
1890s Impressionist Interior Prints
Materials
Lithograph
La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 110].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Interior Prints
Materials
Laid Paper, Drypoint, Etching, Aquatint
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion
1984
Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107]
Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category
1980s American Modern Figurative Prints
Materials
Engraving, Etching
Frontispiece from "Carceri d'Invenzione" - Etching by G. B. Piranesi - 1749/59
Located in Roma, IT
Carcere d'Invenzione is an original Modern Artwork realized by Giovan Battista Piranesi (Mogliano Veneto, 1720 - Rome, 1778).
Original Etchin...
Category
Mid-18th Century Modern Figurative Prints
Materials
Etching
Scene Galante au XVIII eme Siecle #1
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left.
About the artist.
Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert.
Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime.
Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration .
Selected museums and collections
Dallas , Dallas Museum of Art : Back woman...
Category
Mid-20th Century Realist Figurative Prints
Materials
Aquatint
PUNCHINELLO IN THE HOUSE OF DEATH.
Located in Portland, ME
Bellows, George (American 1882-1925). PUNCHINELLO IN THE HOUSE OF DEATH.Mason 151 Lithograph, 1923. Edition of 60. Titled and signed in pencil by Bellows, and also signed "Bolton Bro...
Category
1920s Interior Prints
Materials
Lithograph
Symbiosis
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category
1990s Modern Still-life Prints
Materials
Etching
$446 Sale Price
25% Off
Margaritas
Located in New York, NY
“Margaritas” is a lithograph created by Emilio Sanchez in 1997. This impression is signed, titled, and inscribed "12/50" - the 12 print from an edition of 50 impressions. The printed image size is 12.50 x 14.25 inches (31.3 x 35.7 cm) and the paper size is 18 x 20.13 inches - all four paper edges are decked adding a nice option when framed. This print came to us directly from the Emilio Sanchez Estate (circular estate stamp is on verso). Stamped on verso "Estate of Emilio Sanchez."
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
Late 20th Century Contemporary Still-life Prints
Materials
Lithograph
Rustics of Japan – English School, 18th century
Located in Middletown, NY
A Method of Riding as Practised by the Rustics of Japan.
One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earlies...
Category
Late 18th Century English School Interior Prints
Materials
Watercolor, Handmade Paper, Engraving
Jean-Honore Fragonard-L'Occasion Rococo Vintage
Located in Brooklyn, NY
Drawings by French Masters of the XV-XVIII Centuries. From a selection of 40 reproductions of the originals preserved in the Albertina Collection in Vienna. With an introduction and...
Category
1930s Rococo Interior Prints
Materials
Offset
Four French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.'
Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670.
210mm ...
Category
Mid-17th Century Baroque Interior Prints
Materials
Engraving, Etching
Joseph Nash ca. 1839-1849 Hand-Colored Lithograph, Porch & Corridor
By Joseph Nash
Located in Chicago, IL
A period Joseph Nash ca. 1839-49 hand-colored lithograph Porch and Corridor, Ockwells, Berks. from "The Mansions of England in the Olden Time". Printed by Charles Joseph Hullmandel ...
Category
1830s English School Interior Prints
Materials
Lithograph, Paper
Velasquez Les Menines by Salvador Dali 1974 Lithograph
Located in Paonia, CO
Velasquez Les Menines is one of six graphics from the series Changes in Great Masterpieces published by Sidney Lucas, 1974. Master Dali has given us a...
Category
1970s Surrealist Figurative Prints
Materials
Lithograph
Lunch in the Studio
Located in Dallas, TX
Dallas artist Gail Norfleet is best known for her color monotypes, paintings, collages, and paintings on glass. Norfleet earned her BFA at The University of Texas, Austin, and her MFA at Southern Methodist University. Among others, she has had solo exhibitions in Dallas at The McKinney Avenue Contemporary and the former Delahunty and DW Galleries.
Gail’s studio and the studios where she teaches serve as the settings for her recent body of work titled "The Studio." The studio is a rich visual environment that has inspired artists for centuries. Gail’s studio is strung with brightly colored Mexican papel picado...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Monotype, Paper
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