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Art Subject: Bride
THE RAG GATHERERS
Located in Santa Monica, CA
JAMES ABBOTT McNEILL WHISTLER (1834-1903) THE RAG GATHERERS 1858 (Glasgow 29 v/v, - K.23) Etching on laid paper, signed and dated in the plate, image 5 7/8” x 3 ½”, full sheet 8 x...
Category

1850s Impressionist Interior Prints

Materials

Etching

GLORY Signed Linocut, Opaque Taupe, Buff Paper, Profile Portrait Black Woman
Located in Union City, NJ
GLORY is a hand pulled, original limited edition relief print by the American and Mexican woman artist, printmaker and sculptor, Elizabeth Catlett. GLORY was created using linocut pr...
Category

Early 2000s Contemporary Portrait Prints

Materials

Linocut

The Lonely House at Asajigahara.
Located in Middletown, NY
A scene from a series of ghost stories and spooky rural legends. Tokyo: Matsuki Heikichi, 1896. Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry pa...
Category

Late 19th Century Edo Figurative Prints

Materials

Watercolor, Handmade Paper, Woodcut

INTRODUCTION FOR A BLUES QUEEN (Uptown At Savoy) Signed Lithograph, Jazz Club
Located in Union City, NJ
INTRODUCTION FOR A BLUES QUEEN(Uptown At Savoy) is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival printmaking paper, 100% acid free, in an edition size of 175. INTRODUCTION FOR A BLUES QUEEN 1979 from Romare Bearden's colorful JAZZ series of musical imagery, is an abstract live music scene that captures the energy inside a jazz club where a female blues singer...
Category

1970s Contemporary Portrait Prints

Materials

Lithograph

Sportsmen
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category

Early 1900s Post-Impressionist Figurative Prints

Materials

Drypoint, Etching

Sportsmen
Sportsmen
$800 Sale Price
54% Off
La Negresse (The Negress)
Located in Fairlawn, OH
La Negresse (The Negress) Etching & drypoint, 1909 Unsigned (as issued in the portfolio) From the album "Les Bars" (8 plates plus cover illustration) Editi...
Category

Early 1900s Art Nouveau Interior Prints

Materials

Etching

Julian Schnabel, Portraits, Nemo Librizzi
Located in New York, NY
Julian Schnabel NEMO LIBRIZZI 1998 25-color silkscreen with poured resin 38 x 36 inches (97 x 91 cm) Signed and numbered edition of 90 Suite of 3 Also available Born in Brooklyn,...
Category

1990s Contemporary Figurative Prints

Materials

Screen

After the Party FS II.183 (Warhol estate stamped)
Located in Aventura, FL
Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...
Category

1970s Pop Art Interior Prints

Materials

Paper, Screen

Original AJANTA INDIA Bodhisattva Padmapani vintage travel poster 1959
Located in Spokane, WA
Original Ajanta India vintage travel poster from 1959. Archival linen backed in Grade A condition, ready to frame. Note that a later edition of this poster was printed but the im...
Category

1950s Old Masters Figurative Prints

Materials

Lithograph

SHOUT Signed Lithograph, Preacher Black Church, African American Culture
Located in Union City, NJ
SHOUT by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniques on archival Rives BFK paper, 100% acid free. ...
Category

Early 2000s Contemporary Figurative Prints

Materials

Lithograph

Original 'Penelope" vintage 1913 opera poster
Located in Spokane, WA
Original linen-backed stone lithograph opera poster for Penelope. Done in 1913 by the great lithographer Georges Rochengrosse who created several opera ...
Category

1910s Art Nouveau Figurative Prints

Materials

Lithograph

Four French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.' Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670. 210mm ...
Category

Mid-17th Century Baroque Interior Prints

Materials

Engraving, Etching

Original Four Years in the Fight, The Women of France vintage WW1 poster
Located in Spokane, WA
Original "Four Years in the Fight: The Women of France, We Owe Them Houses of Cheer" vintage war poster. Archival linen backed, ready to frame. By Lucien Jonas. Excellent colors a...
Category

1910s American Realist Portrait Prints

Materials

Lithograph

An Election Ball
Located in Middletown, NY
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fres...
Category

Mid-19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

AFTERNOON REHEARSAL Signed Lithograph, Ballerinas, Dance Studio, Tulle TuTu
Located in Union City, NJ
AFTERNOON REHEARSAL is an original hand drawn lithograph(not a photo reproduction or digital print) by Douglas Hofmann printed using hand lithography techniques on archival Arches pa...
Category

1990s Photorealist Figurative Prints

Materials

Lithograph

Original 'Soldiers - Sailors and Women Guests' Welcome to the YWCA Hostess House
Located in Spokane, WA
Original poster: SOLDIERS-SAILOR AND WOMEN GUESTS welcome to the Y.W.C.A. hostess house "A bit of home within the camps". A sailor shakes the hand of a man while a woman is standing and smiling at them. Linen-backed original WW1 poster...
Category

1910s American Realist Portrait Prints

Materials

Lithograph

"James Bond 007 - Live and let die", UK 1973
Located in Cologne, DE
Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour Keywords: James Bond, 007, action, Thriller, Great Britain, adventure, live ...
Category

1970s Modern Interior Prints

Materials

Color

Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category

1760s Old Masters Figurative Prints

Materials

Etching

Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...
Category

19th Century Victorian Interior Prints

Materials

Lithograph

GERTRUDE Hand Drawn Lithograph, Young Black Girl Portrait, Sunflower
Located in Union City, NJ
GERTRUDE by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniqu...
Category

Early 2000s Contemporary Portrait Prints

Materials

Lithograph

Cafe Rouge, Impressionist Lithograph by Edward M. Plunkett
Located in Long Island City, NY
Edward M. Plunkett, American (1922 - 201?) - Cafe Rouge, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 14.5 x 22 inches, Size: 2...
Category

1980s Impressionist Interior Prints

Materials

Lithograph

Bernard Schardt, Appeal Denied (NYC Courtroom)
Located in New York, NY
Bernard Schardt worked on the the WPA in NYC during the Depression. (During this period, off and on, he lived with friend and colleague Jackson Pollock...
Category

1930s Ashcan School Figurative Prints

Materials

Intaglio

The Fortune - Etching and Aquatint by Franco Gentilini - 1970s
Located in Roma, IT
The Fortune is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. ...
Category

1970s Contemporary Figurative Prints

Materials

Etching, Aquatint

Elegant Couple at Maxim's Café - Original Etching Handsigned
Located in Paris, IDF
Alméry Lobel-Riche Elegant Couple at Maxim's Café Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excelle...
Category

Early 20th Century Modern Interior Prints

Materials

Etching

Kumasaka Chōhan to Ushiwakamaru - One of a Diptych Original Woodcut Print
Located in Soquel, CA
Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...
Category

1850s Realist Figurative Prints

Materials

Printer's Ink, Rice Paper, Woodcut

Sight Lines II : The Green Room
Located in New York, NY
SIGHT LINES II : THE GREEN ROOM. This archival digital print was created in 2010. This original print was directly drawn into the computer by Peter Milto...
Category

21st Century and Contemporary American Realist Figurative Prints

Materials

Digital

Print Porcelain Plaque Last Supper Painting after Leonardo in Carved Wood Frame
Located in Firenze, IT
A lovely early 20th century printed porcelain miniature of The last supper painting after Leonardo Da Vinci in Italian Cenacolo. This Swiss Fr...
Category

Early 20th Century Renaissance Figurative Prints

Materials

Porcelain, Color

Sala dei Busti, Museo Pio Clementino - Musei Vaticani XII
Located in New York City, NY
48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...
Category

2010s Contemporary Color Photography

Materials

Archival Paper, C Print

Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale Etching 1743 Signed in the bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 20 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category

1740s Old Masters Interior Prints

Materials

Etching

Conversation - Lithograph by Adolphe Albert - 20th Century
Located in Roma, IT
Conversation is an original lithograph artwork realized by Adolphe Albert (1855-1938). Signed on the plate, The state of preservation is very good. The artwork represents a convers...
Category

20th Century Modern Figurative Prints

Materials

Lithograph

Ruine di Sepolcro antico
Located in Fairlawn, OH
Ruine di Sepolcro antico Etching, 1743 Signed in the plate bottomleft in the caaption plate From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Coniditon: Excellent/Very good Image size: 14 5/8 x 9 3/4 inches Reference: Robison 17 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category

1740s Old Masters Interior Prints

Materials

Etching

Don Juan
Located in Missouri, MO
Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...
Category

1920s Art Deco Figurative Prints

Materials

Engraving, Aquatint

Don Juan
Don Juan
$2,800 Sale Price
20% Off
Woman with Apples (Sepia), Lithograph by Branko Bahunek
Located in Long Island City, NY
Woman with Apples (Sepia) Branko Bahunek, Croatian (1935) Lithograph, Signed in Pencil Edition of 50 Size: 28.5 in. x 21 in. (72.39 cm x 53.34 cm)
Category

1990s Figurative Prints

Materials

Lithograph

En passant (Passing by)
Located in Fairlawn, OH
En passant (Passing by) Drypoint, 1909 Unsigned (as issued in the deluxe portfolio) From the album "Les Bars" (8 plates plus cover illustration) Edition: 30, this state with remarque Published by Gustav Pellet, Paris A very rich impression wwith burr Condition: Excellent Image/Plate size: 9 7/8 x 6 3/8 inches Reference: Arwas 391a (remarque) Exteens 277 i/II IFF 148 (portfolio) Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category

Early 1900s Art Nouveau Interior Prints

Materials

Drypoint

The Little Wanderer (Framed 19th Century Antique Figure Etching)
Located in New Orleans, LA
(Sorry for the reflections on the glass in the photos.) A little boy runaway has returned home, hat in hand, to the relief of his poor beleaguered mother (burdened with four other children, apparently) and the upbraiding of his grandmother. So many fabulous details in this 19th-century etching, in addition to its amazing engraving work (every bit of it originally incised on a metal plate!). Placard on back says "Published exclusively for members of the Crosby Opera House Art...
Category

1860s Interior Prints

Materials

Etching

“Red Room, White Pitcher” Red Toned Interior Still Life
Located in Houston, TX
Red toned interior still life depicting a white pitcher, two beverage bottles, three yellow ripe mangoes and one unripe, and a shape that resembles a sliced cantaloupe--all on top of...
Category

Early 2000s Abstract Still-life Prints

Materials

Acrylic, ABS, Giclée

Theater
Located in New York, NY
Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...
Category

1990s Contemporary Interior Prints

Materials

Mezzotint

Theater
$720 Sale Price
52% Off
Massimo Listri - Gipsoteca di Canova a Possagno, Italy (Portrait of Interiors)
Located in New York City, NY
MASSIMO LISTRI Gipsoteca di Canova a Possagno, Italy (Portrait of Interiors), 2019 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso ...
Category

2010s Post-Modern Color Photography

Materials

Photographic Paper, C Print

The Great Depression 3, dramatic, black & white, noir, mystery, genre
Located in Brooklyn, NY
Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...
Category

2010s Surrealist Figurative Prints

Materials

Monotype, Archival Paper

TENOR SERMON Signed Lithograph, Abstract Portrait Jazz Music Drum Sax Trombone
Located in Union City, NJ
TENOR SERMON is a limited edition color lithograph by the renowned African American artist Romare Bearden(September 2, 1911 – March 12, 1988), printed on archival printmaking paper, ...
Category

1970s Contemporary Portrait Prints

Materials

Lithograph

THE SMITH’S YARD
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124) lithograph, 1895, on wove paper, from the edition of 3000, published by The Inter...
Category

1890s Impressionist Interior Prints

Materials

Lithograph

Reggia di Caserta, Caserta, Italy
Located in New York City, NY
Giacomo da Prato Reggia di Caserta, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

L'examen (The Examination)
Located in Middletown, NY
Heliogravure on light weight Japan paper, full margins. Titled in pencil in the lower right margin. In good condition with some minor handling creases, dog-eared lower right corner, ...
Category

Late 19th Century Victorian Figurative Prints

Materials

Photogravure

Vinyl Record Collection, Stockton-on-Tees - British Vintage Interior Color Photo
Located in Cambridge, GB
Vinyl Collection, vintage interior photograph from Richard Heeps series, Forward to the Past. Richard was commissioned by Preston Hall Museum in Stockton-on-Tees to document the Muse...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 112] A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Interior Prints

Materials

Drypoint, Etching, Aquatint, Laid Paper

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
Located in Middletown, NY
Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category

1980s American Modern Figurative Prints

Materials

Engraving, Etching

Mid 19thCent. Kings Hall Party Session, Athelhampton, Dorsetshire by Joseph Nash
Located in Soquel, CA
Historical mid-19th century hand tinted lithograph and a lively scene of men and women engaging in a light hearted game of the era by artist Joseph Nash (British, 1808-1878). Signed ...
Category

Mid-19th Century Victorian Figurative Prints

Materials

Watercolor, Lithograph

Frankie and Johnnie
Located in New York, NY
Lithograph on wove paper, 1936. Edition of 100. Signed by the artist in pencil, lower right. Published by Associated American Artists, New York. Framed dimensions, 28.5 x 33.75 i...
Category

1930s Other Art Style Interior Prints

Materials

Lithograph

PUNCHINELLO IN THE HOUSE OF DEATH.
Located in Portland, ME
Bellows, George (American 1882-1925). PUNCHINELLO IN THE HOUSE OF DEATH.Mason 151 Lithograph, 1923. Edition of 60. Titled and signed in pencil by Bellows, and also signed "Bolton Bro...
Category

1920s Interior Prints

Materials

Lithograph

Candle Light (a serene sacred shrine for decency and peace with Asian feel)
By Masahiro Arai
Located in New Orleans, LA
"Candle Light" is a lithograph signed, dated, titled and editioned in pencil. It is #2 from an edition of 65 and was an exclusive publication of Stone and Press. Shadow and light are...
Category

1990s Modern Interior Prints

Materials

Lithograph

Lunch in the Studio
Located in Dallas, TX
Dallas artist Gail Norfleet is best known for her color monotypes, paintings, collages, and paintings on glass. Norfleet earned her BFA at The University of Texas, Austin, and her MFA at Southern Methodist University. Among others, she has had solo exhibitions in Dallas at The McKinney Avenue Contemporary and the former Delahunty and DW Galleries. Gail’s studio and the studios where she teaches serve as the settings for her recent body of work titled "The Studio." The studio is a rich visual environment that has inspired artists for centuries. Gail’s studio is strung with brightly colored Mexican papel picado...
Category

21st Century and Contemporary Contemporary Interior Prints

Materials

Monotype, Paper

Joseph Nash ca. 1839-1849 Hand-Colored Lithograph, Porch & Corridor
Located in Chicago, IL
A Joseph Nash ca. 1839-49 hand-colored lithograph Porch and Corridor, Ockwells, Berks. from "The Mansions of England in the Olden Time". Printed by Charles Joseph Hullmandel (Pub. L...
Category

1830s English School Interior Prints

Materials

Lithograph, Paper

The Sacristan
Located in New Orleans, LA
This image shows a cleric seated in a church sacristy surrounded by religious statues, croziers, various saints, statues and chalices. It is an origina...
Category

Early 20th Century Modern Interior Prints

Materials

Engraving

The Sacristan
The Sacristan
$356 Sale Price
40% Off
Ram's Horn, Surrealist Poster after Theo Tobiasse
Located in Long Island City, NY
Theo Tobiasse, After, French/Israeli (1927 - 2012) - Ram's Horn, Year: 1979, Medium: Poster, Image Size: 26.5 x 20.25 inches, Size: 30.5 x 24.75 in. (77.47 x 62.87 cm), Publisher: ...
Category

1970s Surrealist Interior Prints

Materials

Offset

Rustics of Japan – English School, 18th century
Located in Middletown, NY
A Method of Riding as Practised by the Rustics of Japan. One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earlies...
Category

Late 18th Century English School Interior Prints

Materials

Watercolor, Handmade Paper, Engraving

Jean-Honore Fragonard-L'Occasion Rococo Vintage
Located in Brooklyn, NY
Drawings by French Masters of the XV-XVIII Centuries. From a selection of 40 reproductions of the originals preserved in the Albertina Collection in Vienna. With an introduction and...
Category

1930s Rococo Interior Prints

Materials

Offset

Monstrosities of 1822; Plate 5
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....
Category

Early 19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

N. Lambert Seigneur de Thorigny: 17th C. Engraved Portrait After Largillière
Located in Alamo, CA
This is a 17th century engraving entitled "Messire Nicolas Lambert Seigneur de Thorigny, Conseiller du Roy" by Pierre Drevet after a painting by Noicolas de Largillière, published in Paris in 1698. This portrait depicts a three-quarter length view of Nicolas Lambert de Thorigny, who is dressed in elaborate robes and collar of a wealthy Parisian nobleman of the time. He is seated directed to the left and looking directly at the viewer. He is holding an inscribed note in his right hand. A magnificent billowing curtain is in the background. Lambert's coat of arms is shown in the center of the lower inscription area. In the inscription area is lettered with title, production detail: "Nic. Largilliere pinxit" and "Petr. Drevet sculpsit", and publication detail: "Se vend a Paris chez Drevet rüe du Foin au coin du College de Maître Gervais". Nicolas Lambert, Seigneur de Thorigny (1600-1664), was a French nobleman and military commander who lived in the 17th century. He served in the French army during the Thirty Years' War, a conflict that took place from 1618 to 1648 and involved many European powers. Lambert fought in several battles during the war and rose to the rank of colonel. After the war, Lambert returned to France and became involved in politics. He served as a member of the Estates General, a legislative body that advised the king, and as a governor of several provinces. He was a counsellor and confidant of King Louis XIV. He had the title of Président de la Chambre des Comptes. He also became a member of the French Academy of Sciences, a prestigious institution that promotes scientific research and scholarship. Lambert was known for his military expertise, his intelligence, and his commitment to public service. He iInherited the Hôtel Lambert in Paris from his brother Jean Baptiste in 1644 and hired some of the most prominent artists of the time, including Charles Le Brun to decorate and furnish the building. This beautiful old master engraving was created with impressive detailed technique. It is printed on laid, chain-linked paper. The sheet measures 18.5" high and 13.38" wide. The sheet is adhered to an archival backing paper at the top. There is a faint horizontal center fold and mild discoloration in the inscription area and in the upper margin on the right, with mild wrinkling here. The print is otherwise in very good condition, considering its age. This engraving is so rare, that no comparable prints could be identified for sale online. It is currently only listed in museum collections, including: The Metropolitan Museum of Art, The British Museum, The Louvre, The Riksmuseum, The Victoria & Albert Museum, The Fitzwilliam Museum at the U. of Cambridge, The Boston Museum of Fine Arts, Harvard Art Museums, The Finnish National Museum, The Philadelphia Museum. It is shown in the Metropolitan Museum's Cataloque of French paintings entitled: "French Paintings in The Metropolitan Museum of Art, published in 2018, page 36. The page is included in the photos. Nicolas de Largillière (1656-1746) was a French portrait painter who achieved great success and acclaim during the late Baroque and Rococo periods. He was born in Paris and trained under the painter Antoine Goubeau. He studied in Antwerp and London before returning to France. While in England he was a favorite painter of King Charles II and King James II of England...
Category

Late 17th Century Portrait Prints

Materials

Engraving

Scene Galante au XVIII eme Siecle #2
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...
Category

Mid-20th Century Realist Figurative Prints

Materials

Aquatint

The Tribute Money - engraving after Rembrandt - 19th Century
Located in Roma, IT
The Tribute Money is an engraving on ivory-colored paper realized after Rembrandt by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belo...
Category

19th Century Old Masters Figurative Prints

Materials

Engraving

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