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Art Subject: Bride
Scene Galante au XVIII eme Siecle #1
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...
Category

Mid-20th Century Realist Figurative Prints

Materials

Aquatint

'Young Ballerina', American Impressionist, National Academy of Design, New York
Located in Santa Cruz, CA
Signed lower right, 'L. Russomanno', inscribed lower left, 'A.P.' (artist proof) and titled lower center, 'La Belle Epoque' (The Beautiful Age). Provenance: The Metropolitan Gallery of Fine Art, Inc., New York, New York. A native of New York, Russomanno has exhibited widely and with success and is the recipient of numerous prizes and juried awards including from the Phillips Mill Art Exhibition in New Hope (2003) and the Patron’s Award for Painting from Phillips Mill (2005). Russomanno also received First Prize in the Phillips Mill Annual Art Exhibit in addition to the New Jersey Governor’s Purchase Award in 1973. He has exhibited at the National Academy of Design...
Category

1980s Figurative Prints

Materials

Paper, Lithograph

Les Belles et La Bête I: The Rehearsal
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category

1970s American Modern Interior Prints

Materials

Archival Paper, Engraving, Etching

Mosque of the Sultan Bayazid, Constantinople — Vintage Realism
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category

1920s American Realist Figurative Prints

Materials

Drypoint

“Les Revers de la Fortune”
Located in Southampton, NY
Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...
Category

1780s Academic Interior Prints

Materials

Laid Paper, Engraving

Monstrosities of 1824; Plate 7
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full...
Category

Mid-19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

La Messe (The Mass), after Caravaggio
Located in Middletown, NY
Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Laid Paper, Engraving, Woodcut

London Dandies-or- Monstrosities of 1816, Scene, Hyde Park, from Monstrosities
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...
Category

Early 19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

Anglo Parisian Salutations, or Practice par Excellence!
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category

Early 19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

Bridesmaids
Located in San Francisco, CA
This artwork titled "Bridesmaids" 1995, is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 41/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 18 x 22.5 inches, sheet size is 23.25 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...
Category

Late 20th Century Romantic Figurative Prints

Materials

Lithograph

Symbiosis
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category

1990s Modern Still-life Prints

Materials

Etching

Symbiosis
Symbiosis
$446 Sale Price
25% Off
Sleeping Car
By James L. Hendershot
Located in New Orleans, LA
Associated American Artists published "Sleeping Car" by James Hendershot. This image shows a rail car filled with passengers and conductors. This exhibit...
Category

Late 20th Century American Modern Figurative Prints

Materials

Lithograph

La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Interior Prints

Materials

Laid Paper, Drypoint, Etching, Aquatint

Velasquez Les Menines by Salvador Dali 1974 Lithograph
Located in Paonia, CO
Velasquez Les Menines is one of six graphics from the series Changes in Great Masterpieces published by Sidney Lucas, 1974. Master Dali has given us a...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust. This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition. William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782. The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister. Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category

Late 18th Century Old Masters Portrait Prints

Materials

Mezzotint

Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
Located in San Francisco, CA
mesmerizing baroque architectural details in a long forgotten Italian palazzo discovered in Mediterranean Sicily, Italy Hallelujah by Frank Schott 40...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Mr. B- “seeking the Bubble reputation"
Located in Middletown, NY
from The Sailor’s Progress, Plate 5 London: Thomas McLean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 1835. 8 1/4 x 11 1/2 inches (250 x 354 mm), full margins. With the quote from The Corsair, A Tale, Canto I...
Category

Early 19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

Portrait De Ma Mere - Etching by Henri Charles Guérard - 1883
Located in Roma, IT
Portrait De Ma Mere is a beautiful etching realized by the French painter, engraver, lithographer, and typographer Henri Charles Guérard after Wh...
Category

1880s Modern Figurative Prints

Materials

Etching

The Egyptian Book
Located in New York, NY
Lucian Freud The Egyptian Book 1994 Etching on T.H.S. Saunders paper 18 1/4 x 16 3/4 inches; 46 x 43 cm Edition of 40 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks...
Category

1990s Contemporary Figurative Prints

Materials

Etching

Master B. Finding things are not exactly what he expected-
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 2) Etching with handcoloring in watercolor on cream wove paper, 1835. 210 x 290 mm; 8 3/...
Category

Mid-19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs. These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition. The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco. The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe. A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene. The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate. Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category

Mid-18th Century Old Masters Interior Prints

Materials

Engraving, Etching

Teatro Microbiotico, Geometric Op Art Screenprint by Pedro Friedeberg
Located in Long Island City, NY
A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Teatro Microbiotico Year: 1...
Category

1980s Op Art Interior Prints

Materials

Screen

Les Belles et la Bête: Before the Hunt
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category

1970s American Modern Interior Prints

Materials

Archival Paper, Engraving, Etching

Chez Le Patissier - Original Etching by J.E. Laboureur - 1924
Located in Roma, IT
Hand signed. Signed and titled on plate. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 50 years ago by an a...
Category

1920s Modern Figurative Prints

Materials

Etching

No title
Located in Paris, FR
Stencil The work signed in the plate 35.00 cm. x 24.00 cm. 13.78 in. x 9.45 in. (image) 52.50 cm. x 41.50 cm. 20.67 in. x 16.34 in. (frame) LCD5579
Category

1950s Interior Prints

Materials

Stencil

New Orleans Go Greyhound original vintage travel poster
Located in Spokane, WA
Orignal NEW ORLEANS GREYHOUND vintage travel poster; larger format size. Excellent condition that has acid-free archival linen backing; ready to frame. This image is from the old French Quarter section of New Orleans. It features two women entering into the courtyard and in the background, the old stairs leading to the upstairs area. A bright and colorful image that would compliment any room or office. A great New Orleans vintage poster...
Category

1960s American Modern Interior Prints

Materials

Offset

James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894
Located in San Francisco, CA
James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894 Original 19th century color engraving Engraved by James Dobie after artwork b...
Category

Late 19th Century Interior Prints

Materials

Engraving

Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
Located in San Francisco, CA
mesmerizing baroque details in a long forgotten Mediterranean architecture masterpiece discovered in baroque Sicily, Italy 50 x 44 inches /...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment, Photographic Paper, Archival Paper, Giclée

Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Category

1770s Old Masters Figurative Prints

Materials

Etching

Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
Located in San Francisco, CA
Epic scale photograph of mesmerizing baroque details in a long forgotten architectural masterpiece discovered in Mediterranean Sicily, Italy Hallelujah by Frank Schott 66 x 59 inch...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Knackers
Located in New Orleans, LA
Binyon 232 - A fine impression in fine condition in an edition of 55 signed and inscribed by the artist. Strang was a prolific printmaker and across his lifetime produced over 750 o...
Category

1890s Modern Figurative Prints

Materials

Etching

„TARZAN AND THE MERMAIDS“ Original American Lobby Card, USA/MEXICO 1948
Located in Cologne, DE
Original American Lobby Card of the Movie „TARZAN AND THE MERMAIDS“ USA/MEXICO 1948 Director: Robert Florey, Actors/Stars: Johnny Weissmuller (Tarza...
Category

1940s Modern Interior Prints

Materials

Color

Piranesi VI.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, edition, Giovanni Battista Piranesi print in Verlag von Ad Lehmann in Wien, end of 19 Century.
Category

Late 18th Century Italian School Interior Prints

Materials

Black and White, Archival Pigment

Cercle Artistique de Schaerbeek
Located in West Hollywood, CA
The gallery is opening its private collection of art nouveau and art deco paintings, lithographs and antiques for the first time in more than twenty years. Presenting an original li...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph

1839-49 Joseph Nash Hand-Colored Lithograph Porch and Corridor, Ockwells, Berks
Located in Chicago, IL
A Joseph Nash ca. 1839-49 hand-colored lithograph on paper of Porch and Corridor, Ockwells, Berks., plate from the disbound book “The Mansions of England in the Olden Time”, first se...
Category

1830s Interior Prints

Materials

Lithograph, Paper

The Wedding, Surrealist Poster after Theo Tobiasse
Located in Long Island City, NY
Theo Tobiasse, After, French/Israeli (1927 - 2012) - The Wedding, Year: circa 1980, Medium: Poster, Image Size: 20.25 x 26.5 inches, Size: 24.75 x 30.5 in. (62.87 x 77.47 cm), Prin...
Category

1980s Surrealist Interior Prints

Materials

Offset

Romeo Et Juliette Acte I, Surrealist Poster after Theo Tobiasse
Located in Long Island City, NY
Theo Tobiasse, After, French/Israeli (1927 - 2012) - Romeo Et Juliette Acte I, Year: circa 1980, Medium: Poster, Image Size: 20.25 x 26.5 inches, Size: 24.75 x 30.5 in. (62.87 x 77...
Category

1980s Surrealist Interior Prints

Materials

Offset

In the Kitchen - Lithograph by Gianfranco Ferroni - 1973
Located in Roma, IT
In the Kitchen is an original contemporary artwork realized by the Italian artist Gianfranco Ferroni (Livorno, 1927 - Bergamo, 2001) in 1973. Original Eight colors Lithograph on pap...
Category

1970s Modern Interior Prints

Materials

Lithograph

Europa, by Peter Milton
Located in Palm Springs, CA
Resist Ground Etching and Engraving from a Copper Plate on BFK Rives, Somerset Buff, Wove Paper Medium: Resist Ground Etching & Engraving Edition of 125 Year: 1982 One o...
Category

1980s Contemporary Interior Prints

Materials

Etching, Engraving

Woman with a Tall Bouquet of Flowers - Stone lithograph, 1930
Located in Paris, IDF
Chas LABORDE Woman with a tall bouquet of flowers, 1930 Original stone lithograph On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition
Category

1930s Modern Interior Prints

Materials

Lithograph

Joseph Hirsch, (Cutting the Beard)
Located in New York, NY
A man with lots of whiskers is trimming his facial hair while looking in a mirror. The male figure and his beard are carefully drawn but Hirsch has cleverly just briefly sketched in ...
Category

Mid-20th Century Ashcan School Figurative Prints

Materials

Lithograph

A Letter from Picasso
Located in San Francisco, CA
This artwork titled "A Letter from Picasso" 1974 is a color lithograph on Wove paper by noted American artist George Charles Deem, 1932-2008. It is hand signed and numbered 157/300 i...
Category

Late 20th Century American Realist Figurative Prints

Materials

Lithograph

Frontispiece from "Carceri d'Invenzione" - Etching by G. B. Piranesi - 1749/59
Located in Roma, IT
Carcere d'Invenzione is an original Modern Artwork realized by Giovan Battista Piranesi (Mogliano Veneto, 1720 - Rome, 1778). Original Etchin...
Category

Mid-18th Century Modern Figurative Prints

Materials

Etching

The Mask - Etching by Noel Le Mize - 19th century
Located in Roma, IT
The Mask is a print realized by Noel Le Mize (1724- 1800) in the mid 18th Century. Etching on paper. La Tingédic Gravce a Buzin XVIII Good condition and aged with slight foxing. 
Category

19th Century Modern Figurative Prints

Materials

Etching

"Night Moves" - Abstract Etching in Ink on Paper (Artist's Proof)
Located in Soquel, CA
"Night Moves" - Abstract Etching in Ink on Paper (Artist's Proof) Textural abstract print by Doris Ann Warner (American, 1925-2010). This piece is composed of overlapping fabric patt...
Category

1980s Abstract Interior Prints

Materials

Paper, Ink, Etching

Doctor's Office
Located in San Francisco, CA
This artwork titled "Doctor's Office" 1976 is a color lithograph by American artist Lee Dubin, b.1933. It is hand signed and numbered 106/200 in pencil by the artist. The image size ...
Category

Late 20th Century American Realist Figurative Prints

Materials

Lithograph

Architectural Detail - Original Lithograph by E.M. Beretta
Located in Roma, IT
Architectural detail is an original lithograph on ivory-colored paper, realized by Emilio Mario Beretta (1907-1974) in 1948. Reproducing the original charcoal sketch, this print is ...
Category

1940s Modern Figurative Prints

Materials

Lithograph

Man By a Radiator
By Clifford Isaac Addams
Located in Columbia, MO
Clifford Isaac Addams (May 25, 1876 – November 7, 1942) was an American painter and etcher, and a protégé of James McNeill Whistler.
Category

Early 20th Century Modern Interior Prints

Materials

Drypoint, Etching

Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale Etching 1743 Signed in the bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 20 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category

1740s Old Masters Interior Prints

Materials

Etching

Richard Cosway RA - Framed Early 19th Century Stipple Engraving, Devotion
Located in Corsham, GB
Original stipple engraving on laid. Presented behind glass in a contemporary wooden frame with a Sebastian D'orsai label on the verso.
Category

Early 19th Century Interior Prints

Materials

Engraving

"Bottles" - Etching in Ink on Paper (Artist's Proof)
Located in Soquel, CA
Still life etching by Doris Ann Warner (American, 1925-2010). Several ornate bottles are arranged on a shelf. There is a splatter effect in this piece, c...
Category

1980s American Impressionist Interior Prints

Materials

Paper, Ink, Etching

Convalescent
Located in New York, NY
Mathilde de Cordoba was born in New York City and spent her career there. She is known for her studies of women and children. Convalescent is sign...
Category

1930s Ashcan School Interior Prints

Materials

Lithograph

Jewelry Choir Stalls of the Cathedral of St Cecilia, Albi; The Reredos
Located in Middletown, NY
Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before th...
Category

Mid-20th Century American Modern Interior Prints

Materials

Etching, Handmade Paper, Aquatint

Bar en Pennsylvania, 1914
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Bar en Pennsylvanie, etching, 1914. Signed in pencil lower left and numbered 21/35 lower right [also signed and dated lower in the plate lower left]...
Category

1910s Cubist Interior Prints

Materials

Etching

BLESSINGS Signed Lithograph, Realist Portrait, Young Woman Praying, Candles
Located in Union City, NJ
BLESSINGS is an original hand drawn, limited edition lithograph printed by hand in black ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone u...
Category

1970s Contemporary Portrait Prints

Materials

Lithograph

Coronation, Surrealist Poster after Theo Tobiasse
Located in Long Island City, NY
Theo Tobiasse, After, French/Israeli (1927 - 2012) - Coronation, Year: circa 1980, Medium: Poster, Image Size: 20.25 x 26.5 inches, Size: 24.75 x 30.5 in. (62.87 x 77.47 cm), Print...
Category

1980s Surrealist Interior Prints

Materials

Offset

Confidences - Etching by Alfred Boulot - First Half of 1900
By Alfred Boulot
Located in Roma, IT
Confidences is an original artwork realized by Alfred Boulot in the first years of the XX Century. Original Etching on paper. Passepartout included (cm 35 x 50). Signed on plate ...
Category

Early 20th Century Interior Prints

Materials

Etching

La Devineresse - Original Etching by J-L Vauzelle - End of 18th Century
Located in Roma, IT
La Devineresse is an original artwork realized by Jean-Lubin Vauzelle in the second half of the XVIII century. Original etching on paper. Passepartout included (39 x 28.5 cm). Sign...
Category

Late 18th Century Modern Figurative Prints

Materials

Etching

Conversation - Original Etching - 1930 ca
Located in Roma, IT
Conversation is a splendid etching engraved by Anonymous Artist in 1930 ca. The state of preservation of the artwork is good. Not signed.
Category

1930s Modern Interior Prints

Materials

Paper, Etching

Interior Meeting - Original Etching by Cornelis Meyssens - 17th Century
Located in Roma, IT
Interior Meeting is an original etching realized by Cornelis Meyssens ( 1640-1573). Good conditions, except for some foldings. Included a Passepartout: 34 x 49 cm The artwork repres...
Category

17th Century Baroque Figurative Prints

Materials

Etching

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