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Emil NoldePatient, Doctor, Death and Devil - Etching and Aquatint by E. Nolde, 19111911
1911
About the Item
Patient, Doctor, Death and Devil, is an original etching and aquatint on paper, realized by Emil Nolde in 1911, hand-signed, titled and numbered IV.5, total edition 30 copies in 5 states, plate of the 4th state printed in 10 copies.
Included a walnut frame.
In very good conditions.
Here the artwork is representing with Expersionistic style, four characters a skeleton in a dialogue with two old men that are sick and doctor, a creature with big eyes that is devil, and placed near skeleton, which is death. the atmosphere is neither sad nor dark, the death seems to find a logical way of speaking with sick man and doctor and they are interestingly hearing him, while the devil is listening too.
Emil Nolde (1867- 1956) was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. He used a Golden yellows and deep reds frequently, making a luminous quality and somber tones, very vivid and brilliant florals.
- Creator:Emil Nolde (1867-1956, German)
- Creation Year:1911
- Dimensions:Height: 23.23 in (59 cm)Width: 17.72 in (45 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1064631stDibs: LU65036153062
Emil Nolde
Emil Nolde (born Hans Emil Hansen; 7 August 1867 – 13 April 1956) was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding storm-scapes and brilliant florals. Emil Nolde’s etchings reach far beyond the traditional printmaking of the early 20th century. He created rich tonal and textural areas through unusual applications of acid to his etching plates, masses of undulating, interwoven lines, and scratching with a variety of tools. He taught his inventive techniques to other Die Brucke artists.
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