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Joan MiróQuerelle d'Amoureaux II (Allegro Vivace, M.1234), 19811981
1981
About the Item
Querelle d'Amoureaux II (Allegro Vivace, M.1234) is a lithograph from Joan Miró's Allegro Vivace series, from 1981. The print has an image size of 24 x 18 inches and framed dimensions of 44.25 x 35.25 inches. Signed 'Miró' lower right and numbered lower left, 76 from the edition of 100. Framed in a custom, closed-corner, gold-leaf frame with Optium plexiglass.
Literature:
Maeght (Ed.) & Cramer, P. Joan Miró: Lithographs Volume VI 1976-1981. Maeght Éditeur, 1992. p. 156, no. 1234.
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1981
- Dimensions:Height: 44.25 in (112.4 cm)Width: 35.25 in (89.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall excellent condition with some light scuffs and handling dents, and a pin size fox speck under the signature.
- Gallery Location:Greenwich, CT
- Reference Number:Seller: LTMIRC1234SC1stDibs: LU2664215824482
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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