White Line Squares (Series II), XIV
View Similar Items
Josef AlbersWhite Line Squares (Series II), XIV1966
1966
About the Item
- Creator:Josef Albers (1888 - 1976, American, German)
- Creation Year:1966
- Dimensions:Height: 20.75 in (52.71 cm)Width: 20.75 in (52.71 cm)
- More Editions & Sizes:Edition of 125Price: $20,250
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU53832973751
Josef Albers
The German-born American painter, writer, and educator Josef Albers was a pioneer of 20th century modernism, and an innovative practitioner of color theory. With his wife, the textile artist and printmaker Anni Albers (1899–1994), he shaped the development of a generation of American artists and designers through his teaching at the experimental Black Mountain College in North Carolina, and later at Yale University School of Art, where he was the chairman of the department of design from 1950–1958. Albers is widely known for his series of prints and paintings "Homages to the Square," which he created between 1950 and 1975. His influential volume on color theory The Interaction of Color was published in 1963.
Albers was born in Bottrop, Germany, and as a young man he studied art education, earning certification from the Königliche Kunstschule in Berlin in 1915. He entered the legendary Bauhaus school in Weimar in 1920. The Bauhaus had been established by Walter Gropius in 1919, in the immediate aftermath of World War I, with the hope that its innovative curriculum would foster connections between architecture, art, and traditional crafts. In 1923 Albers began teaching the Vorkurs, the introductory class in which new students learned to work with each of the key artists’ materials, along with color theory, composition, construction and design.
Albers was a polymath, and the multidisciplinary environment of the Bauhaus was fertile ground for his artistic ambitions. When the school moved from Weimar to Dessau in 1925, he became a full professor, and in addition to glass and metal, he designed typefaces and furniture. While at the Bauhaus, Albers drew inspiration from the work of his colleagues, the color theorist Johannes Itten, and the painter, photographer, and designer László Moholy-Nagy, with whom he co-taught the Vorkurs.
In 1933, the Bauhaus was shut down due to pressure from the Nazi Party, which perceived the school as being sympathetic to communist intellectuals. As Albers’ wife Anni was Jewish, the couple resolved to leave Germany, and settled in rural North Carolina. The architect Philip Johnson helped make arrangements for Albers to join the faculty of Black Mountain College as the head of the painting program, where he remained until 1949. While at Black Mountain, both Josef and Anni Albers became influential mentors to American artists including Ruth Asawa, Cy Twombly, and Robert Rauschenberg, while working alongside fellow professors Buckminster Fuller, John Cage, Merce Cunningham and William de Kooning.
In 1950, Albers joined the faculty of the Yale University School of Art where he would head the newly established Department of Design until his retirement in 1958. In the 1950s, the Alberses began taking trips to Mexico, where the colors and forms of the local art and architecture inspired both artists.
In 1971, Albers became the first living artist whose work was the subject of a solo retrospective at the Metropolitan Museum of Art. Though they worked in different mediums, Josef and Anni Albers’ work shares a fascination with color and geometry. Josef Albers’ compositions from the "Homages to the Square" series, such as Formulation: Articulation Portfolio II Folder 28 (B), from 1972, give deceptively simple shapes a novel vibrance as colors play off of one another. The hues in Articulation Portfolio II Folder 28 (B) work in concert to give the flat surface the distinct appearance of a tunnel or other three-dimensional space; while the form on the left appears to move towards the viewer, the form on the right seems to lead directly into the canvas. Similarly, Anni Albers’ designs for textiles use graphic design to lend a sense of dynamism to flat works. Her Study for Unexecuted Wall Hanging (Bauhaus), from 1984 is a Mondrian-like pattern for a weaving in which different colors alternately recede and advance into the foreground, giving the image a sense of complexity and uncanny depth.
Josef Albers also created works of public art, including a delicate, geometric gold leaf mural called Two Structural Constellations for the lobby of the Corning Glass building in New York City in 1959. He designed a work called Two Portals for the lobby of the Time & Life Building in 1961, in which which and brown bands move towards two square panels made of bronze. Walter Gropius invited Albers to create a piece for the Pan Am Building, which he was designing with the architectural firm of Emery Roth & Sons. Albers reworked an existing glass piece from his Bauhaus days called City, and, fittingly, renamed it Manhattan.
Find a collection of authentic Josef Albers art on 1stDibs.
- White Line Squares (Series II), XVIBy Josef AlbersLocated in Miami, FLTECHNICAL INFORMATION Josef Albers White Line Squares (Series II), XVI Lithograph 20 3/4 x 20 3/4 in. Edition of 125 Initialed in pencil, dated, num...Category
1960s Bauhaus Prints and Multiples
MaterialsLithograph
- Variant II, from 10 variantsBy Josef AlbersLocated in Miami, FLTECHNICAL INFORMATION Josef Albers Variant II, from 10 Variants 1966 Screenprint on rives BFK paper 17 x 17 in. Edition of 200 Initial in pencil, dated, numbered and titled Accomp...Category
1960s Bauhaus Prints and Multiples
MaterialsScreen
- StrangerBy Ed RuschaLocated in Miami, FLTECHNICAL INFORMATION: Ed Ruscha Stranger 1983 Lithograph 30 x 22 1/2 in. Bon A Tirer (B.A.T.) from an edition of 7 Pencil signed and annotated B.A.T. Accompanied with COA by Gregg...Category
1980s Contemporary Landscape Prints
MaterialsLithograph
Price Upon Request - NicoleBy Alex KatzLocated in Miami, FLTECHNICAL INFORMATION Alex Katz Nicole 2018 Lithograph, woodcut and screen print 36 1/2 x 80 in. Edition of 60 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum ...Category
2010s Contemporary Prints and Multiples
MaterialsLithograph, Screen, Woodcut
Price Upon Request - Ape, from Stoned MoodBy Robert RauschenbergLocated in Miami, FLTECHNICAL INFORMATION Robert Rauschenberg Ape, from Stoned Moon 1970 Lithograph 46 x 38 in. Edition of 46 with 6 artist proofs. Pencil signed, dated ...Category
1970s Pop Art Prints and Multiples
MaterialsLithograph
- Ivanhoe - RowenaBy Salvador DalíLocated in Miami, FLTECHNICAL INFORMATION: Salvador Dali Ivanhoe - Rowena 1978 Lithograph 29 1/2 x 21 1/2 in. Edition of 250 Pencil signed and numbered; certified authentic by Frank Hunter of the Sal...Category
1970s Surrealist Figurative Prints
MaterialsLithograph
- LE CORBUSIER Centre Art et Recherches 1966, LithographBy Le CorbusierLocated in Brooklyn, NYPaper Size: 16 x 16.25 inches ( 40.64 x 41.275 cm ) Image Size: 15.5 x 16 inches ( 39.37 x 40.64 cm ) Framed: Yes Condition: B: Very Good Condition, with signs of handling or age Ad...Category
1960s Bauhaus Prints and Multiples
MaterialsLithograph
$960 Sale Price20% Off - THOMSON Gyrathomic, Original horizontal French mid-century vintage posterBy Guy GeorgetLocated in Spokane, WAOriginal THOMSON Gyrathomic. Horizontal format original French vintage lithograph poster. Artist: Guy Georget. C. 1955. Archival linen backed. Very good condition. A fun...Category
1950s Bauhaus Animal Prints
MaterialsLithograph
- The Man in Love, from: Masters Portfolio - Signed Lithograph - BauhausBy Paul KleeLocated in London, GBPAUL KLEE 1879-1940 Münchenbuchsee 1879 - 1940 Muralto (German) Title: The Man in Love, from: Masters Portfolio of the Staatliches Bauhaus Der Verliebte: Meistermappe des Staatlichen Bauhauses, 1923 Technique: Original Hand Signed Lithograph in Colours on Wove Paper Paper size: 34.2 x 27 cm. / 13.5 x 10.6 in. Image size: 27.7 x 19 cm. / 10.9 x 7.5 in. Additional Information: This original lithograph in colours is hand signed in pencil by the artist "Klee" at the lower right margin. Our impression is from the final state of this lithograph which was printed in a limited edition of 100 impressions by Staatliches Bauhaus, Weimar. It was published by Bauhaus Verlag. Munich and Weimar. Other impressions of this work can be found in the collections of the Zentrum Paul Klee, Bern, the Museum of Modern Art, New York, San Francisco Museum of Modern Art, California, and Centre Pompidou, Paris. Note: This composition is one of eight subjects which comprise the ‘Meistermappe des Staatlichen Bauhauses’ [The Masters Portfolio of the Bauhaus]. The contributors to the portfolio were Paul Klee, Wasily Kandinsky, László Moholy-Nagy, Lothar Schreyer...Category
1920s Bauhaus Abstract Prints
MaterialsLithograph
- Gewerbemuseum, Basel/Licht Reklame. 1928.By Charles Karl HidenlangLocated in New York, NYHindenlang, Charles [Karl]. Gewerbemuseum, Basel/Licht Reklame. 1928. Color lithograph. Printed by Wasserman, Basel. 35 1/5 x 50 1/4." Hiddenlang was known primarily as a muralist with interests in painting, glassware, ceramics, stage and graphic design. Born in Basel and educated at the city's Gewerbeschule. The Kunsthalle Basel dedicated to him in 1965 along with Dick and Karl Otto...Category
1920s Bauhaus Abstract Prints
MaterialsLithograph
- AriadneBy Max BillLocated in New York, NYCity Theatre matinee- 24 April 10:45 - dance studio wuff, basel (includes notice of postponement of a ballet by Satie and Picabia and a statement of aesthetics in small type) Zurich. Letter press...Category
1930s Bauhaus Abstract Prints
MaterialsLithograph
Price Upon Request - Sale and Marketing Kiosk for P Cigarettes (Bauhaus) (20% OFF + Free Shipping)By Herbert BayerLocated in Kansas City, MOHerbert Bayer Sale and Marketing Kiosk for P Cigarettes (Verkauf- und Werbekiosk, Zigarettenmarke P ), 1924 Offset Lithograph Year: 1994 Size: 33.2 × 23.2 inches Publisher: Bauhaus A...Category
1920s Bauhaus Prints and Multiples
MaterialsLithograph
$120 Sale Price20% Off