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André Derain
Paysage (le Morin)

1911

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  • Paysage au Buttes-Chaumont (2nd Planche), 1920-21
    By Jean-Emile Laboureur
    Located in New York, NY
    Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...
    Category

    1920s Cubist Landscape Prints

    Materials

    Engraving, Etching

  • A Street in Ventnor, Isle of Wight
    By Theodore Casimir Roussel
    Located in New York, NY
    Theodore Roussel (1847-1926), A Street in Ventnor, Isle of Wight, etching, soft ground etching, drypoint, 1912, signed in pencil on the tab and inscribed...
    Category

    1910s Impressionist Landscape Prints

    Materials

    Drypoint, Etching

  • The Bridge, Santa Maria
    By James Abbott McNeill Whistler
    Located in New York, NY
    James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm. A fine impression, printed with subtle tone. The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter. The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
    Category

    1870s Impressionist Landscape Prints

    Materials

    Drypoint, Etching

  • The Gate, Chelsea
    By Theodore Casimir Roussel
    Located in New York, NY
    Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches. A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work. According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
    Category

    1880s Impressionist Landscape Prints

    Materials

    Drypoint, Etching

  • L’Hiver a Paris ou La Neige a Paris
    By Félix Hilaire Buhot
    Located in New York, NY
    Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
    Category

    1870s Realist Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • L’île Lacroix, à Rouen
    By Camille Pissarro
    Located in New York, NY
    Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
    Category

    1880s Impressionist Landscape Prints

    Materials

    Aquatint, Etching, Drypoint

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    Located in Ljubljana, SI
    Original color drypoint and etching, 1975. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper. Zoran Mušič is one of the most celebrated Slovenian artis...
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  • Crab Boats, Southampton Water /// Impressionist British Seascape Ship Maritime
    By Aileen Mary Elliot
    Located in Saint Augustine, FL
    Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...
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    1920s Impressionist Landscape Prints

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  • Irving Guyer, Christmas Trees on Second Street (NYC)
    By Irving Guyer
    Located in New York, NY
    Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
    Category

    1930s American Modern Figurative Prints

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  • Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
    Located in Melbourne, Victoria
    Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image. Frederick Farrell was a Scottish etcher specializing in architectu...
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    1920s Other Art Style Landscape Prints

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  • Street Market - Montmatre, France, etching, 1922
    Located in Melbourne, Victoria
    Monogram and date of etching in the plate bottom left. 220mm by 305mm (platemark) 310mm by 390mm (sheet)
    Category

    1920s Art Nouveau Landscape Prints

    Materials

    Drypoint, Etching

  • St Paul's Cathedral, Thames, London, etching by Frederick Farrell, circa 1920
    Located in Melbourne, Victoria
    Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image. Frederick Farrell was a Scottish etcher specializing in architectu...
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