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Armin Landeck12th Street Walls — 1940s New York City1944
1944
$2,200
£1,633.61
€1,918.60
CA$3,060.81
A$3,426.89
CHF 1,796.83
MX$42,341.36
NOK 22,641.19
SEK 21,372.38
DKK 14,315.10
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About the Item
Armin Landeck, '12th Street Walls', etching, edition 100, first state, 1944, Kraeft 93. Signed in pencil. Initialed in the plate lower left. A superb, early impression, with all the fine lines printing clearly, on cream laid paper; the full sheet with margins (1 1/2 inches). Original Tape remains in the top left and right sheet corners, verso — in excellent condition. Printed by the artist.
“A scene off Union Square, ‘xat’ is a Greek word for ‘hot’. Graffiti of that time.”
–Armin Landeck
First Purchase Prize, Library of Congress, 1944.
Collections: Library of Congress; Museum of Fine Arts, Boston, Weatherspoon Art Museum (University of North Carolina), Whitney Museum of American Art.
ABOUT THE ARTIST
Born in Wisconsin, Armin Landeck (1903-1984) was educated in New York at Columbia University School of Architecture. He made his first etching in 1927 and from that time on dedicated himself to printmaking. A trip to Europe in 1928-29 broadened his knowledge of graphic art techniques, and after his return to New York City, he joined with Martin Lewis and George Miller to found the School for Printmakers at Miller’s Fourteenth Street Studio.
The subjects of Landeck’s work and his precise draftsmanship are informed by his architectural training but unlike other precisionist work of the period, his scenes of New York City are imbued with a soft, painterly quality and a luminous sense of space and light.
During his acclaimed career, Landeck was awarded fifteen honors for printmaking including awards from National Academy of Design (1969), Guggenheim Fellowship (1962), Society of American Graphic Artists, and Boston Printmakers (1984).
Landeck’s prints are held in numerous public and museum collections including the Crystal Bridges Museum of American Art, Brooklyn Museum, Corcoran Gallery of Art, Georgetown University Library, High Museum of Art, Honolulu Academy of Arts, Indiana University Art Museum, Joslyn Museum of Art, Santa Barbara Museum of Art, Whitney Museum of American Art, and Yale University Art Gallery.
- Creator:Armin Landeck (1905-1984, American)
- Creation Year:1944
- Dimensions:Height: 8.13 in (20.66 cm)Width: 11.63 in (29.55 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 1006881stDibs: LU53239248522
Armin Landeck
Printmaker Armin Landeck was born in Crandon, Wisconsin, and spent his childhood in Oshkosh and in Toledo, Ohio. Before enrolling at Columbia University, he studied for two years at the University of Michigan. In New York he took summer classes at the Art Students League and visited the city's museums and galleries. By the time of his graduation from Columbia in 1927, he had become interested in printmaking and had bought a used press. In 1928 and 1929 he traveled and worked in Europe, seeing the work of the old masters and also modern art, sketching and making etchings wherever he could find an opportunity to use a press. He was greatly interested in the cubist art he saw in Paris, and the angular facets of his early compositions reflect that fascination. Returning to the United States in 1929, he settled on a farm in East Cornwall, Connecticut, but spent a great deal of time in New York City, moving back there in 1935 to teach printmaking. Throughout the 1930s he worked in etching, aquatint, drypoint, and lithography. Study with Stanley William Hayter at the New School for Social Research in New York in the early 1940s led to Landeck's extensive use of the engraving medium, but he continued to work in other etching media as well. In 1953 he was awarded a Guggenheim Fellowship that permitted him to work in Paris and to travel again through Europe. He retired from teaching in 1958 and moved back to his Connecticut farm, where he died in 1984. Landeck focused on the city in much of his work. As a student at Columbia University, Landeck earned a degree in architecture, and this training is reflected in his careful rendering of buildings and their details. In Pop's Tavern, Landeck captured both the look and the mood of an American city in the 1930s. The lighted interiors in Pop's Tavern seem to draw people in from the dark, empty streets.
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