Austin Bell

Stop Light Court 2

ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an ...

ABOUT THIS ARTIST: Austin Bell is a photographer from North Carolina that shoots a variety of landscapes. His current focus is capturing basketball courts in Hong Kong, be it aeriall...

ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. ...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

Abstract painting with geometric lines and vibrant colors. On canvas. About the artist: Patrick’s work has been seen and collected all over the states and Europe. His most rece...

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activi...