Damien Hirst

Colliding, H13-9, from Where the Land Meets the Sea

2023

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

Signed and numbered 185/289 in graphite pencil on the label in the back Acquired directly from the publisher - Heni Editions Inc., UK Mint condition: brand new in original packaging ...

Damien Hirst Doldrums, H13-12, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel 47 3/10 × 35 2/5 × 1/2 in 120.1 × 89.9 × 1.3 cm Hand-signe...

Martin Creed Everything's Going to be Alright (Work No. 3531), 2022 Color giclee print; unframed and housed in a bespoke archival box from Hauser & Wirth 11 3/4 × 16 1/2 inches Penci...

Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...

Diane Burko Lily Pond at Giverny, 1990 Hand colored monoprint (lithograph with hand coloring) Hand signed and numbered 8/95 by the artist and bears publish...

Coloured Print of Photorealist Painting of Gleneagles Golf Course in Scotland by 20th Century Scottish Artist, Graeme Baxter, entitled 'The Gleneagles Hotel, Monarch's Course'. Art measures 14 x 10 inches Frame measures 19 x 15 inches Coloured Print on High Quality Paper Signed on the Front Glazed & Mounted Good Condition Frame (commensurate with age) Graeme Baxter is the official artist to some of the world's most important golf tournaments, such as The Ryder Cup...

JR Trompe l'oeil, Les Falaises du Trocadéro, 18 mai 2021, 19h58, Paris, France, 2021 2021 Giclée Print Laminated with G-gloss, Mounted on 3mm Dibond 64 × 96 cm (25.2 × 37.8 in) In mi...

The Tenth Hole at Auburn Valley Golf Course - AP, 1/50 - Giclee on Canvas Serene depiction of Auburn Valley Golf Course and the surrounding hills by Jim Fitzpatrick...

A beautiful soft landscape Giclee of a glowing meadow in the Sonoma Mountains by Donna McGinnis (American, 20th century). Signed "Donna McGinnis", titled "Sonoma Mountains", and numbered "5/195", lower edge. Limited edition Giclee, high resolution long life inkjet print, Edition 5/195, printed on Epson Somerset velvet cotton rag paper. Displayed in a custom mat and wood Italian classical frame. Image size 29"H x 39"W. Paper size, 32.5"H x 42.5"W. Donna McGinnis was born in Spokane, Washington. McGinnis grew up in an artistic family. Her mother was an artist, her grandmother a musician and her father a photographer. Drawing came naturally to her as she had very vivid memories of admiring her father’s black and white photography. These silvery prints inspired McGinnis. Through his love affair with the still image, McGinnis learned composition, chiaroscuro (light and dark tonality), form and line, in essence the basics of formal art theory. McGinnis had a childhood babysitter and mentor who taught her and her two sisters art...

David Barnett's "Homage to Schomer Lichtner: The Merrymakers" is an original mixed media artwork, signed by the artist in the lower left. The artwork itself becomes a collaboration b...

Dreamy abstract figural landscape of a metallic gold sun hung low in a purple sky with peace doves over a bright blue ocean and sailboat. In the foreground a reclining female figure ...