David Rosenthal

Village in France

1927

This artwork titled "Verdes, Loire et Cher, France" is an original lithograph by American artist Teall (La Verne Teall) Messer, 1897-1977. It is hand signed, titled, dated and numbered 36/40 in pencil by the artist. The image size is 10.65 x 13.65 inches, the sheet size is 14 x 21.5 inches. It is in excellent condition, especially considering the age of this piece. About the artist: Born in Dixon Illinois in 1897, Teall Messer dropped the name Lavern as soon as he came "of age". He went to New York to be an artist and intellectual. He hung out with the playwrights of the time and ended up with an award from the Rockefellers to go to Paris and study painting. This was in the 1920's. He stayed for several years in Paris being the stereotypical American painter there. He had contact with at least some of the famous painters and shared a studio with Alexander Calder. One story was that he and Alexander were dating two French sisters. The girls' mother told them to drop the Americans as they would never make much money. That was true for Teall, not so for Calder. He also knew Brancusi well enough to have a signed sketch dedicated "á Teall Messer avec amour". He knew Gertrude Stein well enough to heartily dislike her, considering her a phony. In France Teall married a member of the Byrd...

This artwork titled "Paysage de Normandie" c.1910 Is an original color aquatint by noted French artist Maurice Levis, 1860-1940. It is hand signed and numbered 245/350 in pencil by the artist. The plate mark (image) size is 17.5 x 24.85 inches, sheet size is 19.75 x 26.75 inches. It is in excellent condition, especially considering the age of the piece. About the artist: Born in Paris on 11 November1860, Maurice Levis was an accomplished landscape and genre painter for nearly sixty years. His career spanned not only the early years of modernism, but also the twentieth century developments of cubism and surrealism. Levis' artistic education began in the late 1870s at the Académie Julian where he studied with Jules Lefebvre. He also studied with Henri Harpignies and with Pierre Billet...

This artwork titled "Village by a Road" c 1940 is a watercolor on paper by noted artist Donald Jeffries Bear 1905-1952. It is signed in pencil at the lower right corner by the artist. The artwork size is 10.65 x 14.5 inches, framed size is 17 x 21 inches. Framed in original frame. The artwork is in good condition, paper is toned by time, the four extreme corners are slightly discolored by hanging tape. The frame is also in good condition with minor dents, the linen is slightly discolored by time. The item is over all in good condition. About the artist. Donald Jeffries Bear, the Santa Barbara Museum of Art's founding director from 1940 to 1952, was born on this day, February 5, 1905, in Terre Haute, Indiana. He previously served as the Director of the Denver Art Museum (1935-1940), regional advisor for the Federal Art Project (1935-38), and as principal of the World's Fair in New York (1938-39). While director of the SBMA, Bear served as president of the Western Association of Art Directors from 1943 to 1946. He was also an art critic and, last but not least, an artist. Bear was well travelled, spoke numerous foreign languages, and as a Renaissance man, he was a singular match for another local polymath, Wright S. Ludington. In addition to his duties as director, Bear was also the curator and was responsible for producing over 600 exhibitions during his tenure. The exhibitions were as remarkable for their quality as well as their quantity, including SBMA's inaugural exhibition, Painting Today and Yesterday in the United States (June 5―September 1, 1941), which featured pieces from George Bellows, Mary Cassatt, Robert Harnett, Childe Hassam, Robert Henri, Winslow Homer, Edward Hopper, Yasuo Kuniyoshi, Georgia O'Keefe, and numerous others. Perhaps most remarkably, the SBMA displayed two of the most influential paintings of the 20th century, Pablo Picasso’s Guernica (1937) and Marcel Duchamp’s revolutionary Nude Descending a Staircase, No. 2 (1912) as part of the “Free France” exhibition in 1942. He was also responsible for producing numerous solo artist exhibitions, many of which were the first of their careers, including: William Dole, Clarence Hinkle...

This artwork "Landscape with Village" c.1940, is a watercolor on paper by noted Colorado artist Irene Fowler, 1884-1967. It is signed at the lower right corner by the artist. The siz...

Title: French Impressionist Painting of Rustic Village Dwellings By Maurice Mazeilie (French 1924-2021) Medium: Acrylic on paper, unframed Size: 5.75 x 8.75 inches (Height x Width) S...

Provence Village Landscape, summer scene of village houses by Louis Bellon (French 1908-1998) Unsigned, inscribed verso, from a batch of similar work where most were dated 1942-1947 ...

Title: French Impressionist Oil Painting of Village in Breton Countryside By Fanch Lel (French b. 1930) Size: 8.75 x 6.75 inches (height x width) Signed: Yes Oil painting on board, u...

“Rural Village Scene with Bridge" By Maurice Mazeilie (French) Watercolour on paper, unframed Size: 5.25 x 7.75 inches (Height x Width) Stamped Verso Condition: Good - There are no n...