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"Radiator Building, " Howard Cook, New York Cityscape, Skyscrapers Print

1929-30

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  • "New York - Taken from the Northwest angle of Fort Columbus, Governor's Island"
    Located in New York, NY
    New York - Taken from the north west angle of Fort Columbus Governor's Island, 1846 Engraved by Henry Papprill after a sketch by F. Catherwood, published by Henry J. Megarey Hand-colored engraving on paper Image 16 x 26 1/2 inches Henry A. Papprill (1816–1903) was a British engraver. Noted as an aquatint engraver from 1840. His plates were published from 1840 till 1883 mainly by Ackermann of the Strand. Papprill was born in Holborn, London. Lived for much of his life at Wharton Street, Lloyd Square, London. Papprill is thought to have been based in New York City for brief period in the mid-1840s. His work in the USA appears to classify him as an American engraver but he was based and gained his reputation and bulk of his work in England. He produced a series of works for Ackermann & Co from 1840 beginning with four plates called "The Jolly Squire", with verses, after James Pollard. In the following years Papprill engraved a number of military plates for Ackermann as well a series of engravings of New York (1846-9) for H.I.Megarey (published in New York). The most notable of these are: "The North West Angle of Fort Columbus, Governor's Island" (the Catherwood-Papprill view) and New York from the Steeple of St. Paul's Church, Looking East, South & West." (The Hill-Papprill view) listed in the American Historical Prints - Early Views of American Cities, etc: I.N.Phelps Stokes & Daniel C. Haskell. New York Public Library 1932. Papprill also produced for Ackermann a series of sporting prints after G. H. Laporte between 1860 and 1865. These were entitled: Racing, Hunting and Coursing. He also produced a series of shipping prints...
    Category

    1840s Landscape Prints

    Materials

    Aquatint, Engraving, Paper

  • "Untitled, " Joan Nelson, Modernist Trees and Clouds, Female Artist
    By Joan Nelson
    Located in New York, NY
    Joan Nelson (American, b. 1958) Untitled, 1990 Color lithograph 16 x 16 inches From the edition of 45 Provenance: Mary Ryan Gallery, New York, 1991 Reader's...
    Category

    1990s Modern Landscape Prints

    Materials

    Lithograph, Paper

  • "Thanksgiving" Doris Lee, Family Genre Scene Interior, Americana, WPA, Woodstock
    By Doris Lee
    Located in New York, NY
    Doris Lee Thanksgiving, 1942 Signed lower right, titled lower left Lithograph on paper Image 8 3/4 x 11 3/4 inches Sheet 12 x 17 inches From the edition of 250 An American Scene pai...
    Category

    1940s American Realist Interior Prints

    Materials

    Paper, Lithograph

  • "Standing Figure, " Nicholas Sperakis, Rhino Horn Group, American Realist
    By Nicholas Sperakis
    Located in New York, NY
    Nicholas George Sperakis (American, b. 1943) Standing Figure, n.d. Oil and paper on canvas 60 x 42 inches Signed and titled on the reverse Nicholas Sperakis, the youngest of the original Rhino Horn...
    Category

    Late 20th Century American Realist Figurative Paintings

    Materials

    Canvas, Paper, Oil

  • "Sleigh Ride, Winter, " Fletcher Martin, Woodstock, Holiday Scene Illustration
    By Fletcher Martin
    Located in New York, NY
    Fletcher Martin (1904 - 1979) Sleigh Ride, Woodstock, New York circa 1955 Watercolor on paper 14 x 11 inches Signed lower right Provenance: James Cox Galler...
    Category

    1950s American Realist Landscape Drawings and Watercolors

    Materials

    Paper, Watercolor

  • "Lobstermen in Gloucester, Mass." Lionel Reiss WPA Social Realism Fishermen
    By Lionel S. Reiss
    Located in New York, NY
    Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...
    Category

    1940s American Realist Landscape Paintings

    Materials

    Paper, Watercolor

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    Calapai, Letterio. ROCKWELL KENT'S STUDIO. Wood engraving, 1980. Titled, numbered 7/75 and signed in pencil. 6 x 8 7/16 inches, 153 x 216 mm. In very good condition. Framed.
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    Louis Lozowick: 1892-1973. Very well listed American artist set decorator. He is well known for his urban prints of NYC and other big cities. He has had auction high results for a s...
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    This artwork titled "Iris at Dusk" 1980 is an original color woodblock print with embossing by American artist Daniel Joshua Goldstein, b.1950....
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