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Ian PhillipsIan Phillips, Cwm Hen Gae, Welsh Art, Affordable Contemporary Landscape Print2020
2020
$788.16
£582
€682.09
CA$1,086.90
A$1,221.09
CHF 638.02
MX$14,903.95
NOK 8,101
SEK 7,625.38
DKK 5,089.98
About the Item
Ian Phillips
Cwm Hen Gae
Limited Edition Linocut Print on Paper
Edition of 16
Image Size: H 70cm x W 88.2cm x D 0.01cm
Sold Unframed
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Please note that in situ images are purely an indication of how a piece may look.
Cwm Hen Gae is a limited edition seascape print by Ian Phillips. The light colours palette and bold style of this work makes it a delight to look at.
My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs looking for colour, pattern and texture to draw. Then it’s back to the studio to cut, mix colours and print.
In 2001 I moved to Mid Wales to study the landscape and improve my printmaking. Since then I have been creating sequential series of large scale landscape and seascape linocuts. Utilising all the inspiring mark making, patterns and techniques I have absorbed over the intervening years from a wide variety of sources. Including artists from the Torres Strait Islands at Djumbunji Print workshop in Cairns, studying with Professor Wang Chou in Hangzhou, China and working with the Pine Feroda collaboration.
I now specialise in prints based on drawing long distance walks and exploring landscapes of iconic interest and lonely beauty.
- Creator:
- Creation Year:2020
- Dimensions:Height: 27.56 in (70 cm)Width: 34.73 in (88.2 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU63236020482
Ian Phillips
Ian Phillips, print maker, is available for sale online and in our art gallery at Wychwood Art.My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs looking for colour, pattern and texture to draw. Then it’s back to the studio to cut, mix colours and print. In 2001 I moved to Mid Wales to study the landscape and improve my printmaking. Since then I have been creating sequential series of large scale landscape and seascape linocuts. Utilising all the inspiring mark making, patterns and techniques I have absorbed over the intervening years from a wide variety of sources. Including artists from the Torres Strait Islands at Djumbunji Print workshop in Cairns, studying with Professor Wang Chou in Hangzhou, China and working with the Pine Feroda collaboration. I now specialise in prints based on drawing long distance walks and exploring landscapes of iconic interest and lonely beauty.
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