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Jean-Emile Laboureur
Paysage au Tunnel

1920

$1,750
£1,336.08
€1,530.28
CA$2,451.74
A$2,741.35
CHF 1,437.95
MX$33,204.30
NOK 18,151.31
SEK 17,148.60
DKK 11,422

About the Item

Jean-Emile Laboureur (1877-1943), Paysage au Tunnel, etching, 1920, signed in pencil lower left, numbered (19/55 ep) lower right and also titled lower left edge. Reference: Sylvain Laboureur 195, second state (of 2), from the edition of 55. In very good condition, printed on a cream wove paper with deckle edges, the full sheet with wide margins, 7 7/8 x 9, the sheet 11 x 16 1/8 inches. A fine impression, printed in a dark brownish/black ink. This is similar to the composition of Paysage au Butte Chaumont (L 205) but it a more dramatic etching (here along the Loire, near Oudon). Contemporary commentators noted that in etchings such as Paysage au Tunnel Laboureur takes an aesthetic position rather opposite to Whistler and the swarm of acolytes attempting to replicate Whistler’s impressionistic approach, using either plate tones or many detailed lines to achieve shading and nuance – here the lines are well defined, vigourous, dramatic, and the composition and figures have a modernist/cubist quality.
  • Creator:
    Jean-Emile Laboureur (1877-1943, French)
  • Creation Year:
    1920
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU51531528893

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Paysage au Buttes-Chaumont (2nd Planche), 1920-21
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Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...
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