Joseph Grippi

Green, Gold, Blue Landscape - Abstract Screenprint Monoprint by Joseph Grippi

Landscape in Green, Purple and Yellow Joseph Grippi, American (1924–2001) Screenprint, signed in pencil Image Size: 19 x 31 inches Size: 21.5 x 33 in. (54.61 x 83.82 cm)

Seascape in Blue, Green, Black and White Joseph Grippi, American (1924–2001) Date: 1974 Screenprint, signed and dated in pencil Size: 28 x 39 in. (71.12 x 99.06 cm)

Landscape in Purple, Green, Blue and Red Joseph Grippi, American (1924–2001) Date: circa 1975 Screenprint, signed and numbered in pencil Edition of AP Image Size: 20.5 x 30 inches Si...

Golden Hour Joseph Grippi, American (1924–2001) Screenprint Monoprint, signed in pencil lower right Size: 30 x 30 in. (76.2 x 76.2 cm)

Large and richly colored lithograph in blue, turquoise green and lavender purple, with silver and black screened overlay by Joseph Gruppe. Chrome and brushed chrome gallery style fra...

Image dimensions: 14.7 x 10 cm. Green Composition is an original mixed colored etching realized by Nino Cordio in 1995. Hand signed and dated on the lower right margin. Numbered on the lower left margin. Ed. 57/65. Nino Cordio (Santa Ninfa, 10 July 1937 - Rome, 24 April 2000...

Gelatin monotype with acrylic paint on white BFK Rives Printmaking Paper. Approx. image size: 3" x 9" Paper size: 10" x 14" At the core of the dialogue between the artist and the ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 1999 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...