Woodcut Landscape Prints

Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...

Woodblock print from the Edo period. The print was apart of a series that Hiroshige did titled, "One Hundred Famous Views of Edo". The woodblock print is printed on rice paper. The p...

Woodcut on BFK Rives paper, produced in 2020. Edition of 100. Mint condition, unframed. Signed and numbered in pencil by Nicolas Party.

Shift Change Mike Goscinsky, American (1933–2021) Woodblock on thin wove paper, signed, titled and numbered in pencil Edition of 15/75 Image Size: 14 x 19 inches Size: 22 x 26.5 in. ...

 Ex Libris - Maria Schotte is a Modern Artwork realized in the mid-20th Century. Woodcut print on paper.  The work is glued on a cardboard. Good conditions

Ex Libris - Johan Souverein is a Modern Artwork realized in the mid-20th Century. Woodcut print on paper.  Monogrammed on the lower. The work is glued on a cardboard. Good condit...

Ex Libris Heynova is a Contemporary Artwork realized in the mid-20th Century.  B/W Offset Artwork on ivory-colored paper.   The work is glued on cardboard.  Total dimensions: 21 x...

Tokuriki Tomikichiro (1902 - 2000) was a Japanese artist who comes from the Kanō school of painting and graduated from Kyoto Art College in 1923. ...

La Traite des Vaches is an artwok realized in 1905, by the French Artist Paul Emile Colin . Colored woodcut on paper. Hand Signed on the right corner. Limited edition of 50, ex. n. ...

Quincaillerie by Ludovic-Rodo Pissarro (1878 - 1952) Wood engraving 10.4 x 12.6 cm (4 ¹/₈ x 5 inches) Initialled in the plate, signed lower right, Ludovic Rodo and numbered, 1 Exhib...

Study of Utagawa Hiroshige's "View of Hara-Juku" 53 Stations of the Tokaido Road Hand painted study of Utagawa Hiroshige's "View of Hara-Juku", (by unknown artist), from "53 Station...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi, First Exhibition of ''Hever Omanim'' First Exhibition of ''Hever Omanim'' Steimatzky Gallery, Jerusalem 1936 Artists: Gutman, Nachum Holzman, Shimshon Mokady, Moshe Sima, Miron Rubin, Reuven Steinhardt, Jakob Ben Zvi, Zeev Ziffer, Moshe Allweil, Arieh Group Exhibition Group Exhibition Katz Art Gallery, Tel Aviv 1939 Artists: Avni, Aharon Holzman, Shimshon Gliksberg, Haim Gutman, Nachum Ovadyahu, Shmuel Shorr, Zvi Schwartz, Chaya Streichman, Yehezkel Tagger, Sionah Rubin, Reuven A Collection of Works by Artists of the Land of Israel A Collection of Works by Artists of the Land of Israel The Bezalel National Museum, Jerusalem 1940 Artists: Shemi, Menahem Rubin, Reuven Avni, Aharon Mokady, Moshe Jonas, Ludwig Steinhardt, Jakob Ticho, Anna Krakauer, Leopold Gutman, Nachum Budko, Joseph Ardon, Mordecai Sima, Miron Castel, Moshe Pann, Abel Struck, Hermann Gur Arie, Meir Ben Zvi, Zeev Litvinovsky, Pinchas Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz...

"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple. Mat size: 16"H x 20"W Paper size: 14.75"H x 9.88"W Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...

LOT:20221109N01 Reworked woodcut, Fuji Xerox copy Each signed, dated and numbered Each edition 9 of 50 Each 41.5 x 29.5 cm Publisher: Tomio Koyama Gallery, Tokyo Provenance: Phillips Auction...

"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper This print, sometimes titled "Chidori No Tamagawa" "Plovers at Tamagawa", is from the series Mu Tamagawa ("Six Views of Tama River", also known as "Six Jewel Rivers" or "Six Crystal Rivers") by Kubo Shunman...

Red Sand by Rod Nelson [2022] Please note that insitu images are purely an indication of how a piece may look Red Sand is a beautifully crafted woodcut prin...

View of the Palace of Onnay in Japan is a woodcut on creamy-colored paper realized by Ernest Breton in 1843. Signed on the plate, titled on the lower. Good conditions. The artwork...

Hajime Namiki, 'Garyu no sakura (The Lying Dragon Cherry Tree, Gifu)', color woodcut, 2003, edition 200. Signed in pencil and with the artist’s red seal....

Landscape from "Fugaku hyakkei" is an original modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849). Original Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). From the second posthumous edition 1878. Passepartout is included. Publisher Eiraku Toshiro. Sheet dimensions: 24 x 26 cm. Good conditions. Signs of age and wear. Hokusai created the monumental Thirty-Six Views of Mount Fuji both as a response to a domestic travel boom in Japan and as part of a personal obsession with Mount Fuji. Landscape from "Fugaku hyakkei" is an original modern artwork realized by Katsushika Hokusai (31 October 1760 – 10 May 1849) in the Second half of the XIX Century. Katsushika Hokusai (31 October 1760 – 10 May 1849) known simply as Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Hokusai is best known for the woodblock print series Thirty-Six Views of Mount Fuji which includes the internationally iconic print The Great Wave off Kanagawa...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Woodcut print Chuban Yokoe Format. Signed...

This is a one of a kind original Linoleum block print piece by San Diego artist, Duke Windsor. It is a framed landscape piece and its dimensions a...

The station Yui on the coast and Mount Fuji is an original modern artwork realized after Utagawa Hiroshige, in the early 20th Century. Woodcuc Print format Oban Yokoe. Frame is inc...

A surrealist illustration from Salvador Dalí’s (Spanish, 1904-1989) Divine Comedy series based on the Italian writer Dante’s epic poem. Inferno is the first part of the epic, which follows Dante in his journey through Hell, guided by Virgil. The woodblock print is printed on BFK Rives paper and signed in the block. Inferno Canto 5...

Loi, Bible, Dogme is a woodcut print realized by in 1903 by Louis Willaume (1874-1949). Signed on Plate. Good condition. The artwork is depicted through soft strokes in a well-bal...

Frenchs in Africa is a Lithograph realized by an Unknown Artist in 1902. Good condition. The artwork is depiced through soft strokes in a well-balanced composition.

Lake Biwa, sunset in Yabase is an original modern artwork realized by Utagawa Hiroshige (1797 – 12 October 1858) in 1920s. Woodcut Print Oban Yokoe Format. Reprint of of the Taisho...

Breton Peasant is a woodcut print realized by Paul Emile Colin (1867-1949). Good condition on a little paper, included a cream colored cardboard pass...

SEBASTIAN MUNSTER (1488-1552) FLORENCZ - -- FIGUR UND GELEGENHEIT DER EDLEN UND HOCH BERHÜMPTEN STATT FLORENTZ. . c 1550 (Fauser, #3925.) Woodcut f...

The Living Kite is an original Woodcut print realized in the late 19th century after Utagawa Kunisada. Good condition except for some damaged paper on the edge and Beautiful colore...

Reduced reprint of the series "Tokaido gojusan tsugi" is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Original Woodcut print Chuban ...

About Vestiges of Edo in Tsukuda (Tsukuda ni Nokoru Edo no Omokage) Artist: URBANOWICZ Mateusz Woodcarver: SEKIOKA Senrei III Printer: ITO Tatsuya Year: 2020 Our first original landscape ukiyo-e depicting Tsukuda, a neighborhood next to Tsukishima station in the east of Tokyo. This artwork highlights the striking contrast between the modern architecture and historical elements, that co-exist in harmony in Tsukuda today. The Japanese title Tsukuda ni Nokoru Edo no Omokage translates to “the vestiges of Edo in Tsukuda” - the word omokage (vestige) refers to the river, an aspect of old Edo that has continued to exist to this day, despite the fact that other things may have evolved or disappeared with time. When we trace back the history of ukiyo-e, we can see that there have been many foreign ukiyo-e artists who created important shin-hanga works in the 20th century, such as Paul Jacoulet, Elizabeth Keith...

Sumo Fighter is an original Woodcut print realized in mid 19 century by Utagawa Kunisada. Good condition and Beautiful colored woodblock print, included a cardboard passpartout (45...

Oiso Station in the Rain is an original modern artwork realized by Utagawa Hiroshige (1797 – 12 October 1858) in 1833-1834. Original Woodcut print Oban yokoe, lifetime impression. ...

Layering fabrics, dyes, pigments, crystals, and various other natural materials, Martha Tuttle is a master of juxtaposing textures to explore the relationship between humans and the physical world. Her unique artworks draw upon a variety of mediums to create harmonious compositions vibrating with her artistic energy. Tuttle’s new triptych of prints — "The Colors of a Cholla Cactus...

Fujieda Station is a modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in the Late 19th Century. Original Woodcut Print Oban Yoko...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Original Woodcut print Chuban yokoe. Red...

Bijinga, The art of tea ceremony for a day is an original artwork realized in 1896 by Mizuno Toshikata (1866 - 1908). Oban yokoe From the series "Chanoyu nichinichi gusa" (The art ...

Rudolph Ruzicka, 'Fountain of Sea Horses, Rome', wood engraving, c. 1915. Signed, dated, and titled in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on...

Landscape from "Fugaku Hyakkei" is an original modern artwork realized by Katsushika Hokusai (31 October 1760 – 10 May 1849). Original Woodcut print from the series "Fugaku hyakkei"...

Great Spit-on Bird is an Original woodcut print realized by Sonia Léwitzka. Good condition on acream colored paper. Signature on the lower right corner. On the back of the paper, ...

Shiga City is an original artwork realized by Unknown Artist, in the early 20th Century. Beautiful woodcut print on cardboard. This artwork represents three different representatio...

A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...

Monte Cassino by Italo Scanga, Italian/American (1932–2001) Date: 1984 One Color Woodcut, Signed and numbered in Pencil Edition of 10 Size: 28 in. x 20 in. (71.12 cm x 50.8 cm)

Prisoners is an Original Woodcut print realized by A. H. Laboureur. The artwork on a green paper is in good condition, glued on a page of magazine. No signature. Titled on the uppe...

Der Weisskunig is an ancient set of Woodcuts realized in 1775, There are 14 plates from the Weisskunig series, the fictitious biography of Emperor Maximilian I...

Knowledge is an Original woodcut print realized by Georges Zevort (1883-1959). The artwork is in good condition included a white cardboard passpartout (50x35 cm). Signature stamped.

Aerial View on Malta is an original modern artwork realized in Italy in the first half of the 19th Century. Original woodcut on Ivory Paper. Inscripted in Gothic letters on the lo...

Junichiro Sekino (Japanese, 1914-1988). CALMNESS. Color woodblock print, 1954. Edition size not known. Signed in pencil and with the artist's chop. 13 x 17 inches (image), on a large...

This is a superb polychrome woodblock print (nishiki-e, ink and color on paper), likely realized by Utagawa Hiroshige (Japanese, 1797-1858) at the middle of 19th century. This plate ...

Wandering monks in the courtyard of Konoura is an original modern artwork realized by Utagawa Hiroshige II (1826 – 1869) in the 1840s. Good impression with reduced palette mainly in...

L'Abbeveratoio (translated: The Watering Place) is an original woodcut print realized by Carlo Zuccarini in the early 20th century. Good conditions. The artwork is depicted through...

"Thicket 6" is a dramatic relief monotype with layers of orange foliage and branches as well as yellow and blue foliage. This print on paper is mounted onto cradled wood panel with a protective cold wax coating on the surface. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with cyanotype photograms, in different arrangements making each print unique. For more works by Katherine Warriner and new listings, follow our storefront at Colibri Gallery. Katherine Warinner...

Bold woodblock serigraph by Ruth Chaney (American, 1908-1973). Numbered (#17), titled, signed, and dated along the bottom edge. The Smithsonian American Art Museum has an edition of...

"Thicket 1" is a dramatic relief monotype with layers of yellow, gray, and blue branches with yellow foliage. The overlapping translucent layers create a multitude of addition colors, shapes, and a richness of depth. This print on paper is mounted onto cradled wood panel with a protective cold wax coating on the surface. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with cyanotype photograms, in different arrangements making each print unique. For more works by Katherine Warriner...

Ryoanji Temple in the Snow at Sunset is an original artwork realized in 1850 by Hasegawa Sadanobu (1809-1979). Chuban yokoe. From the series "Miyako meisho no uchi", Famous Viws o...

Ex Libris Okolskich is an original Contemporary Artwork realized in 1955. Original woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimensions: 21 x...

This artwork titled "Iris at Dusk" 1980 is an original color woodblock print with embossing by American artist Daniel Joshua Goldstein, b.1950....