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Maurice de VlaminckPaysage1952
1952
About the Item
Artist: Maurice de Vlaminck (French, 1876-1958)
Title: Paysage
Year: 1952
Medium: Original color lithograph
Edition: Numbered 66/75 in pencil
Paper: Arches
Image size: 14.5 x 18.65 inches
Sheet size: 19.85 x 26 inches
Signature: Hand signed in pencil by the artist
Condition: Excellent
Description: Referenced and pictured in the artist's catalogue raisonne by Walterskirchen, plate #253.
About the artist:
Fauvist painter and printmaker Maurice de Vlaminck was born in Paris, France, on April 4, 1876, to musician parents Edmond Julien and Josephine Grillet. though he was trained in violin and piano, he discovered an interest in visual art as a teen and began private lessons in 1893 with painter Henri Rigalon. The following year he married and then performed his Army conscription, at the end of which he met artist Andre Derain by chance. They rented an art studio together for a year before Derain left for his own tour of duty in the military. To make ends meet, Vlaminck taught violin and performed with bands in the evening, painting in his studio during the day.
By 1900 he had begun to find success, and his work was soon exhibted alongside Derain, Matisse, Albert Marquet, and others whose work would formally become known as Fauvist, taking on the derisive label fauves ("wild beasts") bestowed on them by critic Louis Vauxcelles at the 1905 Salon d'Automne. His style at this time also showed the influence of Vincent van Gough, using saturated colors and bold brushstrokes, sometimes squeezing paint directly onto the canvas. These works lacked fine detail but expressed mood and energy, appearing illuminated, and in 1906 the art dealer Ambroise Vollard purchased Vlaminck's entire stock of paintings, allowing the artist to focus entirely on his work.
In 1911, feeling dispirited as Fauvism waned in favor of Cubism and other styles he found unappealing, Vlaminck took up residence in London near the Thames to continue to work in a new environment. His palette now became darker and more monochromatic, and he began to devote time to writing. He remained in England until just before the onset of World War I. He returned to France in 1913, painting in Marseilles, before he was stationed in Paris during the war.
After the war, and by now separated from his wife, Vlaminck settled in Ruiel-la-Gadeliere, southeast of Paris. He remarried and started a family while continuing to paint, traveling throughout France for inspiration. He reintroduced brighter colors to his work, but his subjects remained introspective and quiet. He lived and worked in Ruiel-de-Gadelier until his death in 1958.
Selected Museums
The Metropolitan Museum of Art, New York
Museum of Modern Art, New York
Brooklyn Museum, New York
Dallas Museum of Art, Texas
Musée d’Orsay
Pushkin Museum, Moscow
Hermitage Museum, St. Petersburg
Art Institute of Chicago, Illinois
National Gallery of Art
Minneapolis Institute of Arts
Pola Museum of Art, Japan
Hiroshima Museum of Art, Japan
National Museum of Art of Romania
- Creator:Maurice de Vlaminck (1876-1958, French)
- Creation Year:1952
- Dimensions:Height: 19.85 in (50.42 cm)Width: 26 in (66.04 cm)Depth: 0.01 in (0.26 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: vla/pay/011stDibs: LU666315208062
Maurice de Vlaminck
Maurice de Vlaminck was a French painter, best known as one of the spearheads of the Fauvism movement at the start of the 20th century. His reputation rests predominantly on his landscapes, though he also produced still lifes and portraits. Born in Paris in 1876, Vlaminck had relatively little artistic training and, as a young man, dreamt of becoming a professional cyclist. A chance encounter in 1900, however, when he was nearing the end of his national service in the army, proved fateful. It was with the budding artist, André Derain, whom he met when a train they were aboard derailed. The pair lived in the small town of Chatou, a few miles along the River Seine from Paris, and they chose to complete their homeward journey from the French capital that day on foot. They struck up a friendship, and before long were sharing a studio. Derain and Vlaminck would become, alongside Henri Matisse, the driving forces behind Fauvism, the first avant-garde art movement of the 20th century. Partly inspired by the recent innovations of Paul Gauguin and Vincent van Gogh, it was characterised by aggressive brushwork, simplified forms and intense non-naturalistic colours. Its name came from the reaction of a critic in 1905 who compared the artists to fauves (‘wild beasts’). Vlaminck enjoyed painting in primary colours, and is particularly associated with scenes set in and around Chatou. Standout examples include Restaurant de la Machine à Bougival (1905) (today found in the Musée d'Orsay) and The Seine at Chatou (1906) (found in the Metropolitan Museum of Art in New York). The poet Guillaume Apollinaire hailed Vlaminck as ‘the wildest of the Fauves’. In the years immediately before the outbreak of World War I, the artist’s style shifted. His palette grew slightly more sombre, and there was a greater emphasis on solidity and a landscape's underlying structure. This revealed the influence of Paul Cezanne — the subject of a ground-breaking, posthumous retrospective in Paris in 1907. Vlaminck worked in a munitions factory during the war. His paintings after it were much darker and more realistic than those with which he had made his name. He died in 1958, aged 82.
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