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Style: American Modern
Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching, Drypoint
Demolition No. 1
Located in Storrs, CT
Demolition No. 1. 1940. Drypoint. Kraeft 80. 4 7/8 x 8 7/8(sheet 12 x 13 7/8). Edition 100. Provenance: estate of David Llewellyn Reese, New York. A rich impression with tonal wiping...
Category
1930s American Modern Landscape Prints
Materials
Drypoint, Etching
Old Colony Statehouse, Newport, Rhode Island
Located in Storrs, CT
Old Colony Statehouse, Newport, Rhode Island. c. 1931-1933. Etching. Hausberg 187. iii. 7 7/8 x 6 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream wove paper with deckle ed...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Rio del Santi Apostoli, Venice.
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category
1920s American Modern Landscape Prints
Materials
Etching
"Trees, " Landscape Wood Engraving by Betsy Ritz Friebert
Located in Milwaukee, WI
"Trees" is an original wood engraving print by Betsy Ritz Friebert. It features a man walking down a large path underneath tall barren trees.
Imag...
Category
1930s American Modern Landscape Prints
Materials
Woodcut
"The Caissons Go Rolling Along".
By Kerr Eby
Located in Storrs, CT
"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
"Road to Cripple Creek, Colo., " Wood Engraving by Gerhard H. Bakker
Located in Milwaukee, WI
"Road to Cripple Creek, Colo." is an original woodcut print by Gerhardt H. Bakker. Lines full of expression and shape make up every bit of this print, fr...
Category
1930s American Modern Landscape Prints
Materials
Woodcut
Mexican Orchestra (joy of the people is captured in this celebratory festival)
Located in New Orleans, LA
"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...
Category
1920s American Modern Landscape Prints
Materials
Lithograph
Crawford Notch at Night
By Wes Olmsted
Located in Buffalo, NY
An original etching by American artist Wes Olmsted depicting Crawford Notch in New Hampshire.
Category
1960s American Modern Landscape Prints
Materials
Etching, Paper
"Country Church, " Town Landscape Linoleum Cut by Elsa E. Ulbricht
Located in Milwaukee, WI
"Country Church" is an original linoleum print by Elsa E. Ulbricht. A front facing view of a country church is proudly replicated within this print.
Image:7" x 5"
Framed: 15.25" x 13.25"
Painter, Teacher When she directed The Milwaukee Handicraft Project, Elsa Ulbricht...
Category
1930s American Modern Landscape Prints
Materials
Linocut
The Home my Daddy Built, Lithograph by Velox Ward
By Velox Ward
Located in Long Island City, NY
Artist: Velox Ward, American (1901 - 1994)
Title: The Home my Daddy Built from the America: The Third Century Portfolio
Year: 1976
Medium: Collotype, signed a...
Category
1970s American Modern Landscape Prints
Materials
Lithograph
"Milwaukee Harbor, " Wood Engraving by Lowell Merritt Lee
Located in Milwaukee, WI
"Milwaukee Harbor" is an original woodcut print by Lowell Merritt Lee. Different aspects of the milwaukee harbor come together in a collage-like fashion.
Image: 6" x 5"
Frame: 14.31...
Category
1930s American Modern Landscape Prints
Materials
Engraving, Woodcut
Wake on the Ferry.
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category
1940s American Modern Landscape Prints
Materials
Etching
"Squall, " Sailboat Maritime Scene Wood Engraving by Lowell Merritt Lee
Located in Milwaukee, WI
"Squall is an original wood engraving by Lowell Merritt Lee. It features a rendition of a squall, a sudden violent gust of wind that often brings in rain, snow, or sleet.
Image: 6.1...
Category
1930s American Modern Landscape Prints
Materials
Woodcut
Congregational Church, Old Lyme, CT. (quintessential New England landmark)
Located in New Orleans, LA
The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...
Category
Late 20th Century American Modern Landscape Prints
Materials
Lithograph
Machine Guns
By Kerr Eby
Located in Storrs, CT
Machine Guns. 1921-22. Etching. Giardina 64 state ii. 7 x 11 1/2 (sheet 9 3/8 x 13 3/4). Published state from the edition of 75. Toning in the image area; ...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
LOTUS FLOWER - Provincetown Style
By Mary Travis
Located in Santa Monica, CA
MARY TRAVIS (1893-1976))
LOTUS FLOWER c. 1935-40
White line color woodcut. Signed and titled in pencil. Small edition. 9 ¾” x 7 7/8”.
Full sheet. Some creasing in the margins. Travis worked in Berkeley, California and
was probably a follower of William S...
Category
1940s American Modern Landscape Prints
Materials
Woodcut
Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern Landscape Prints
Materials
Drypoint, Etching
'Winter Silhouettes, ' offset lithograph by Schomer Lichtner
Located in Milwaukee, WI
'Winter Silhouettes,' a small and delicate print, is an original offset lithograph by the Milwaukee artist Schomer Lichtner. The composition displays registers of foliage, emerging f...
Category
1960s American Modern Landscape Prints
Materials
Black and White, Lithograph
Caprice, or House on Cliff Walk, Newport, Rhode Island
Located in Storrs, CT
House on Cliff Walk, Newport, Rhode Island or Caprice, Newport, Rhode Island.. 1931/33. Etching. Hausberg catalog 138 state ii. 5 15/16 x 8 (sheet 7 7/8 x 9 5/8). A rich impression ...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
LOTUS FLOWER - ROEDING PARK - Provincetown Style
By Mary Travis
Located in Santa Monica, CA
MARY TRAVIS (Active 1935 - 40)
LOTUS FLOWER ROEDING PARK. c.1935-40
White line color woodcut. Signed and titled in pencil. Small edition. 10” x 8”. Full sheet. tears
in upper margin. Travis worked in Berkeley, California and was probably a follower of William S...
Category
1930s American Modern Landscape Prints
Materials
Woodcut
Monterey Fisherman [and] Monterey Fisherman 2.
Located in New York, NY
Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Woodcut
La Colegiata Toro (Romanesque Santa Maria la Mayor/Zamora province Spain)
Located in New Orleans, LA
John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284.
One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora.
The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...
Category
1930s American Modern Landscape Prints
Materials
Etching
York Avenue, Sunday Morning.
Located in Storrs, CT
York Avenue, Sunday Morning. 1939. Drypoint. Kraeft 78. 7 3/4 x 12 7/8 (sheet 8 x 12). Edition 100. Provenance: Estate of David Llewellyn Reese, New York. ...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
Clairton (night view of US Steel Clairton coke plant, largest in America)
Located in New Orleans, LA
McPherson's night view of the Clairton steelworks is printed on light green laid paper referenced as Hartley M1. It is signed, titled and dated in pencil. Marked ed 75 and "imp" in...
Category
1990s American Modern Landscape Prints
Materials
Mezzotint
From the Weather Bureau. New York, New York.
Located in Storrs, CT
"From the Weather Bureau. February 1940. Lithograph printed in black and cream. Stuckey catalog 106. state i. Two stone printing. 10 1/8 x 17 (sheet 16 x 21 5/8). Edition 40 in this ...
Category
1940s American Modern Landscape Prints
Materials
Lithograph
Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Storrs, CT
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category
1920s American Modern Landscape Prints
Materials
Etching
Rio del Santi Apostoli, Venice.
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher 226 catalog state .ii. 8 x 6 (sheet 9 3/4 x 14 1/4). Edition 100 (+ 10 trial proofs). Italian series #4. Illustrated: Dorothy ...
Category
1920s American Modern Landscape Prints
Materials
Etching
The Balcony (Venetian Gateway).
Located in Storrs, CT
The Balcony (Venetian Gateway). 1931. Etching. Fletcher catalog 237 state iii. 8 1/16 x 5 1/16 (sheet 12 5/8 x 10 1/16). Edition 110 (plus 34 trial proofs)...
Category
1930s American Modern Landscape Prints
Materials
Etching
Chrysler Building (Chrysler Building in Construction)
Located in New York, NY
Howard Cook (1901-1980), Chrysler Building (Chrysler Building in Construction) – –1930, Wood Engraving.
Duffy 122. Edition 75, only 50 printed. 19...
Category
1930s American Modern Landscape Prints
Materials
Woodcut
Eight-thirty Express
Located in New York, NY
Letterio Calapai (1902-1993), Eight-Thirty Express, wood engraving, 1943, signed and dated ’43 lower right, titled and inscribed trial proof 3 bottom left in pencil [with the monogra...
Category
1940s American Modern Landscape Prints
Materials
Engraving, Woodcut
THE HARBOR WORKHORSE
By Woldemar Neufeld
Located in Portland, ME
Neufeld, Woldemar. THE HARBOR WORKHORSE. Woodcut in colors, not dated (c.1940s-50s). Edition size not known, but likely 50 or fewer. 17 1/2 x 12 inches, plu...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Woodcut
Street Scene, Provincetown.
By Ethel Mars
Located in New York, NY
This white-line woodcut was made circa 1919. The edition size is unknown. Image size 12 x 11 1/16" (30.5 x 28 cm). Signed "E-Mars" in pencil on the mount. Mount 16 5/8 x 14 1/2." Ethel Mars was born in Springfield, IL. She attended Cincinnati Art Academy meeting fellow artists/printmakers Edna B. Hopkins and Maud Hunt Squire (who later became her lifelong companion).
In 1905 Mars and Squire moved to Paris and quickly became active members in the vibrant Parisian art community. They were known to visit Gertrude Stein and Alice Toklas, and it is said that Ethel Mars and Maud Hunt Squire inspired Stein’s prose Miss Furr and Miss Skeene. At the outset of WWI Mars and Squire left Paris and settled in Provincetown, MA., a magnet for creative minds. Other artists arrived in Provincetown, among them were Blanche Lazzell, B. J. O. Nordfeldt, Ada Gilmore and Mildred McMillen. These were the original group of artists to make White Line Woodcut prints...
Category
Early 20th Century American Modern Landscape Prints
Materials
Woodcut
QUEENSBRIDGE
Located in Portland, ME
Bernhardt, John (American 1921-1963. QUEENSBRIDGE. Color Woodcut, 1965. Ttiled, signed, dated and annotated "To Smitty" in pencil. 17 3/4 x 28 inches. In very good condition. Framed
...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Color, Woodcut
ARCH NO. 1
By Stuart Davis
Located in Portland, ME
Davis, Stuart. ARCH NO. 1. Lithograph, 1929. Edition of 30. Numbered "23/30" and signed in pencil. 8 3/4 x 13 inches, 225 x 275 mm. In excellent condition.
Category
American Modern Landscape Prints
Materials
Lithograph
Roofs, Summer Night.
Located in Storrs, CT
Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream ...
Category
Early 1900s American Modern Landscape Prints
Materials
Etching
American Cathedral (The Woolworth Building).
Located in Storrs, CT
American Cathedral (The Woolworth Building). 1921. Etching. Fletcher 107. 17 x 6 5/8 (sheet 21 1/2 x 9 1/8). Edition 75. Provenance: estate of David...
Category
1920s American Modern Landscape Prints
Materials
Etching
Wren's City
Located in Storrs, CT
Wren's City. 1909. Mezzotint. Wuerth 504. 10 x 11 7/8 (sheet 12 3/8 x 14 3/8). Printed on laid wove paper. A rich impression printed by the artist. Signed and annotated 'imp' in penc...
Category
Early 1900s American Modern Landscape Prints
Materials
Mezzotint
Standard Oil Building.
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat
proof printed by the artist. $875.
26 Broadway" is the home of the Standard Oil...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Approaching Storm
Located in Storrs, CT
Approaching Storm, Manhattan. 1937. Drypoint. Kraeft 65. 9 1/8 x 8 3/8 (sheet 15 3/4 x 14 7/8). Edition 100. Provenance: Estate of David Llewellyn Re...
Category
1930s American Modern Landscape Prints
Materials
Drypoint
Fifth Avenue Critics.
Located in Storrs, CT
Fifth Avenue Critics. 1909. Etching. Morse 128.x/xi. 6 x 8 (sheet 9 3/4 x 12 1/4). Edition 100 in this state (few proofs in earlier states, and a large unsigned edition printed for t...
Category
Early 1900s American Modern Landscape Prints
Materials
Etching
Financial District
Located in New York, NY
Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....
Category
1930s American Modern Landscape Prints
Materials
Lithograph
Ericsson's Day, No. 1.
Located in Storrs, CT
Ericsson's Day, No. 1. 1914. Etching. 6 x 9 (sheet 7 3/8 x 11). Printed on cream wove paper on the full sheet with deckle edges. Proof with subtle plate tone in sepia ink, printed by...
Category
1910s American Modern Landscape Prints
Materials
Etching, Pencil, Graphite
U.S. Open at Oakmont
By LeRoy Neiman
Located in Missouri, MO
U.S. Open at Oakmont
Leroy Neiman (American, 1921-2012)
Signed in pencil lower right
Edition 63/300 lower left
27.5 x 39 inches
39.25 x 51 inches with frame
Known for his bright, co...
Category
20th Century American Modern Landscape Prints
Materials
Color, Lithograph
The 18th at Pebble Beach
By LeRoy Neiman
Located in Missouri, MO
The 18th at Pebble Beach
Leroy Neiman (American, 1921-2012)
Signed in pencil lower right
Edition 176/400 lower left
26 x 43 inches
37.25 x 54.5 inches with frame
Known for his brigh...
Category
20th Century American Modern Landscape Prints
Materials
Color, Lithograph
Cove at Vintage
By LeRoy Neiman
Located in Missouri, MO
Cove at Vintage
Leroy Neiman (American, 1921-2012)
Signed in pencil lower right
Edition 237/375 lower left
34 x 36.5 inches
43 x 45.5 inches with frame
Known for his bright, colorfu...
Category
20th Century American Modern Landscape Prints
Materials
Color, Lithograph
Original Pan American Mexico vintage travel poster
Located in Spokane, WA
Original Mexico Pan Am Pan American vintage travel poster. The world's most experienced airline. Festivals Old and New. Artist: Edward McKnight Kauffer. Printer: Gugler Lithographic Company, USA. Linen-backed, ready to frame. In very fine to excellent condition. No restoration, flaws, stains, or fading.
Edward McKnight Kauffer was an American artist who became renowned for his work as a graphic designer and poster artist, particularly during the early 20th century. While he was born in the United States in 1890, he spent much of his career working in Europe, particularly in London, where he moved in 1914 and eventually settled.
Kauffer's style was highly innovative for its time, blending Cubism, Futurism, and abstraction elements into his designs. He was known for his bold use of color, geometric shapes, and dynamic compositions, which made his work highly distinctive and influential.
Kauffer made significant contributions to poster art, particularly through his commissions for various companies and organizations. One notable client was Pan American Airways, for whom he created a series of iconic posters promoting air travel and the destinations served by the airline.
The Pan Am to Mexico poster is a striking example of Kauffer's modernist style, characterized by bold colors, geometric shapes, and simplified forms. In this particular piece, Kauffer employed vibrant hues and abstract imagery to capture the allure and excitement of air travel to Mexico.
During the 1940s, Pan American Airways, commonly known as Pan Am, was at the forefront of international air travel, significantly shaping the global aviation industry. Here are some key aspects of Pan Am's operations and influence during that period:
Linen backed, ready to frame. Original McKnight Kauffer vintage travel poster to Mexico via Pan American Airlines. The World's Most Experienced Airline. Festivals Old and New. Linen-backed and in excellent condition. Printed in the United States.
A young man stands in a shop doorway, holding a rooster and selling local souvenirs; a bullfight...
Category
1940s American Modern Landscape Prints
Materials
Lithograph
PLOUGHING IT UNDER
Located in Santa Monica, CA
THOMAS HART BENTON (1889-1975)
PLOUGHING IT UNDER (aka Ploughing) 1934 (Fath 8)
Original lithograph, signed in pencil. Edition of 250 as published by Associated American Artists (AA...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
The Passing Freight, Danbury
By Martin Lewis
Located in Storrs, CT
.The Passing Freight, Danbury. 1934. Drypoint and sand ground. McCarron 108. 8 7/8 x 14 7/8 (sheet 12 1/7 x 17 5/8). Edition 46 (including 6 trial proofs). A rich, tonal impression p...
Category
1930s American Modern Landscape Prints
Materials
Drypoint
Canyon Road, Sante Fe
Located in Missouri, MO
Canyon Road, Santa Fe
By. William Howard Shuster (American, 1893-1969)
Signed Lower Right
Edition of 100 Lower Center
Titled Lower Left
Unframed: 4" x 4.75"
Framed: 15.75" x 15.25"
...
Category
20th Century American Modern Landscape Prints
Materials
Etching
Original American Airlines, Detroit, vintage travel poster
Located in Spokane, WA
This Original American Airlines Detroit Vintage Poster is a perfect addition to any home or business décor. It features the old Ford Automobile ...
Category
1960s American Modern Landscape Prints
Materials
Offset
HORSE FRIGHTENED BY LIGHTNING - Proof imp - One of Sheet's Most Important Prints
Located in Santa Monica, CA
MILLARD SHEETS (1987 – 1989)
HORSE FRIGHTENED BY LIGHTNING, 1939
Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
Dogwood
By Andrew Wyeth
Located in Missouri, MO
Andrew Wyeth
"Dogwood" 1983
Collotype
Ed. 115/300
Signed and Numbered Lower Right
Image Size: 21 x 28 3/4 inches
Framed Size: approx. 29 x 36.5 inches
A painter of landscape and figure subjects in Pennsylvania and Maine, Andrew Wyeth became one of the best-known American painters of the 20th century. His style is both realistic and abstract, and he works primarily in tempera and watercolor, often using the drybrush technique.
He is the son of Newell Convers and Carolyn Bockius Wyeth of Chadds Ford, Pennsylvania, and was home-schooled because of delicate health. His art instruction came from his famous-illustrator father, who preached the tying of painting to life--to mood and to essences and to capturing the subtleties of changing light and shadows.
The Wyeth household was a lively place with much intellectual and social stimulation. Because of the prominence of N.C. Wyeth, persons including many dignitaries came from all over the country to visit the family. Andrew's sisters Carolyn and Henriette became noted artists as did his brother-in-law, Peter Hurd. The non-art oriented brother, Nathaniel Wyeth...
Category
1980s American Modern Landscape Prints
Materials
Paper, Lithograph
Skyline, New York
By Martin Lewis
Located in Storrs, CT
Skyline, New York. 1919. Etching and drypoint. McCarron 36. 8 7/8 x 10 3/8 (sheet 12 1/4 x 14 . 11 recorded impressions (intended edition 50. Lewis states that he destroyed 6 of the ...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
Herring Gulls
By Jamie Wyeth
Located in Missouri, MO
Jamie Wyeth
"Herring Gulls" 1978
Color Lithograph
Signed Lower Right
Numbered Lower Left 149/300
Born in 1946, James Browning Wyeth came of age when the meaning of patriotism was clouded by the traumas of the Vietnam War and the scandals of Watergate. Working in an era of turmoil and questioning of governmental authority, he did art that encompassed both marching off to war and marching in protest.
One of James's early masterworks, Draft Age (1965) depicts a childhood friend as a defiant Vietnam-era teenager resplendent in dark sunglasses and black leather jacket in a suitably insouciant pose.
Two years later Wyeth painstakingly composed a haunting, posthumous Portrait of President John F. Kennedy (1967) that seems to catch the martyred Chief Executive in a moment of agonized indecision. As Wyeth Center curator Lauren Raye Smith points out, Wyeth "did not deify the slain president, [but] on the contrary made him seem almost too human."
Based on hours of study and sketching of JFK's brothers Robert and Edward -
documented by insightful studies in the exhibition - the final, pensive portrait seemed too realistic to family members and friends. "His brother Robert," writes Smith in the exhibition catalogue, "reportedly felt uneasy about this depiction, and said it reminded him of the President during the Bay of Pigs invasion."
In spite of these misgivings, James's JFK likeness has been reproduced frequently and is one of the highlights of this show. The poignancy, appeal and perceptiveness of this portrait, painted when the youngest Wyeth was 21 years old, makes one wish he would do more portraits of important public figures.
James himself feels he is at his best painting people he knows well, as exemplified by his vibrant Portrait of Jean Kennedy Smith (1972), which captures the vitality of the slain President's handsome sister.
He did paint a portrait of Jimmy Carter for the January 1977 man-of-the-year cover of Time magazine, showing the casually dressed President-elect as a straightforward character posed under a flag-draped water tower next to the family peanut plant in Plains, Ga. James recalls that Carter had one Secret Service agent guarding him as he posed outdoors, a far cry from the protection our Chief Executives require today.
As a participating artist in the "Eyewitness to Space" program organized by the National Aeronautics and Space Administration in collaboration with the National Gallery of Art in the late 1960s, Wyeth deftly recorded in a series of watercolors his eyewitness observations of dramatic spacecraft launchings and more mundane scenes associated with the space program.
Commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, James Wyeth executed a series of perceptive and now evocative sketches that recall those dark chapters in our history. Memorable images include a scowling John Ehrlichman, a hollow-eyed Bob Haldeman, an owlish Charles Colson, a focused Congressman Peter Rodino, a grim visaged Father/ Congressman Robert Drinan, and vignettes of the press and various courtroom activities. An 11-by-14-inch pencil sketch of the unflappable Judge John Sirica is especially well done. These "images are powerful as historical records," observes Smith, "and as lyrically journalistic impressions of events that changed the nation forever."
Wyeth's sketch of early-morning crowds lined up outside the Supreme Court
building hoping to hear the Watergate case, with the ubiquitous TV cameramen looking on, is reminiscent of recent scenes as the high court grappled with the Bush-Gore contest.
The Wyeth family penchant for whimsy and enigmatic images is evident in Islanders (1990), showing two of James's friends, wearing goofy hats, sitting on the porch of a small Monhegan Island (Me.) cottage draped with a large American flag. Mixing the serious symbolism of Old Glory with the irreverent appearance of the two men, James has created a puzzling but interesting composition.
Painting White House...
Category
1970s American Modern Landscape Prints
Materials
Paper, Lithograph
Quarter of Nine, Saturday's Children.
By Martin Lewis
Located in Storrs, CT
Quarter of Nine, Saturday's Children. 1929. Drypoint. McCarron 78. 9 3/4 x 12 3/4 (sheet 12 7/8 x 17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
Relics (Speakeasy Corner).
By Martin Lewis
Located in Storrs, CT
McCarron 74. 11 7/8 x 9 7/8 (sheet 17 1/8 x 13 3/4). Edition of 111. Illustrated: American Etchers: Martin Lewis. A brilliant, luminous impression with rich, velvety burr, printed on cream laid paper. Signed in pencil. Price upon request. Housed in an archival mat and a 25 x 21-inch black wood frame.
According to McCarron, page 136, "The popularity of Relics when first issued is clear; the entire edition sold in just a few months, a spectacular achievement for a printmaker of the time."
The location depicted in Relics is the intersection of Charles Street and West Fourth Street in Greenwich Village, a few blocks from Lewis's house on Bedford Street.
During Lewis' lifetime, Relics was his most popular print, and the entire edition was sold. Relics and Glow of the City...
Category
1920s American Modern Landscape Prints
Materials
Drypoint
Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). . Edition 115 recorded impress...
Category
1930s American Modern Landscape Prints
Materials
Drypoint, Etching
American Modern landscape prints for sale on 1stDibs.
Find a wide variety of authentic American Modern landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including and Carol Wax. Frequently made by artists working with Intaglio, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern landscape prints, so small editions measuring 1.5 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $45 and tops out at $80,000, while the average work sells for $900.
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