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Style: American Modern
American Modernist Sacsahuaman Landscape Aquatint Etching Philip Pearlstein
Located in Surfside, FL
Philip Pearlstein (American, 1924-)
Large Sacsahuaman Landscape Etching Aquatint, 1979
From the series Ruins and Landscapes.
Sugar-lift, aquatint and roulette on ivory wove paper.
Sacsayhuamán, often spelled Sacsahuaman or Saqsaywaman (from Quechua Saqsaywaman (pukara) '(fortress) of the royal falcon or hawk') is a citadel on the northern outskirts of the city of Cusco, Peru, the historic capital of the Inca Empire. The site is at an altitude of 3,701 m (12,142 ft).
The complex was built by the Incas in the 15th century, particularly under Sapa Incan Pachacuti and his successors. Dry stone walls constructed of huge stones were built on the site, with the workers carefully cutting the boulders to fit them together tightly without mortar.
In 1983, Cusco and Sacsayhuamán together were designated as sites on the UNESCO World Heritage List, for international recognition and protection.
Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums.
Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army.
In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog...
Category
1970s American Modern Landscape Prints
Materials
Paper, Aquatint
"Trees, " Landscape Wood Engraving by Betsy Ritz Friebert
Located in Milwaukee, WI
"Trees" is an original wood engraving print by Betsy Ritz Friebert. It features a man walking down a large path underneath tall barren trees. Unsig...
Category
1930s American Modern Landscape Prints
Materials
Woodcut
St. George Hotel Searchlight
By Adolf Dehn
Located in Fairlawn, OH
St. George Hotel Searchlight
Lithograph, 1930
Signed in pencil lower right (see photo)
Titled lower left (see photo)
Edition: 30
Printed by Meister Schulz, Berlin
The image depicts t...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
Mexican Travelers, Modern Lithograph by Millard Sheets
Located in Long Island City, NY
Mexican Travelers by Millard Owen Sheets, American (1907–1989)
Date: Circa 1977
Lithograph on Arches paper, signed and numbered in pencil
Edition o...
Category
1970s American Modern Landscape Prints
Materials
Lithograph
Shift Change, Social Realist Woodblock Print by Mike Goscinsky
Located in Long Island City, NY
Shift Change
Mike Goscinsky, American (1933–2021)
Woodblock on thin wove paper, signed, titled and numbered in pencil
Edition of 15/75
Image Size: 14 x 19 inches
Size: 22 x 26.5 in. ...
Category
1990s American Modern Landscape Prints
Materials
Woodcut
Brood Mare Pasture, Impressionist Lithograph by Millard Sheets
Located in Long Island City, NY
Artist: Millard Owen Sheets, American (1907 - 1989)
Title: Brood Mare Pasture
Year: circa 1977
Medium: Lithograph, signed in pencil
Edition: 250, A...
Category
1970s American Modern Landscape Prints
Materials
Lithograph
The Church of St. Francis and the Natizone – Cividale
Located in Middletown, NY
Etching on antique cream laid paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of three...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching
Farmers Gardening Etching, (After Vincent Van Gogh) Famed Children's Book Author
Located in Surfside, FL
Medium: Etching
Surface: paper
Country: United States
signed in plate with initial G.
Black and white illustration of a landscape with farmhouse (old barn).
TIBOR GERGELY
Budapes...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Etching
Discus Thrower, Felix de Weldon
Located in Fairfield, CT
Artist: Felix de Weldon (1907-2003)
Title: Discus Thrower
Year: 2001
Edition: 150, plus proofs
Medium: Lithograph with graphite ink on BFK Rives cream color paper
Inscription: Signed...
Category
Early 2000s American Modern Landscape Prints
Materials
Ink, Graphite, Lithograph
$1,200 Sale Price
20% Off
Boulder Dam
By Adolf Dehn
Located in Fairlawn, OH
Boulder Dam
Lithograph, 1946
Signed and dated in pencil lower right (see photo)
Titled in pencil lower left (see photo)
Printed by Lawrence Barrett, Colorado Springs
Edition of 40 or...
Category
1940s American Modern Landscape Prints
Materials
Lithograph
Mid Century Steve McQueen Pool, Midnight Modern Architecture Palm Springs
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his pool in Palm Desert.
Archival I...
Category
2010s American Modern Landscape Prints
Materials
Cotton, Archival Ink, Photographic Paper
Sandscapes #4 Florida Artist Abstract Modernist Signed Print
By Kathy Stark
Located in Surfside, FL
Fine piece of Florida abstract Landscape art. With a French Art Deco feel to it.
Category
1990s American Modern Landscape Prints
Materials
Lithograph
This Way Out, colorful graphic amusement park with text
Located in Brooklyn, NY
Silkscreen Edition of 125 + 1AP
Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Many are large-scale papier collé installations, a technique Marano learned from Robert Indiana in whose studio she formerly assisted. In conjunction with “American Dream Land,” in 1981 Marano and Richard Eagan co-founded the Coney Island Hysterical Society, which undertakes projects such as restoring old rides in response to the alarming rate at which they were shutting down in the fabled amusement park of their childhood.
Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...
Category
2010s American Modern Landscape Prints
Materials
Archival Ink, Archival Paper
Past and Present, Lithograph by Remo Farruggio
Located in Long Island City, NY
Past and Present
Remo Farruggio, Italian/American (1904–1981)
Date: Circa 1979
Lithograph, signed and numbered in pencil
Edition of 300, AP 35
Image Size: 20.5 x 28 inches
Size: 27 i...
Category
1980s American Modern Landscape Prints
Materials
Lithograph
Original Levis's Olympic Games, Skiing North America 1980
Located in Spokane, WA
Original Vintage Poster, Moscow 1980, Olympic Games. Levi's Skiing North America. Original first printing of this poster. Official sponsors of the US team for the 1980 Olympic G...
Category
1970s American Modern Landscape Prints
Materials
Offset
Old Coaster, Lithograph by Gordon Grant
By Gordon Grant
Located in Long Island City, NY
Artist: Gordon Grant, American (1875 - 1962)
Title: Old Coaster
Year: circa 1940
Medium: Lithograph, signed in pencil
Image Size: 9 x 11 inches
Size: 11 in. x 16 in. (27.94 cm x 40.6...
Category
1940s American Modern Landscape Prints
Materials
Lithograph
May Day, Folk Art Screenprint by Ralph Fasanella
Located in Long Island City, NY
Artist: Ralph Fasanella, American (1914 - 1997)
Title: May Day
Year: 1974
Medium: Serigraph, signed and numbered in pencil
Edition: 250
Size: 31 in. x 43 in. (78.74 cm x 109.22 cm)
Category
1970s American Modern Landscape Prints
Materials
Screen
Vintage Art Etching Farm with Cow and Farmer, Famed Children's Book Illustrator
Located in Surfside, FL
Medium: etching
Surface: paper
Country: United States
Signed in plate with initial G.
Black and white illustration of a landscape with farmhouse (old barn).
TIBOR GERGELY
Budapes...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Etching
Monoprint Lithograph American Modernist Gregory Amenoff Abstract Expressionist
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Landscape Prints
Materials
Lithograph, Monoprint, Monotype
Mediterranean, Signed Cubist Lithograph by Remo Farruggio
Located in Long Island City, NY
Mediterranean
Remo Farruggio, Italian/American (1904–1981)
Date: Circa 1979
Lithograph, signed and numbered in pencil
Edition of 300, AP 35
Image Size: 21 x 29 inches
Size: 28 in. x ...
Category
1980s American Modern Landscape Prints
Materials
Lithograph
Western Hills Viaduct Under Construction
Located in Fairlawn, OH
Western Hills Viaduct Under Construction
Drypoint, June 1931
Signed in pencil lower right (see photo)
Initialed and dated in the plate lower right above pencil signature (see photo)
From: Cincinnati Series, 1930-1931, 8 plates, this No. 5
Small edition, not specified
From Greenfield Hill
Condition: Excellent
Image/Plate size: 8 1/2 x 15 1/4 inches
Sheet size: 11 1/4 x 18 1/2 inches
Louis Conrad Rosenberg
1890-1983
An American architectural etcher...
Category
1930s American Modern Landscape Prints
Materials
Drypoint
Saturday Morning Market, Taos Plaza, New Mexico, 1950s Figural Linocut Print
By Barbara Latham
Located in Denver, CO
"Saturday Morning (Market, Taos Plaza, New Mexico)" is a striking 1950s modernist linocut print by renowned New Mexican artist Barbara Latham. This vivid print captures a bustling Sa...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Linocut
Urban Axes, Large Industrial Print by Phyllis Seltzer
Located in Long Island City, NY
Artist: Phyllis Seltzer
Title: Urban Axes
Year: 1995
Medium: Heat Transfer Print, signed, numbered, and titled in pencil
Edition: 3/10
Image: 29 x 78....
Category
1990s American Modern Landscape Prints
Materials
Stencil
Original "Our America, #2 Producing Motion Pictures" vintage poster
Located in Spokane, WA
Original: Our America Motion Pictures # 2. Printed: 1943 by the Coca-Cola Company.
Archival linen backed. Excellent condition. Lithograph. Linen bac...
Category
1940s American Modern Landscape Prints
Materials
Offset
$360 Sale Price
20% Off
The Home my Daddy Built, American Realist Collotype by Velox Ward
By Velox Ward
Located in Long Island City, NY
Artist: Velox Ward, American (1901 - 1994)
Title: The Home my Daddy Built from the America: The Third Century Portfolio
Year: 1976
Medium: Collotype, signed a...
Category
1970s American Modern Landscape Prints
Materials
Lithograph
$960 Sale Price
20% Off
Signed George Elbert Burr Winter Landscape Lithograph, Snow-Covered Trees
Located in Denver, CO
This original signed lithograph by acclaimed American artist George Elbert Burr (1859–1939) beautifully depicts a serene winter landscape with snow-covered trees. Burr’s masterful lithograph technique captures the delicate interplay of light, shadow, and snow, evoking the quiet stillness and crisp beauty of nature in winter.
The image measures 7 ¼ by 10 ¼ inches and is presented in a custom archival frame with overall dimensions of 15 x 17 ¾ inches. The artist’s signature authenticates this fine example of early 20th-century American printmaking, making it an ideal addition to collections of Western art, winter landscapes, or vintage lithographs.
Born in Ohio, Burr was largely self-taught, gaining recognition for his detailed etchings and lithographs that captured the American West’s rugged beauty. After years of travel across Europe and the U.S. Southwest, he created iconic series like Mountain Moods and the Desert Set...
Category
20th Century American Modern Landscape Prints
Materials
Lithograph
Location Proposal Iris Print Ed. 12 Hand Signed Cyclone Racer (Coney Island, NY)
Located in Surfside, FL
Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including ...
Category
1990s American Modern Landscape Prints
Materials
Color
Black/White Lithograph American Modernist Gregory Amenoff Abstract Expressionist
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Title: Haven, STATE II
Lithograph, 1986
Edition 4/4 Printer Proof
Image Size 21.5 x 30.75"
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Landscape Prints
Materials
Lithograph
Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East
Drypoint, 1930-1931
Signed in pencil lower right (see photo)
Initialed and dated the the plate above the pencil signature
From: Cincinnati Series (8 Plates), this No. 2
Edition: 155, completed May 4, 1931
Delivered to Fellheimer & Wagner, 1931
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category
1930s American Modern Landscape Prints
Materials
Drypoint
Location Proposal Iris Print Ed. 12 Architectural Study LA CAlifornia Modernist
Located in Surfside, FL
Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials.
In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012.
Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013.
Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism.
Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...
Category
1990s American Modern Landscape Prints
Materials
Color
Location Proposal Iris Print Ed. 12 Hand Signed Architectural Study
Located in Surfside, FL
Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials.
In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012.
Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013.
Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism.
Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...
Category
1990s American Modern Landscape Prints
Materials
Color
L' Ananas (The Pineapple, a symbol of hospitality)
Located in New Orleans, LA
Laurent Schkolnyk created this original mezzotint, L' Anais that is signed, titled and numbered #22 in an edition of 30. Since the fruit was so perishable, it became a symbol of lu...
Category
1980s American Modern Landscape Prints
Materials
Mezzotint
Classic Porsche Targa Mid Century Modern Architecture Palm Springs Photography
Located in Brooklyn, NY
Limited Edition series of Classic a couple Porsche Targa within Palm Springs California. Mid Century Modern Design Architecture. Photography by Tom Blachford.
What began for Tom Bla...
Category
2010s American Modern Landscape Prints
Materials
Cotton, Archival Pigment
'Winter Silhouettes, ' offset lithograph by Schomer Lichtner
Located in Milwaukee, WI
'Winter Silhouettes,' a small and delicate print, is an original offset lithograph by the Milwaukee artist Schomer Lichtner. The composition displays registers of foliage, emerging from the white of the paper as though emerging from the snow-covered ground. The artwork is thus plays with the materials of printmaking; the paper is both the support and the primary indication of the season. The subtle texture of the tooth of the paper also adds life to the image, giving the snow a wind-swept, creature trodden surface. The free forms of the grasses and leaves resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities.
3.75 x 2.75 inches, image
5.5 x 4.5 inches, paper
10 x 8 inches frame
Signed and dated in the stone, lower right
Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a cherry wood moulding
Overall excellent condition; some toning to edges of paper; some minor abrasions to frame
Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices.
Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art.
Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity."
As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller.
Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year.
Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas...
Category
1960s American Modern Landscape Prints
Materials
Black and White, Lithograph
Mid Century Modern Architecture Palm Springs Tom Blachford
Located in Brooklyn, NY
Limited Edition photography by Tom Blachford. Mid Century Modern Architectural Design.
What began for Tom Blachford as a fateful discovery one night has developed into an ongoing s...
Category
2010s American Modern Landscape Prints
Materials
Archival Pigment
Silver Mine, Russell Gulch, CO (12/25) 1930s American Modern Lithograph Print
Located in Denver, CO
"Silver Mine, Russell Gulch (12/25)" is a captivating black and white lithograph by American artist Arnold Ronnebeck. The piece features a mining scene in Russell Gulch, Colorado, wi...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
'Jones Island' original woodcut engraving by Gerrit Sinclair
Located in Milwaukee, WI
The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression.
This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year.
6 x 5 inches, image
10 x 7.13 inches, sheet
13.43 x 12.43 inches, frame
Signed "GS" in the print block,upper left
Entitled "Jones Island" lower left (covered by matting)
Inscribed "Wood Engraving" lower center (covered by matting)
Artist name "Gerrit V. Sinclair" lower right (covered by matting)
Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding.
Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors.
Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...
Category
1930s American Modern Landscape Prints
Materials
Woodcut, Engraving
Say Yes to New Adventures
By Jaycie Womack
Located in Kansas City, MO
Jaycie Womack
Say Yes to New Adventures
Year: 2018
Pigment Print
Visible Size: 16 x 13 inches
Framed: 28.5 x 20.75 inches
Signed, titled and dated by hand
COA provided
*Gold sprayed...
Category
2010s American Modern Landscape Prints
Materials
Pigment
Midnight Modern, Tom Blachford Mid Century Classic Porsche
Located in Brooklyn, NY
The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York.
Loos...
Category
2010s American Modern Landscape Prints
Materials
Photographic Paper, Archival Pigment
Mid Century Steve McQueen Home, Midnight Modern Architecture Photography
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his home in Palm Desert.
Archival...
Category
2010s American Modern Landscape Prints
Materials
Cotton, Archival Ink, Photographic Paper
Mid Century Modern Architecture Classic Porsche Palm Springs Tom Blachford
Located in Brooklyn, NY
Limited Edition photography by Tom Blachford. Mid Century Modern Architectural Design.
What began for Tom Blachford as a fateful discovery one night has developed into an ongoing s...
Category
2010s American Modern Landscape Prints
Materials
Archival Pigment
THE HARBOR WORKHORSE
By Woldemar Neufeld
Located in Portland, ME
Neufeld, Woldemar. THE HARBOR WORKHORSE. Woodcut in colors, not dated (c.1940s-50s). Edition size not known, but likely 50 or fewer. 17 1/2 x 12 inches, plu...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Woodcut
Fog Bound
Located in Missouri, MO
Fog Bound
Tod Lindenmuth (American, 1885-1976)
Woodblock Print
14 x 11 inches
26 x 20.25 inches with frame
Signed Lower Right
Titled Lower Left
A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration.
Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne.
He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association's 'First Modernistic Exhibition". He exhibited regularly with the Society of Independent Artists in New York.
He married artist and illustrator Elizabeth Boardman Warren...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Color
$3,000
QUEENSBRIDGE
Located in Portland, ME
Bernhardt, John (American 1921-1963. QUEENSBRIDGE. Color Woodcut, 1965. Ttiled, signed, dated and annotated "To Smitty" in pencil. 17 3/4 x 28 inches. In very good condition. Framed
...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Color, Woodcut
$700 Sale Price
36% Off
"Squall, " Sailboat Maritime Scene Wood Engraving by Lowell Merritt Lee
By Lowell Merritt Lee
Located in Milwaukee, WI
"Squall is an original wood engraving by Lowell Merritt Lee. It features a rendition of a squall, a sudden violent gust of wind that often brings in rain, snow, or sleet.
Image: 6.1...
Category
1930s American Modern Landscape Prints
Materials
Woodcut
"Prospector's Cabin" – 1937 WPA-Era Lithograph by Archie Musick, Modernist Art
By Archie Musick
Located in Denver, CO
This original, signed lithograph titled "Prospector's Cabin" was created circa 1937 by acclaimed American Modernist artist Archie Musick (1902–1978). A powerful example of WPA-era ar...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
'Field' original abstract linocut in black by Wisconsin artist Schomer Lichtner
Located in Milwaukee, WI
'Field' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents fields of flowers, trees and grasses below a cloudy sky, but rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the plants resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork.
Linocut in black and red on Permalife white wove paper
4.5 x 6 inches, image
11.5 x 8.75 inches, sheet
16.5 x 13.63 inches, frame
Signed in pencil, below image, lower right.
Edition 1/100 in pencil, below image, lower left.
Chinese signature stamp in red, below image, lower right.
Remaque of a cow in red, below image, lower right.
Permalife watermark to paper.
Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding.
Overall excellent condition with no creases or discoloration.
Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices.
Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art.
Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...
Category
Late 20th Century American Modern Landscape Prints
Materials
Black and White, Paper, Linocut
"Road to Cripple Creek, Colo., " Wood Engraving by Gerhard H. Bakker
Located in Milwaukee, WI
"Road to Cripple Creek, Colo." is an original woodcut print by Gerhardt H. Bakker. Lines full of expression and shape make up every bit of this print, fr...
Category
1930s American Modern Landscape Prints
Materials
Woodcut
Tom Blachford Mid Century Modern Architecture Classic Poolside Ferarri
Located in Brooklyn, NY
The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York.
Loos...
Category
2010s American Modern Landscape Prints
Materials
Photographic Paper, Archival Pigment
Vintage Porsche Alfa Romeo Mid Century Modern Architecture Photograph
Located in Brooklyn, NY
Landscape, Vintage Car, Palm Tree, Classic Porsche, Mid Century Modern, Limited Series. Archival Inkjet Print on Semi Gloss 100% Cotton Paper. Mid Century Design. Tom Blachford. Moonlight Classic Porsche in Palm Springs California.
This is a limited edition print in a series of 10. Each pieces comes with a hand-signed certificate of authenticity.
The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York.
Loosening the shackles of Palm Springs and Mid Century, Blachford’s large scale works explores some of the outer reaches of the Modernist movement in Architecture, and captured using only the light of the full moon.
Blachford's series is a surreal ode to the landscapes of California and its cache of pristine Modernist buildings. Shot entirely at night, bathed in moonlight, the homes, vintage cars, and foliage appear as they have been captured in another space and time. Recognizing the locations may be easy, but it is more difficult to identity when the image was actually taken, be this day or night, in the past, present, or future. The images act as portals in time where it seems these moments exist in all places at once.
For Blachford these unique residences act as the sets for infinite narratives, both real and imagined, which the viewer is invited to script for themselves. Each image acts as a still frame for a story about to start and end simultaneously.
California has a unique geography and climate, and this gives rise to a distinct deep blue sky: a hue of moonlight ideal for this approach to architectural photography. The long exposure allows the camera to capture a world just beyond our perception and distil it into a single moment.
Midnight Modern has already included Palm Springs' most iconic properties; the Kaufman Desert House...
Category
2010s American Modern Landscape Prints
Materials
Photographic Paper, Archival Pigment
Mid Century Mercedes Benz SL, Midnight Modern Series Contemporary Photography
Located in Brooklyn, NY
Palm Springs Mid Century Modern Architecture, Vintage Classic Mercedes Benz SL, Palm Desert, Limited Series.
Archival Inkjet Print on ...
Category
2010s American Modern Landscape Prints
Materials
Cotton, Archival Ink, Photographic Paper
Classic Porsche Targa Mid Century Modern Architecture Palm Springs Photography
Located in Brooklyn, NY
Limited Edition series of Classic a couple Porsche Targa within Palm Springs California. Mid Century Modern Design Architecture. Photography by Tom Blachford.
What began for Tom Bla...
Category
2010s American Modern Landscape Prints
Materials
Archival Pigment
Mid Century Mercedes Benz SL, Midnight Modern Series Contemporary Photography
Located in Brooklyn, NY
Palm Springs Mid Century Modern Architecture, Vintage Classic Mercedes Benz SL, Palm Desert, Limited Series.
Archival Inkjet Print on Cotton Paper. Mid Century Modern Architecture ...
Category
2010s American Modern Landscape Prints
Materials
Cotton, Archival Ink, Photographic Paper
Mid Century Vintage 356 Porsche, Midnight Modern Architecture Palm Springs
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs.
Archival Inkjet Print on Cotton Paper. Mi...
Category
2010s American Modern Landscape Prints
Materials
Cotton, Archival Ink, Photographic Paper
Mid Century Steve McQueen Home, Midnight Modern Architecture Photography
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his home in Palm Desert.
Archival Inkjet Print on Cotton Paper. Mid Cent...
Category
2010s American Modern Landscape Prints
Materials
Cotton, Archival Ink, Photographic Paper
Mid Century Modern Architecture Classic Porsche Palm Springs Tom Blachford
Located in Brooklyn, NY
Limited Edition photography by Tom Blachford. Mid Century Modern Architectural Design.
What began for Tom Blachford as a fateful discovery one night has developed into an ongoing s...
Category
2010s American Modern Landscape Prints
Materials
Archival Pigment
Mid Century Steve McQueen Pool, Midnight Modern Architecture Palm Springs
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his pool in Palm Desert.
A...
Category
2010s American Modern Landscape Prints
Materials
Cotton, Archival Ink, Photographic Paper
Modern Classic Chevrolet Corvette Mid Century, Limited Edition Photograph
Located in Brooklyn, NY
The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York.
Loos...
Category
2010s American Modern Landscape Prints
Materials
Photographic Paper, Archival Pigment
Mid Century Modern Architecture Photograph - Jennings Pool - Tom Blachford's
Located in Brooklyn, NY
The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York.
Loos...
Category
2010s American Modern Landscape Prints
Materials
Photographic Paper, Archival Pigment
Mid Century White BMW Camino CSL, Midnight Modern Architecture Palm Springs
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. White BMW Camino CSL vintage Car photographed in Palm Desert.
Archival Inkjet Print on Cotton Paper. Mid Century Modern Architecture ...
Category
2010s American Modern Landscape Prints
Materials
Cotton, Archival Ink, Photographic Paper
American Modern landscape prints for sale on 1stDibs.
Find a wide variety of authentic American Modern landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including and Carol Wax. Frequently made by artists working with Intaglio, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern landscape prints, so small editions measuring 1.5 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $45 and tops out at $80,000, while the average work sells for $900.