American Modern Landscape Prints

An amazingly precise lithographic view of the New York State Supreme Court Building at 60 Centre Street, Foley Square, New York City. Goodman shows us eight of the ten columns of thi...

Bailey's Beach (Newport, Rhode Island). 1933. Etching. Hausberg 126 state v/vi. Edition 75. 6 x 7 7/8 (sheet 9 3/8 x 12 3/8). Printed with extensive plate tone with plate tone on 'Va...

"Moonlight Glade", a small intimate etching of a New England graveyard, is a remembrance of the artist's roots. There is a quiet reverent calm to this moonlit scene,. William Woodward, born in Seekonk, Massachusetts, received his art training at the Rhode Island School of Design and the Massachusetts Normal Art School. He taught at the Rhode Island School of Design while still a student there. At the behest of William Preston...

MARK FREEMAN (1908 - 2003) MANHATTAN CLIFFS, 1947 Lithograph (offset?) with 2 color plates. Signed, titled and dated. 19 1/2 x 15 in., large grey sheet, 22 3/8 x 17 1/2 in. Very good condition. A large and very strong image of New York.

Czestochowski 31. 11 3/4 x 8 7/8 (sheet 12 x 18). Edition 100. Presentation print for the Chicago Society of'Chicago Fair 1933. A rich impression with t...

Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...

This artwork titled "Carmel Mission" c.1980 is an original monoprint by noted American artist Betty Guy 1920-2016. It is hand signed and titled in pencil by ...

Mediterranean Remo Farruggio, Italian/American (1904–1981) Date: Circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 35 Image Size: 21 x 29 inches Size: 28 in. x ...

Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...

Clearly a view from New York City across the Hudson River to the New Jersey Palisades, this small format packs a wallop! Construction of the bridge was begun in 1927 and this scene i...

Bird House by Chinese/American artist Chase Chen depicts a barn on a hillside with birds flying into the sky from the roof and a small stream or irrigation ditch flowing downhill and a water pail sitting in the field. There is a blue above the hill. A limited edition [124/350] serigraph created in the year 2000, signed in pencil and in very good condition. Paper size 30.25 x 38.75 image 25 x 33.25. Born into a family of doctors and growing up during the cultural revolution Chinese...

This artwork titled "Low Tide" 1943 is an original lithograph by New York artist Julian Edwin Levi, 1900-1982. It is hand signed in pencil by the art...

Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...

1930. Etching and aquatint. Fletcher catalog 229 state g ii. 10 1/8 x 12 (sheet 11 5/8 x 16 1/2). Italian Series, plate #16. Edition 140 (+ 14 trial proofs). Illustrated: Dorothy Noy...

This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...

Original, signed lithograph titled "Prospector's Cabin" circa 1937 by American Modernist, Archie Musick. WPA era black and white print of a stone cabin among a mountain landscape wit...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...

Artist: Millard Owen Sheets, American (1907 - 1989) Title: Summer Gold Medium: Lithograph, signed and numbered in pencil Edition: 250, 5 HC Image S...

Bertha Landers, 'Flavor of the Southwest', aquatint, c. 1938, edition not stated but small. A superb, richly-inked, atmospheric impression, on cream wov...

Linen backed original vintage poster: Ms. Victoria Incres Line, All Italian Crew, Mediterranean; West Indies Luxury Cruises original poster. Colorful cruise line poster with a gold...

Born in Tamines, Belgium, Victor DeWilde (1903-1977) settled in San Francisco around 1925. He studied at the California School of Fine Arts, SF, and California College of Arts & Crafts, Oakland. During the 1930s he taught at Commerce Evening High School and then worked on the WPA Art Education Program. His colleagues included Robert McChesney, Otis Oldfield, George Post...

A modernist lithograph by American artist Stuart Davis. In this cityscape of Paris he begins to show his inclinations towards Cubism, with the slightly skewed perspective and the fla...

There's so often a mysterious or evocative atmosphere that permeates Sander's work. Signed in pencil; titled in lower margin in pencil.

Jacques Monory Pride, fear and confusion, 1976 Original screen print Handsigned On BFK Rives 38 x 28 cm (c. 14x 11 in) Limited to 300 exemplary, not numbered INFORMATION: This wor...

This artwork titled "Shadows" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, inscribed A.P and titled in pencil by the artist. The image size is 20 x 16 inches, sheet size is 28 x 20 inches. It is in excellent condition. About the artist: Virgil Thrasher...

Jacques Monory The American Dream, 1976 Original screen print Handsigned On BFK Rives 38 x 28 cm (c. 14x 11 in) Limited to 300 proofs, not numbered INFORMATION: This work is publi...

This impression is #19 out of an edition 30 Born in 1961 in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see...

Signed in pencil. This scene is a hundred years old but if we have snow this year it can easily be recreated.

This French Quarter garden is a serene haven with a lighted statue of Christ that exists not very far from the raucous revelry of New Orleans' Bourbon S...

Medium: Etching Surface: paper Country: United States signed in plate with initial G. Black and white illustration of a landscape with farmhouse (old barn). TIBOR GERGELY Budapest, Hungary, b. 1900, d. 1978 Tibor Gergely (1900-1978) was an artist and Illustrator. Born in Budapest, Hungary in 1900, he studied art briefly in Vienna, Austria, before emigrating to the United States in 1939, where he settled in New York City. Largely a self-taught artist, he contributed several covers to The New Yorker magazine during the 1940s. Among the most popular children's books Gergely illustrated are The Happy Man and His Dump Truck, Busy Day Busy People, The Little Red Caboose, The Fire Engine Book, Tootle, and Scuffy the Tugboat. Many of his better known books were published by Little Golden Books...

Medium: Etching Surface: paper Country: United States Signed in plate with initial G. Black and white illustration of a landscape with farm, farmer and cow. TIBOR GERGELY Budapest, Hungary, b. 1900, d. 1978 Tibor Gergely (1900-1978) was an artist and Illustrator. Born in Budapest, Hungary in 1900, he studied art briefly in Vienna, Austria, before emigrating to the United States in 1939, where he settled in New York City. Largely a self-taught artist, he contributed several covers to The New Yorker magazine during the 1940s. Among the most popular children's books Gergely illustrated are The Happy Man and His Dump Truck, Busy Day Busy People, The Little Red Caboose, The Fire Engine Book, Tootle, and Scuffy the Tugboat. Many of his better known books were published by Little Golden Books...

The Haunted House is a b/w etching created by J. Andre Smith in the early part of the 20th C. I is pencil signed and was acquired directly from the arti...

Manhattan Nocturne. 1938. Etching and drypoint. Kraeft 70. 7 1/8 x 11 7/8 (sheet 10 1/2 x 15 1/4). Edition 100. Presentation Print of the Society of American Etchers, 1938. Provenanc...

Artist: Phyllis Seltzer Title: Urban Axes Year: 1995 Medium: Heat Transfer Print, signed, numbered, and titled in pencil Edition: 3/10 Image: 29 x 78....

Artist: Phyllis Seltzer Title: Complex Year: 1995 Medium: Heat Transfer Print, signed, numbered, and titled in pencil Edition: 1/15 Image: 29 x 78.5 i...

"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...

An original hand-signed and numbered screenprint by noted American modern artist, Ginger Osgood (1918 - 2000) depicting Oil Derricks in an abstract lands...

Old Colony Statehouse, Newport, Rhode Island. c. 1931-1933. Etching. Hausberg 187. iii. 7 7/8 x 6 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream wove paper with deckle ed...

The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...

'Winter Silhouettes,' a small and delicate print, is an original offset lithograph by the Milwaukee artist Schomer Lichtner. The composition displays registers of foliage, emerging from the white of the paper as though emerging from the snow-covered ground. The artwork is thus plays with the materials of printmaking; the paper is both the support and the primary indication of the season. The subtle texture of the tooth of the paper also adds life to the image, giving the snow a wind-swept, creature trodden surface. The free forms of the grasses and leaves resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. 3.75 x 2.75 inches, image 5.5 x 4.5 inches, paper 10 x 8 inches frame Signed and dated in the stone, lower right Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a cherry wood moulding Overall excellent condition; some toning to edges of paper; some minor abrasions to frame Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity." As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller. Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year. Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...

Approaching Storm, Manhattan. 1937. Drypoint. Kraeft 65. 9 1/8 x 8 3/8 (sheet 15 3/4 x 14 7/8). Edition 100. Provenance: Estate of David Llewellyn Re...

This artwork titled "Dusk" 1984 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated and titled in pencil by the artist. The image size is 14 x 25 inches, sheet size is 19 x 28 inches. It is in excellent condition. About the artist: Virgil Thrasher...

Artist: Gordon Grant, American (1875 - 1962) Title: Arching Elms Year: circa 1940 Medium: Lithograph, signed in pencil Image Size: 9 x 11 inches Size: 11 in. x 16 in. (27.94 cm x 40....

This artwork titled "River Mist" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, inscribed A.P and tit...

This artwork titled "Silver Wood" 1966 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, inscribed A.P and titled in pencil by the artist. The image size is 16 x 22 inches, sheet size is 12.25 x 27 inches. It is in excellent condition. About the artist: Virgil Thrasher...

This artwork titled "East Cove" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, inscribed A.P and titl...

Rooftop. 1941. Engraving. Kraeft 84. 4 7/8 x 8 7/8 (sheet 8 7/8 x 12 3/4). Edition 100. Provenance: estate of David Llewellyn Reese, New York. A rich impression printed on white wove...

'Winter Silhouettes,' a small and delicate print, is an original offset lithograph by the Milwaukee artist Schomer Lichtner. The composition displays registers of foliage, emerging from the white of the paper as though emerging from the snow-covered ground. The artwork is thus plays with the materials of printmaking; the paper is both the support and the primary indication of the season. The subtle texture of the tooth of the paper also adds life to the image, giving the snow a wind-swept, creature trodden surface. The free forms of the grasses and leaves resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. 3.75 x 2.75 inches, image 5.5 x 4.5 inches, paper 9.25 x 7.75 inches frame Signed and dated in the stone, lower right Framed to conservation standards using 100 percent rag matting, museum glass, and housed in a modern silver moulding Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity." As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller. Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year. Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas and cows. The late James Auer, art critic for the Milwaukee Journal Sentinel referred to Lichtner as the artist laureate of Milwaukee, Wisconsin. He was the official artist of the Milwaukee Ballet...

Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...

This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...

Demolition No. 1. 1940. Drypoint. Kraeft 80. 4 7/8 x 8 7/8(sheet 12 x 13 7/8). Edition 100. Provenance: estate of David Llewellyn Reese, New York. A rich impression with tonal wiping...

House on Cliff Walk, Newport, Rhode Island or Caprice, Newport, Rhode Island.. 1931/33. Etching. Hausberg catalog 138 state ii. 5 15/16 x 8 (sheet 7 7/8 x 9 5/8). A rich impression ...

Medium: etching Surface: paper Country: United States Signed in plate with initial G. Black and white illustration of a landscape with farmhouse (old barn). TIBOR GERGELY Budapest, Hungary, b. 1900, d. 1978 Tibor Gergely (1900-1978) was an artist and Illustrator. Born in Budapest, Hungary in 1900, he studied art briefly in Vienna, Austria, before emigrating to the United States in 1939, where he settled in New York City. Largely a self-taught artist, he contributed several covers to The New Yorker magazine during the 1940s. Among the most popular children's books Gergely illustrated are The Happy Man and His Dump Truck, Busy Day Busy People, The Little Red Caboose, The Fire Engine Book, Tootle, and Scuffy the Tugboat. Many of his better known books were published by Little Golden Books...

Artist: Gordon Grant, American (1875 - 1962) Title: Old Coaster Year: circa 1940 Medium: Lithograph, signed in pencil Image Size: 9 x 11 inches Size: 11 in. x 16 in. (27.94 cm x 40.6...

"Road to Cripple Creek, Colo." is an original woodcut print by Gerhardt H. Bakker. Lines full of expression and shape make up every bit of this print, fr...

Louis Lozowick, 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936. Flint 135. Signed and dated in pencil. Signed in the stone, lower right. A fine, richly-inked...