Cubist Landscape Prints

This exquisite lithograph after Pablo Picasso (1881–1973), titled 20.5.64. I, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

This exquisite lithograph after Fernand Leger (1881–1955), titled Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, originates from the 1971 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1971. Feuilles vertes et fond orange exemplifies Leger’s mastery of modern form and color, uniting bold geometry and organic vitality in a celebration of rhythm, balance, and the harmony between nature and mechanized abstraction. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches. Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1971 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 120. Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, published by Societe Internationale d'Art XXe siecle, Paris; printed by Mourlot Freres, Paris, 1971 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, London, and New York, including Mourlot, Curwen, and Universal Graphics, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism’s fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately $70 million USD, achieved in 2017 at Christie's New York for Contraste de formes (1913). Fernand Leger Feuilles vertes et fond orange, Leger Green Leaves and Orange Background, Leger 1971 XXe siecle, Leger Mourlot...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cercle d'Art, Paris, under the direction of Charles Feld, and printed by Bosson et Auclair, Paris, during the second quarter of 1961, this edition presents a series of striking visual meditations on the bullfight—a subject that profoundly resonated with Picasso throughout his life. Created in collaboration with noted bullfighter Luis Miguel Dominguin, Toros y Toreros (Bulls and Bullfighters) unites text, photography, and Picasso’s dynamic graphic language to capture the rhythm, power, and ritual of the corrida. Executed on velin paper, this heliogravure measures 14.75 x 10.5 inches (37.47 x 26.67 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1961 publication format. This edition, realized under Charles Feld’s direction, preserves the expressive linework, tonal nuance, and kinetic immediacy of Picasso’s original drawings, exemplifying his masterful translation of motion and emotion into print. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 12.3.59. I, from Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), 1961 Medium: Heliogravure on velin paper Dimensions: Paper size 14.75 x 10.5 inches (37.47 x 26.67 cm) Inscription: Unsigned and unnumbered, as issued Date: 1961 Publisher: Les Editions Cercle d'Art, Paris Printer: Bosson et Auclair, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), published by Les Editions Cercle d'Art, Paris Notes: Excerpted from the 1961 album (translated from French): "This album, edited by Charles Feld and realized under his direction, was completed printing during the second quarter, one thousand nine hundred sixty-one, with the collaboration for the illustrations, Imprimerie Moderne du Lion; for typographie, Imprimerie Union; for photogravure, Bosson et Auclair; for the binding, Barast et Adine; for the lithography, Fernand Mourlot. It was taken from this album CXXV examples numbered from I to CXXV and XXV out-of-commerce examples for the artist and his friends numbered from CXXV to CL. These examples are enriched with an original lithography, signed and a series of drawings drawn on Arches paper. In addition, the numbered examples of I to V have a lithography enhanced by the artist." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (Women of Algiers, Version O) (1955). Pablo Picasso heliogravure, Picasso Toros y Toreros (Bulls and Bullfighters), Picasso bullfight series, Picasso 1961 Cercle d'Art edition, Picasso Bosson et Auclair printer, Picasso Charles Feld editor, Picasso velin paper, Picasso corrida artwork, Picasso matador...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cercle d'Art, Paris, under the direction of Charles Feld, and printed by Bosson et Auclair, Paris, during the second quarter of 1961, this edition presents a series of striking visual meditations on the bullfight—a subject that profoundly resonated with Picasso throughout his life. Created in collaboration with noted bullfighter Luis Miguel Dominguin, Toros y Toreros (Bulls and Bullfighters) unites text, photography, and Picasso’s dynamic graphic language to capture the rhythm, power, and ritual of the corrida. Executed on velin paper, this heliogravure measures 10.5 x 14.75 inches (26.67 x 37.47 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1961 publication format. This edition, realized under Charles Feld’s direction, preserves the expressive linework, tonal nuance, and kinetic immediacy of Picasso’s original drawings, exemplifying his masterful translation of motion and emotion into print. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 10.3.59. XII, from Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), 1961 Medium: Heliogravure on velin paper Dimensions: Paper size 10.5 x 14.75 inches (26.67 x 37.47 cm) Inscription: Unsigned and unnumbered, as issued Date: 1961 Publisher: Les Editions Cercle d'Art, Paris Printer: Bosson et Auclair, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), published by Les Editions Cercle d'Art, Paris Notes: Excerpted from the 1961 album (translated from French): "This album, edited by Charles Feld and realized under his direction, was completed printing during the second quarter, one thousand nine hundred sixty-one, with the collaboration for the illustrations, Imprimerie Moderne du Lion; for typographie, Imprimerie Union; for photogravure, Bosson et Auclair; for the binding, Barast et Adine; for the lithography, Fernand Mourlot. It was taken from this album CXXV examples numbered from I to CXXV and XXV out-of-commerce examples for the artist and his friends numbered from CXXV to CL. These examples are enriched with an original lithography, signed and a series of drawings drawn on Arches paper. In addition, the numbered examples of I to V have a lithography enhanced by the artist." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (Women of Algiers, Version O) (1955). Pablo Picasso heliogravure, Picasso Toros y Toreros (Bulls and Bullfighters), Picasso bullfight series, Picasso 1961 Cercle d'Art edition, Picasso Bosson et Auclair printer, Picasso Charles Feld editor, Picasso velin paper, Picasso corrida artwork, Picasso matador...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cercle d'Art, Paris, under the direction of Charles Feld, and printed by Bosson et Auclair, Paris, during the second quarter of 1961, this edition presents a series of striking visual meditations on the bullfight—a subject that profoundly resonated with Picasso throughout his life. Created in collaboration with noted bullfighter Luis Miguel Dominguin, Toros y Toreros (Bulls and Bullfighters) unites text, photography, and Picasso’s dynamic graphic language to capture the rhythm, power, and ritual of the corrida. Executed on velin paper, this heliogravure measures 14.75 x 10.5 inches (37.47 x 26.67 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1961 publication format. This edition, realized under Charles Feld’s direction, preserves the expressive linework, tonal nuance, and kinetic immediacy of Picasso’s original drawings, exemplifying his masterful translation of motion and emotion into print. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 11.3.59. II, from Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), 1961 Medium: Heliogravure on velin paper Dimensions: Paper size 14.75 x 10.5 inches (37.47 x 26.67 cm) Inscription: Unsigned and unnumbered, as issued Date: 1961 Publisher: Les Editions Cercle d'Art, Paris Printer: Bosson et Auclair, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), published by Les Editions Cercle d'Art, Paris Notes: Excerpted from the 1961 album (translated from French): "This album, edited by Charles Feld and realized under his direction, was completed printing during the second quarter, one thousand nine hundred sixty-one, with the collaboration for the illustrations, Imprimerie Moderne du Lion; for typographie, Imprimerie Union; for photogravure, Bosson et Auclair; for the binding, Barast et Adine; for the lithography, Fernand Mourlot. It was taken from this album CXXV examples numbered from I to CXXV and XXV out-of-commerce examples for the artist and his friends numbered from CXXV to CL. These examples are enriched with an original lithography, signed and a series of drawings drawn on Arches paper. In addition, the numbered examples of I to V have a lithography enhanced by the artist." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (Women of Algiers, Version O) (1955). Pablo Picasso heliogravure, Picasso Toros y Toreros (Bulls and Bullfighters), Picasso bullfight series, Picasso 1961 Cercle d'Art edition, Picasso Bosson et Auclair printer, Picasso Charles Feld editor, Picasso velin paper, Picasso corrida artwork, Picasso matador...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 20.9.64. II, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

This exquisite lithograph after Pablo Picasso (1881–1973), titled La Guepe (The Wasp), originates from the rare 1970 folio Pablo Picasso, Histoire naturelle (Natural History). Publis...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 9...

This exquisite lithograph by Georges Braque (1882–1963), titled La Charrue (The Plow), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Au Baiser d'Avignon VII (At the Kiss of Avignon VII), from the folio Picasso au baiser d'Avignon, douze dessins, lav...

This exquisite lithograph after Georges Braque (1882–1963), titled La vague (The Wave), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage (Landscape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

This exquisite lithograph after Georges Braque (1882–1963), titled Les champs (The Fields), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and print...

This exquisite lithograph after Georges Braque (1882–1963), titled Bord de mer (Seaside), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Etching on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Ginestet, Colette de, and Catherine...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 7.75 x 10 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 20.5.65.21. IV, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Ske...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Diptych of Ancient Theaters + Year: 2023 + Edition Size: 50 + Stamped and Certificate of Authenticity provided + Measurements : Two panels of 70x100 cm (28x 40 in.), a total of 70x200cm (28x80 in.) + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 6.10.64. I, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 9...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

This exquisite lithograph by Fernand Leger (1881–1955), titled La Partie de Campagne (The Country Outing), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 20.5.64. VI, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Roger de la Fresnaye, III, Col...