Boat Landscape Prints

En Bretagne is a black and White etching realized by David Sutter in the 1860s.  Titled in the lower. Image size: 21x31. Very good impression with wide margins and a very fresh in...

This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "White American Wolf", No. 15, Plate LXXII, from Audubon's "Quadrupeds of North America...

This traditional coastal Limited Edition print by Daniel Pollera pictures three white Adirondack chairs, positioned in the grass overlooking a body of water. Several sailboats can be...

Kate Heiss Brancaster Sails Whelk Blue Series Limited Edition Linocut Print Edition of 50 Printed with oil based relief inks on 300gsm soft white Somerset velvet paper. Signed and da...

Braun G., Hogenberg F., "Calecut", (Kolkata) from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 18.5 x 48 Dim: cm 21.5 x 53 . Very Fine...

The Castle is an artwork realized by Antonio de Totero (1936) in 1980. Hand-signed and numbered by artist with pencil. Numbered, Edition of V/XXV prints Good condition.

This coastal seascape Limited Edition giclee print by Daniel Pollera captures two small sailboats, one white and one navy blue, anchored along a grassy shoreline in the foreground. T...

Peche a la Sardine is a black and White etching realized by Pierre-Émile Berthélemy in the 1860s.  Titled in the lower. Image size: 12 x 18, 12 x 18. Very good impression with wid...

Seascape is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 5/99, on the left margin. On the back is...

Bridge - London, Southwark & Blackfriars Bridges (from the Surrey side of the River) is a lithograph artwork on paper realized by the artist W.H. Bartlett . Signed on the plate on t...

Isola Bella on Lake Maggiore is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Artist: Giovanni Battista Piranesi, Italian (1720 - 1788) Title: Veduta delle Antiche Sostruzioni Portfolio: Vedute di Roma Year: 1776 Medium: Etching ...

Novgorod is an original modern artwork realized in Germany in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: N...

Dionisio MORETTI View of the Grand Canal, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) ...

Artist: David Rosenthal (American 1876-1949) Title: Bay Harbor Year: c.1930 Medium: Etching Image (Plate mark) size: 6 x 8.25 inches Sheet size: 8.25 x 10.5 inches Signature: Hand signed in pencil by the artist Condition: Very good About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...

Saint Louis is an original lithograph artwork realized by an Anonymous engraver of the 19th century.. Printed as part of the sSeries "France Pittoresque" at the top center. Titled ...

Carrick-a-Rede, Coast of Antrim is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central ...

Seascape is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 4/99, on the left margin. On the back ...

This coastal Limited Edition print by Daniel Pollera features a white row boat with two ores resting on either side of the boat's edge. It is tied to a wooden post in the water with ...

Dionisio MORETTI Venice, Santa Chiara Island, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inc...

Eight Scenic Spots in Suburban Edo is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiros...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of two boats off the coast of Kuwana. Signed in Kanji upper right, "Hiroshige Ga" for Utagawa (Ando) Hiroshig...

Industrial port is an original lithograph on paper realized in 1979 by Giuseppe Megna . Hand-signed and dated on the lower right, numbered on the lower left in pencil. Edition of 74...

Vestigie dell'antico Ponte Trionfale is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins with some foxings. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

Une Barque a Maree Basse is a black and White etching realized by Adolphe Hervier in the Late 19th Century.  Titled in the lower Image Size: 24x32 Very good impression. Realized ...

Scenery of the Upper Mississippi Indian Village Currier & Ives lithograph is a tranquil scene of an Indian village camped in a meadow next to a be...

Ancient View of Gripscholm is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margi...

Gondoliers in Venice is an etching realized by Gianpaolo Berto in 1974. 60 X 75 cm , no frame. Edition 18/50. Numbered and firmed by the artist in the lower margin. Good condition...

Rotterdam is an original modern artwork realizedin the mid of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Rotterdam. Sheet dimension...

Bold woodblock print by Byron Randall (American, 1918-1999). Titled "Schooner + Doryman", numbered "1st ed.", and signed and dated "Byron Randall '62" along the bottom edge. Small am...

This traditional Limited Edition print by Daniel Pollera captures a coastal scene. A sailboat with its sail down sits in the shadow of dark trees, and looks out toward another white ...

This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. It captures a scene of a sailboat on blue, glistening water, sailing along the coast, w...

Landscape is an original lithograph on paper realized by Michel Rodde (1913-2009) in 1960 ca. Not signed. Dimension: 46.5 x 55.5 The artwork represents a mysterious landscape in a...

This traditional coastal Limited Edition print by Daniel Pollera pictures three white Adirondack chairs, positioned in the grass overlooking a body of water. Several sailboats can be seen close up and further out along the horizon line. A pale blue sky fades to a pale creme color as it descends toward the horizon. The composition is framed by a dark canopy of leaves along the top, and the dark shadow they cast on the grass at the bottom. This Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and ready to hang. Other floater frame options are available in gold, black, white, and walnut. For additional sizes and alternate frame options, please contact us. This print comes with a Certificate of Authenticity and ships for free. The artist granted permission to Sorelle Gallery to produce his Limited Edition prints which are printed with pigment ink on a Premium Fine Art Matte Canvas 410g/m2, designed to meet museum longevity requirements and ensure consistency. Please allow additional time for printing prior to shipping. Daniel Pollera was born in 1953 in the coastal town of Freeport, New York. His interest in art began at a very young age, gravitating toward drawing and painting the surrounding coastline of Long Island. After a short study at SUNY Farmingdale in Commercial Art, he left to enter the family business. For almost 15 years, Daniel took a sabbatical from painting, but this didn’t affect his love for the sea. He obtained a Captain’s License in 1977 from the United States Coast Guard and took passengers for hire on the open ocean. Through this experience and visual knowledge he was drawn to begin painting again. Although Daniel was primarily self-taught, he worked with Frances Norris Streit, a portrait and mural artist, assisting her on a 14’ x 30’ historical mural for the Roslyn Savings Bank. He also studied with Everett Molinari, a well-respected President of the National Mural Society. Museum collections include Long Island Museum, Parrish Art Museum, and Guild Hall Museum. Daniel split his time between his home in East Quogue...

Robert Charles Goff (1837-1922), original etching. Boats on a Dutch river with horse-drawn carriage running alongside. Signed in pencil to the lower right. Well-presented in a smart ...

La Pointe à Pitre prise du Morne is an original lithograph realized by an Anonymous artist of the 19th Century. Realized within the series of "France Pittor...

Etching by Georg Braun and Frans Hogenberg, realized in 1575 and belonging to the Suite "Civitates Orbis Terrarum". The first volume of the Civitates Orbis Terrarum was published in ...

Venice is an original Etching realized by Gian Paolo Berto in 1974. Hand signed, sated and numbered by the artist with pencil on the lower right corner. Edition of 50. Good conditi...

This Linocut print captures the energy and speed of terns fishing on the high tide with sailing boats riding the waves. Printed with oil based relief inks on 300gsm soft white Somers...

This traditional Limited Edition print by Daniel Pollera captures a coastal scene. A sailboat with its sail down sits in the shadow of dark trees, and looks out toward another white ...

This traditional seascape Limited Edition print by Daniel Pollera captures a coastal summer scene with swaying grass in what appears to be a bay. Sailboats with white sails are visib...

This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. It captures a scene of a sailboat on blue, glistening water, sailing along the coast, w...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

This traditional seascape Limited Edition print by Daniel Pollera captures a coastal summer scene with swaying grass in what appears to be a bay. Sailboats with white sails are visib...

This coastal seascape Limited Edition giclee print by Daniel Pollera captures two small sailboats, one white and one navy blue, anchored along a grassy shoreline in the foreground. T...

A signed and numbered lithograph by famous and highly-collectible British nautical artist John Stobart. It features the paddle-wheeler J.M White "Mistress of the Mississippi" leavin...

The Harbor is an original lithograph realized by Paul Petit in the mid-20th Century. Hand-signed. Numbered, 48/112 The artwork is depicted through confid...

This traditional coastal Limited Edition print by Daniel Pollera pictures three white Adirondack chairs, positioned in the grass overlooking a body of water. Several sailboats can be...

This coastal seascape Limited Edition giclee print by Daniel Pollera captures two small sailboats, one white and one navy blue, anchored along a grassy shoreline in the foreground. T...

This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and re...

This traditional seascape Limited Edition print by Daniel Pollera captures a coastal summer scene with swaying grass in what appears to be a bay. Sailboats with white sails are visib...

Harry Schaare, American (1922 - 2008) - Coast Guard Clipper, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP-50, Size: 32.5 x 42 in. (82.55 x 1...

La Rentrée des Bateaux des Pêcheurs is an artwork realized by Léon Gaucherel in the 19th Century . Etching. Signed on Plate.

Tile Kilns and Hashiba Ferry, Sumida River is a modern artwork realized in the mid-20th century after Utagawa Hiroshige. Mixed colored lithograph after a woodcut realized by Utagawa...

This coastal Limited Edition print by Daniel Pollera depicts a brightly-lit row boat, with two ores resting on either edge of the boat, sitting on a small island of sand in the water...

This coastal Limited Edition print by Daniel Pollera features a white row boat with two ores resting on either side of the boat's edge. It is tied to a wooden post in the water with ...

Pescara on the river is an artwork realized in 1979, by the Italian Artist Michele Cascella.    Colored lithograph on paper of the Portfolio "Landscape", 1979, with six original lithograph and the poems of Franco Simongini titled "Twenty Landscapes 1953-1960" Hand-signed on the lower right in pencil and numbered edition of 59/125 ex. Lower right blind stamp of the Printer Graphis Art, Livorno.  The state of preservation of the artwork is very good.    Michele Cascella (Ortona, 7 September 1892 - Milan, 31 August 1989) was an Italian twilight painter and landscape painter. Over the course of his long artistic life which spanned almost eight decades of intense activity, Cascella has been able to maintain a unique, unmistakable style which is practically immune to the contamination of the pictorial currents and avant-gardes of the twentieth century. His works, including canvases, panels, pastels and drawings, are exhibited in numerous Italian and international museums, including the Victoria and Albert Museum[1] in London, the Galerie nationale du Jeu de Paume in Paris, the National Museum of History and Art in Luxembourg, the Musée d'Art Moderne in Brussels and the De Saisset Art Gallery of the University of Santa Clara in...

"Goricum", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printe...

Port Glasgow is a lithograph on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of preservation is good, only a yellowed paper along the edge. William Henry Bartlett...

This Limited Edition print, "Into the Light," by Daniel Pollera is a contemporary realist seascape that depicts a Bay House in Long Island. The Bay House ca...