Boat Landscape Prints

Original travel poster: San Diego (Home Federal), artist: Robert Kinyon, 24.25" x 38", 1974; original Southern California poster. Excellent condi...

Vintage Northern California Coast Etching of Mendocino. Beautiful Northern California coastal town Mendocino is the scene of town near headlands with split wood rail fence in foregr...

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

Artist: Utagawa Hiroshige (Hiroshige Ando 1797-1858) Title: No.96 "Meisho Edo Hyakkei" Series: One Hundred Famous Views of Edo (名所江戸百景) Size: O-ban 大判 Age: 1856

Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...

Engraving with extensive handcoloring, on laid paper with a Fleur de Lys watermark, with margins. Plate 11 13/16 x 15 3/4 (300 x 400 mm); Sheet: 12 1/2 x 16 3/8 inches (317 x 415 mm)...

Two images of Queen Catharina of Braganza; one before her marriage to King Charles II, the other after, as Queen of Great Britian. Engraved by Matthiäus Merian, father of Maria Sybli...

Edmond Ceria, Brittany (Bretagne), 1953 — Original SNCF Travel Poster, Linen-Backed. An original 1953 French National Railroads (SNCF) travel poster for Brittany by Edmond Ceria (...

Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...

Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...

Original poster, Marine Nationale. Engagements, devancements d'appel. Service des engagements de la Marine: 3, avenue Octave Greard, Paris VII “Bureau d'engagement, LYON, Caserne de la Part-Dieu". Archival linen backed in Grade A condition, ready to frame. Images shown are...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...

This coastal seascape by contemporary realist Daniel Pollera captures a line of coastal homes at sunset. Along the horizon, four houses are visible with docks, while an orange sky wi...

Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Lettre à mon pei...

'Mexican Fishermen in Lake Patzcuaro', lithograph by Yves Brayer (1963). Unframed. The artist, Yves Brayer, spent time painting in Mexico in 1963, one of the many worldwide destinati...

'The Port of Algiers", original lithograph, by Albert Marquet (circa 1940s). Marquet spent five years in Algiers, between 1940-45. Due to his travelling, harbour scenes were an impor...

large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 58 x 58 inches ( 147 x 147cm ) signed edition of 7 48 x 48 inches ( 12...

This large, horizontal diptych of two woodcut prints on paper evokes the peacefulness of ocean waves depicted in shades of blue, bright royal blue offset by soft, pale blue tones. Th...

Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...

Rene LIGERON Atlantic : Regatta of Sailboats Original etching and stencil Printed signature in the plate (pale) On vellum 11 x 29 cm (c. 4.5 x 12 in) Excellent condition

Jos Sances' screenprint "Rachel" serves as a poignant tribute to the themes explored in Herman Melville's Moby Dick. The artwork depicts the whaling ship Rachel, a vessel steeped in ...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Côtes Normandes 1961. Published by Pierre de Tartas, ...

ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...

JOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...

Original “The Union Pacific West fun map, archivally linen backed in very good condition. Ready to frame. This was initially folded, and the fold marks were ...

The Society of Iconophiles (New York, 1894–1936), 1898. Each a lithograph printed on grayish-green, or white wove paper each sheet 10 3/4 x 7 1/2 inches (274 x 190 mm), each with ful...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was from New York to Los Angeles, followed by multiple National routes. The airline expanded to serve Europe, the Middle East, and Asia after WWII when the company was under Howard Hughes's owner's control from 1939 until 1961. Hughes was a dominant force in expanding and promoting his company's routes. The economy was vastly improving, and travel by air for business and pleasure increased, too. Posters were a crucial element in promoting this form of travel and TWA. The airline started a decline in the 1970s, ending in a third bankruptcy that caused its acquisition by American Airlines in 2001. The airline operated in 132 destinations worldwide and had a fleet size of 190. The Boston FLY TWA shows a three-masted schooner in the background, a large colonial drum in the center with an American Eagle...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Hommage a Picasso (Cannes) (Cote d'Azur)" *Signed by Dali in pencil lower right Year: 1973 Medium: Original Drypoint Etching on Rives BFK paper Limited edition: L/CC (50/200) Printer: Atelier Rigal, Paris, France Publisher: Felicia, New York, NY and EGI, Beverly Hills, CA Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 73-5, page 84; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 719, page 252 Sheet size: 26" x 19.63" Image size: 19.88" x 14.5" Condition: In excellent condition Rare Notes: Provenance: private collection - Clearwater, FL. Numbered by Dali in pencil lower left. BFK Rives watermark lower right. Some dealer reference numbers pencil inscribed on verso. Dali executed this etching in Cannes, France when he learned of Picasso's death. We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental...

'Rade et Ville De Jame's Town' Jamestown, St Helena Tinted lithograph by Eduardo Laplante (1818 - 1860) after Jean-Baptiste Henri Durand-Brager (1814-1879). 1844. 295mm by 450mm ...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a ferry sailing across Lake Hamana. Signed in Kanji lower right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japane...

The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...

large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 48 x 48 inches ( 122 x 122cm ) signed edition of 7 58 x 58 inches ( 14...

Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Set of Four Antique Marine engravings plates hand colored. Each measure 18x21x1 framed. Benard Direxit is a French 19Th Century artist, engraver. Benar...

An early 18th century hand colored engraving of a scene of the city of Venice, Italy entitled "Palazzo Lin, a. S. Samuele sopra il Canal Grande". It depicts Venetian architecture, wa...

'London Bridge' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...

Duane Bryers, American (1911 - 2012) - Green River, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 22.5 inches, Size: 21.5 in....

A ca. 1940 etching of a view of the Manhattan skyline by artist Nat Lowell. Signed and titled in pencil, ca. 1940. Artworks size: 4 1/4" x 5 1/4". Arc...

Moise KISLING Sailing Boats in French Harbour Original Lithograph Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 inches) Excel...

Takanawa no kihan is a modern artwork realized between 1843 and 1847 after Utagawa Hiroshige. Ukiyo-e color woodblock print from the Touto hakkei (The Eight Famous Views of the Capital of the East) series. Mounted under passepartout. The artwork depicts the port of Takanawa, a suburb of Minato in southern Tokyo, and is one of the very rare sheets by Utagawa Ando Hiroshige...

Ella Fort St. Raphael (Provence, seascapes, countryside art, Impressionist) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. Size: 22.8 × 14.8 on 27.5 × 19.6 inches Framed: 35.75x24 inches COA provided *edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...

Christo and Jeanne-Claude The Pont Neuf Wrapped, 1975-85 Photo: Jeanne-Claude, 1976 Year: 1991 Size: 24.1 x 36.6 inches Unsigned COA provided --------------...

Marine Nationale. Artist: Evan. Size: 24.5" x 39". This is an original vintage military poster backed with archival linen. It is in very good to excellent condition and ready to fram...

Freeport Fishing Boats Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 19 x 28 inches Size: 23 in. x 35 in. (58.42 ...

Max Epstein, Canadian (1932 - 2002) - Anchored Flotilla Days Gone By, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP 295, Image Size: 18.5 x 27.5 inc...

Signed and numbered. View of reflections of boats in a marina. Signed, titled and numbered from the edition of 120. Born in Berkeley, California, on December 21, 1949, he was raised...

Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768). Original Etching on Laid paper...

Fisherman by Millard Owen Sheets, American (1907–1989) Date: circa 1977 Lithograph, signed in pencil Edition of AP Image Size: 22 x 29.5 inches Siz...

Afternoon Reverie is a serigraph on paper, image size 27 x 36 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 550, numbered CXCIII/CC (there we...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Côtes Normandes 1961. Published by Pierre de Tartas, ...

Figurative landscape capturing dock workers' afternoon break by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Drowsy Bu...

This seascape captures a ship ensnared in the relentless grip of a violent squall, paying homage to the tradition of nautical and maritime art of the 18th and 19th centuries. Waves crash with the force of timeless tempests, echoing the dramatic seascapes painted by maritime artists of old. The ship, a lone voyager battling the elements, becomes a poignant symbol in the grand legacy of seafaring tales depicted by the artistic masters who once translated the raw power of the sea onto canvas. Fidel Santos...

Japanese Houses on the Shore is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japan...

Anne Dykmans, Belgian (1952 - ) - Wandelaars II, Year: 2002, Medium: Mezzotint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 2.5 x 3.5 inches, Frame Siz...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

This artwork "l'Entree du Port, Netherland" c. 1930 is an original color aquatint on wove paper by French/Armenian artist Heran Chaban, 1887-1939. It is h...

Lithograph hand watercolored, realized by Giuseppe Ruo in 1880s. Good condition.

Venice is an Etching realized by Gian Paolo Berto in 1974. Hand signed, dated, and numbered by the artist with pencil on the lower right corner. Edition of 50. Good condition. Gia...