Boat Landscape Prints

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

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The Sea is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th century. ...

View of Ripa Grande is a vintage offset print realized in the early 20th Century by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corle...

GENE KLOSS (1903 - 1996) FOG OVER THE GOLDEN GATE, 1954 (Kloss 455) Drypoint and aquatint signed and titled in pencil, annotated Artist Proof. Edition 35. Image, 10 ¾ x 13 ¾ inches....

Edgar James Maybery The Harbour Lynmouth Antique Print 1920s Matt size 28cm x 33cm Image Size 14cm x 21 cm

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 021 Subject: Boats on the Shore, Framed Size: 21'' x 28.5" x 1.5''inch, 53x73x5cm, Ready to Hang, Wooden Frame. Glass, Pla...

Eight Scenic Spots in Suburban Edo is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiros...

This artwork titled "Golden Gate Bridge, San Francisco" 1988 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and inscribed A.P. (Artist Proof) in pencil by the artist. The image size is 26 x 19.5 inches, framed is 37.25 x 31.25 inches. Published and printed by Art Estampes, Paris. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition, the frame has a minor restoration at the lower right side corner, practically invisible. About the artist: Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America. His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail, In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interiorscapes" or "interior visions...

Claude MANOUKIAN Brittany Seascape at the Sunset Original lithograph Printed signature in the plate On Arches vellum 43 x 56 cm (c. 17 x 22 inch) ...

Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), annotated lower left, 'Queensborough Bridge' and with title and dat...

Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins. Signed and titled in pencil, lower margin. A fine and detailed impression in dark bl...

An elegant and delicate seascape of Brightlingsea Hard, Essex circa 1925 18/75. Drypoint etching on cream laid paper, 5 1/2 x 7 7/8 inches (138 x 198 mm), full margins. Signed and ...

Lithograph in colors on paper.. Hand signed Bennett / Benedetto (Tony Bennett's family name) and numbered. Image size 23.75 x 33.5 inches. Sheet size approx. 29 x 38 inches. Frame ...

Claude MONET (after) Windmills in Holland, 1873 Original Etching Engraved by Gaucherel under the supervision of Monet Printed signature in the plate (with misspelled signature Monnet) On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

An impressively detailed drypoint etching by listed British artist and printmaker Rowland Langmaid RA (1897-1956). The sensitive line work and fine ar...

This is an exclusive handprinted limited edition cyanotype. "Misty Sailboat Journey" is a handmade cyanotype print portraying a daytime sailboat journey...

View of Castel Sant'Angelo and the Vatican is a vintage offset print on paper realized in the early 20th Century after Luigi Rossini (1790–1857). Signed on the plate on the lower le...

Basilica di S.Paolo and Minici Cosinensi Monastery is vintage offset print century realized after Giuseppe Vasi in the early 20th century. Signed and titled on plate lower margin. ...

A beautiful View of Augusta by Italian artist Aldo Riso (1927-2008) Silkscreen on paper with a dry stamp: 34 x 24 cm; with frame and passepartout Signature "Riso Aldo...

Japanese Boats is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by Utagawa Hiroshige in 1857 and ...

This is a color reduction woodcut printed on Natsume paper, a handmade Japanese kozo paper, with a deckle on all four sides. The artist made this pri...

Trionfale Bridge is a vintage offset print realized in the Early 20th Century after Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corle...

Tsukda Island seen from beneath the Eitai Bridge is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by Utagawa Hiroshige in 1857...

Malcolm Morley creates paintings that demonstrate deft technique, careful color choices, and gestural brushstrokes. Best known for his photorealism (although he prefers the term "su...

Edouard MANET (after) The Harbour, Sailboats, 1873 Original Etching Engraved by Gaucherel under the supervision of MANET Printed signature in the plate On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

W.R. Locke: 1882-1949. Listed American etcher who studied with Alfred Hutty. He is best known for these charming Florida scenes. Image measures 5 1/2 inch...

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...

Camille HILAIRE Ther Sluice Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.

This large, horizontal diptych of two woodcut prints on paper evokes the peacefulness of ocean waves depicted in shades of blue, bright royal blue offset by soft, pale blue tones. Th...

Malcolm Morley creates paintings that demonstrate deft technique, careful color choices, and gestural brushstrokes. Best known for his photorealism (although he prefers the term "su...

Coming Into St Tropez by John Scott Martin [2021] Original Linocut print Image size: H:37 cm x W:37 cm Complete Size of Unframed Work: H:49.5 cm x W:49 cm x D:0.1cm Sold Unframed Ple...

Work on paper

Federica Galli, an exquisite and prominent Italian etcher, dedicated two to the etchings of 39 Venice Viewscaps. She was able to interpret the splendid Italian city from an authentic unique standpoint. Some of the 39 Views have been conceived as pairs, such as those featured above. The pair of prints comprising Lo Squero, which is the most historic Gondole manufacturer boats in Venice, and it is still operating; and Lake of Pageri. The two prints are perfect in terms of both size and atmosphere. Lo Squero, etching, cm 29,3x79,1 (plate size + margins) Lago dei Pageri, etching, cm 29,4x79,3 (plate size + margins) A numbered and signed limited edition at 90. Unframed. Illustrations featuring both views; exhibitions on Mrs Galli's artworks in Federica Galli Foundation and in other locations; and her portrait taken by photographer Gianni Berengo Gardin...

Two artists: Shepard Fairey and C.R. Stecyk III The Pacific Ocean Park pier straddled a dividing line between the cities of Santa Monica and Los Angeles. It was in equal portions: a...

Rio dei Furlani (ref. cat. 534). The etching was exhibited last year in the significant retrospective that the city of Milan promoted and set up to mark the tenth anniversary of her ...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Tile Kilns and Hashiba Ferry, Sumida River is a modern artwork realized in the mid-20th century after Utagawa Hiroshige. Mixed colored lithograph after a woodcut realized by Utagawa...

Venezia, part of the portfolio of the 39 venice views. Calle delle Terese, 1984, rif. 546 Platemark mm 48.9x34.6. Original etching, signed and numbered. Limited edition of 90. The e...

Venezia, Campo de l' Abazia, 1984 plate mm 491 x 243 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospective...

Malcolm Morley creates paintings that demonstrate deft technique, careful color choices, and gestural brushstrokes. Best known for his photorealism (although he prefers the term "su...

Trabucchi (which is a triptych, consisting of three platemarks and three sheets) is an exceptional work in terms of its size, especially considering that it was printed in 1987 when ...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Red Boats on Orange Year: circa 1970 Medium: Lithograph on Japon Paper with Remarque Drawing, signed in pencil Edition: EA Size: 29 ...

Venice is an original Etching realized by Gian Paolo Berto in 1974. Hand signed, sated and numbered by the artist with pencil on the lower right corner. Edition of 50. Good conditi...

Ancient View of Tenerife is an original lithograph on paper realized by Eigenthum d. Verleger in The 19th Century. Signed on the plate on the lower right corner. Original lithograph on paper. Titled on the lower center. Good condition. An impressive landscape...

JOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...

Seascape + Sails is an original artwork realized by Osvaldo Peruzzi in 1988 . Mixed colored lithograph. Hand-signed by the artist on the lower righ...

Sailing boat at Morston Creek by Joanna Padfield [2022] limited_edition Linocut Edition number 50 Image size: H:30.8 cm x W:30.8 cm Complete Size of Unframed Work: H:38 cm x W:38 cm...

Fisherman by Millard Owen Sheets, American (1907–1989) Date: circa 1977 Lithograph, signed in pencil Edition of AP Image Size: 22 x 29.5 inches Siz...

untitled (Fishing Boats, Normandy) Soft Ground Etching, 1930 Signed and dated in pencil by the artist Sealed by the artist Annotated "Paris" Possibly a view of a fishing port in Norm...

This limited edition print by Daniel Pollera depicts a figure wearing a hat, sitting in a sailboat, sailing out into the open bay. The sailboat creates misty ripples in the water as ...

Artist: Raymond Loewy, American (1893 - 1986) Title: Hydrofoil Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300 Image Size: 17 x 24 inches Size: 21 in. x 28 ...

large format photograph of Cote d'Azur beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Plage des Catalans...

Robert Morden (British, circa 1650 – 1703) A map of Cumberland with hand colouring An engraving 14.1/4 x 16.5/8 in. (36.5 x 42.5 cm.)

From the Atlantique Suite. Serigraph on paper. Hand signed and numbered by the artist. Image size 17 x 23 inches. Edition of CXV. Artwork is in excellent condition. Certificate of...

Memories of Padstow and Sailing at Dusk diptych Overall size cm : H90 x W140 Memories of Padstow by Lisa Takahashi [2018] limited_edition Linocut Edition number 13/70 Image size: H...

This limited edition print by Daniel Pollera depicts a figure wearing a hat, sitting in a sailboat, sailing out into the open bay. The sailboat creates misty ripples in the water as ...