Modern Art Landscape Prints

In the heart of the Pacific Northwest, where the Columbia River winds its course through the stunning landscape, an extraordinary collaboration took place. The prolific artist Tyler ...

Jerusalem artist Ben Simon created pigment prints from iPad drawings. Cloud forms, trees, mountains and the sea are as colorful summer landscapes are expres...

Jerusalem artist Ben Simon created pigment prints from iPad drawings. Cloud forms, trees, mountains and the sea are as colorful summer landscapes are expres...

Jerusalem artist Ben Simon created pigment prints from iPad drawings. Cloud forms, trees, mountains and the sea are as colorful summer landscapes are expres...

Artist: Peter Max (1937) Title: Protect Our Future Ver. II Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 13.81 x 17.12 inches Condition: Excelle...

Salvador Dalí Atomo 1973 (from Colibri): Lithograph in colors on Arches paper. 33 x 22.25 inches (83.8 x 56.5 cm). Good overall vintage condition; minor signs of handling; minor s...

This colorful woodcut by André Lhote features boats in a busy French harbor. Lhote uses thick and simplistic lines to crowd the composition and give it a more lively air. This print ...

This screen print was commissioned by Lincoln Center in 1981 to celebrate the Chamber Music Society in a signed and numbered edition of 144. Born in 1941, Long Beach, CA, Jennifer B...

Artist: Roy Lichtenstein, American (1923 - 1997) Title: This Must Be the Place (C. III.20) Year: 1965 Medium: Offset Lithograph, signed in the plate and in pencil lower right Edition...

Bradford, Katherine (American, born 1942) STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013. Edition of 10, plus 7 Artist's Proofs and Collaborators copies. Of the editio...

This rare lithograph is impression #36 out of a total of 50 Kreindler’s first solo exhibition was held at the Brooklyn Museum in 1935. Her travels became the basis for her later exhi...

NEW IMMIGRANTS 1984 is a hand drawn lithograph by the American artist/sculptor Chaim Gross printed in 11 colors on archival Arches printmaking paper. NEW IMMIGRANTS 1984 depicts a figurative image of new immigrants arriving by boat against a background of blue sky and yellow sun rising. A city skyline is visible on the left while humanitarian aid workers attend to the needs of the people - a nurse holding a young boy, food being distributed, a mother cradling a baby in her arms. Chaim Gross' NEW IMMIGRANTS was specially commissioned by The World Federation of UN Associations (WFUNA) in 1984 as a limited edition lithograph for the UN International Conference On Population. Print is pencil signed by the artist on lower right corner. Print size - 11.0" x 8.5" unframed, vivid colors, excellent condition, Printers Proof aside from the edition of 1000. Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze...

Invader’s Rubik Camouflage print is emblematic of the artist’s career as an urban disruptor. For decades he has raided cities around the world with his p...

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

This original lithograph and screenprint in colours is hand signed in pencil by the artist "Hockney" in the lower right image. It is also dated ‘93’ [1993] next to the signature. It ...

Mexican Travelers by Millard Owen Sheets, American (1907–1989) Date: Circa 1977 Lithograph on Arches paper, signed and numbered in pencil Edition o...

Lithograph after Salvador Dali Title: S.N.C.F Blind stamped signature Dimensions: 46.5 x 34 cm Edition: 1700 Numbered in pencil 1969 References : Catalogue raisonne Michler & Lopsi...

"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...

Artist: Peter Max (1937) Title: Love I Year: 2001 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 6 x 5 inches Condition: Excellent Inscription: Signed ...

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although the stated editi...

This artwork titled "Stormy Sail" 1993 is an original color serigraph by German/American artist Peter Max, b.1937. It is hand signed and numbered A.P. 22 in white pencil by the artis...

This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the p...

Artist: Peter Max (1937) Title: Dream I: The Blossoming Year: 1998 Edition: 285/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 10 x 9.25 inches Condition: Excelle...

AFTERNOON This hand crafted Giclee print on canvas, 'Afternoon', by Vasily Golubev, provides the opportunity to own and enjoy a Golubev masterpiece at a very affordable price. Be...

Richard Florsheim created this color lithograph entitled “Light and Water” in 1972 in an edition of 50 pieces. Printed by Mourlot Press, Paris, this impression is signed and inscribed “5/50” – the fifth print of fifty. It is in good condition with full original color. The printed image size is 16 7/8 x 23 1/16 inches and paper size 19.75 x 25.50 inches. RICHARD ABERLE FLORSHEIM...

ARTIST: Salvador Dali TITLE: Tauramachi Surrealiste Bullfight with Drawer MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet, Paris EDITION NUMBER: 101/150 MEASUR...

Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...

GARDEN ROMANCE by the artist James Denmark is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) printed on archival Somerset paper using traditional hand lithography techniques. GARDEN ROMANCE is one of Denmark's expressive, colorful collage compositions of everyday African American life - a lovely flower garden scene featuring a romantic black couple, the woman seated amid the blossoming plants wearing a green and yellow paisley print dress and head wrap; her standing male companion with flower in hand, dressed in blue denim jeans, and pastel color patchwork print shirt. Vivid coloration, watercolor patterns, and collage effect textures captivate the eye with visual variety in a striking palette of blues, greens, white, red, orange, magenta, touches of yellow, lavender and dark black - a fine example of the intricacies of hand lithography! Print size - 32 x 21.25 in., unframed, mint condition, pencil signed and numbered by James Denmark Edition size - 250, plus proofs Year published - 1996 Printer - JK Fine Art Editions Co. NJ James Denmark, born in Winter Haven, Florida in 1936 is one of the few masters of collage. He utilizes an exacting process to cut and assemble brightly hand colored papers, fabric and objects into familiar figures and images. Denmark’s grandmother, a wire sculptor...

Screen print realized by Nicolas Simbari in 1976. Hand Signed. Edition of 99 pieces. Excellent condition.

Woman in Yellow is a screen print realized by Nicola Simbari in 1976. Hand signed and dated in pencil lower right (Simbari 76). Edition of 90 prints. The artwork represents a female...

Christo The Gates, 2004 Offset lithograph poster (hand signed by Christo) Hand signed by Christo on the front 27 1/2 × 39 1/4 inches Unframed Gorgeous offset lithograph poster, hand ...

ARTIST: Salvador Dali TITLE: Les Betes Sauvages dans le Desert MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Levine & Levine EDITION NUMBER: 357/450. errata from The Officia...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin.Artist's proof (as reported on the lower left margin) Dry stamp on the lower margin. Maurizio Coccia, also known as "Rolandi" painter, engraver, sculptor, artistic decorator. Born in Rome in 1940, he studied painting and turned to the masters of the Via Margutta and was inspired by the works of Cagli and Guttuso. After making his debut in the 70s with two exhibitions in Trieste and Rieti, he also exhibits in the United States and in the major Italian galleries...

Tom Wesselmann "Jeanie’s Backyard, East Hampton". 1990 Screenprint 59 x 73 inches Edition: 48/100 In Excellent Condition

Andre Minaux La Barque Echouee 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: ...

Kathan Brown Evening Moon, 1962 Color etching on wove paper Hand signed, titled, dated and numbered 30/100 by Kathan Brown on the front 18 3/4 × 27 3/4 inches De-accessioned from the...

Spring Fever XVI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Spring Fever VI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Spring Fever IX (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Original Zurich, Switzerland vintage travel poster. Conservation linen backed and ready to frame. Excellent condition. Created by the esteemed...

This original inkjet iPad drawing is hand signed in pencil by the artist "David Hockney" at the lower right margin. It is dated ‘10’ [2010] next to the signature. It is also hand nu...

Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authenticity (COA) - hand signed by BOTH the artist and gallery director 23.5" (vertical) x 29.25" (horizontal) Hand signed, titled, annotated & dated on the lower right front - a rare Artists Proof, aside from the limited edition of 75 Unframed This magnificent silkscreen, Meeting Plaza is signed, dated and numbered in graphite pencil on the front from the limited edition of 75. Other examples of this work were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and it was also featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. "Meeting Plaza" is a place where people from all over the world are always welcome to meet in peace and enjoyment; an exquisite 25-color limited edition silkscreen done in collaboration with master printer Gary Lichtenstein. The work is evocative of New York's Rockefeller Center and the United Nations, but the flags are abstracted, to emphasize international unity, rather than single out any individual country. The artist explained: "I wanted to convey a city that welcomed all nationalities and all people… The flags for me are a counterpoint to the city’s geometric architecture, and their suggested movement and irregular shapes echo the organic morphology of the people below. I painted an evening sky. It is dusk. Nobody is rushing. People are conversing with each other, walking slowly or gathering in small groups enjoying a calm evening in the New York City…I, too, am one of the people converging at the 'Meeting Plaza' ...” Other examples of "Meeting Plaza" were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and the print was featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. Thelma Appel biography A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. Most recently, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams, and she exhibited at the Mattatuck Museum in Connecticut which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design and Art New York art fairs and has been exhibited at Alpha 137...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...

Woodland Scene is a limited edition print by Tim Southall. Early morning sunshine shimmers in a tranquil woodland scene as two deer stroll undisturbed through the undergrowth. Often ...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...

It is certainly the most appropriate translation of Pascale Hémery’s work, which takes a look at the places visited on a daily basis and during her travels abroad. This look is the...

’Bush scene with blue and yellow’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 630mm x 865mm Date - c1975 Condition - Excellent. 10 out of 10. Colour of print...

Visitors to the Colossus Susan Hall, American (1943) Date: 1978 Aquatint Etching, Signed and Numbered in Pencil Edition of 78 Size: 28.5 in. x 38 in. (72.39 cm x 96.52 cm)

This monoprint print was inspired by the beautiful Yorkshire Dales, and in particular lovely Swaledale. The gentle rolling dales and valleys with their dry stone walls, grazing sheep...

Etching and Aquatint. Edition 70/120. 65x45 cm. Excellent condition.

Artist: Alexander Calder Title: Plate 5 (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Year: 1966 Edition: Unnumbered Framed Size: 22" x 29 1/4" Imag...

Peter Max is a psychedelic pop artist who used bright colors and child-like shapes to create whimsical and otherworldly images. This lithograph, signed and numbered in pencil, depicts a windy seaside with a large sunset...

This monoprint was inspired by a small strip of the North Cornwall Coast, specifically on the coast path between Harlyn and Trevone. This has been a place of retreat for Sarah for ma...

Black Beauty Susan Hall, American (1943) Date: 1980 Lithograph, signed and numbered in pencil Edition of 175 Image Size: 24.5 x 18 inches Size: 30 in. x 2...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...