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Larry Zox1971 Larry Zox 'Untitled - Mostly Mozart Festival' Hand Signed1971
1971
About the Item
"Mostly Mozart Festival" by Larry Zox is a vibrant serigraph from 1971, part of a signed and numbered limited edition. The artwork is characterized by its dominant green, red, purple, and orange colors, which intersect and overlap in dynamic patterns. Zox’s use of bold, contrasting colors and geometric forms creates a sense of movement and energy, capturing the lively spirit of the festival.
Larry Zox, a significant figure in the Color Field movement and Lyrical Abstraction, has had a profound influence on abstract art. His innovative approach involves the use of hard-edged shapes and a vivid color palette to explore the relationships between color, form, and space. Zox's work challenges traditional notions of composition, emphasizing a flat yet dynamic pictorial space where colors and shapes interact harmoniously.
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- Creator:Larry Zox (1936-2006, American)
- Creation Year:1971
- Dimensions:Height: 80.5 in (204.47 cm)Width: 39.75 in (100.97 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:80.5 x 39.75, HC18Price: $4,000
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:All items are meticulously stored, with a primary focus on maintaining their condition. Unless otherwise noted, all items are in mint condition. Additional photographs are available upon request. Please contact our team if you have any questions.
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: LC1178-B1stDibs: LU1294115212222
Larry Zox
Larry Zox was one of the principal representatives of the generation of young painters following the era of the Abstract Expressionists. He is best known for his exuberant geometric abstractions. Many classified him as an Abstract artist, but he considered himself to be a Colorist, which made a strong contribution to the Color Field movement of the 1960s. Zox utilized geometric forms in a mechanistic format and fewer contrasting colors in a design that is based upon improvisation. His works conform to the modern idea that art must be done with fluidity, acceleration and rapidity of execution.
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