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Louise Nevelson
The Drum

1966

$2,250
£1,708.93
€1,974.38
CA$3,153.46
A$3,529.31
CHF 1,842.03
MX$43,039.40
NOK 23,575.46
SEK 22,317.20
DKK 14,734.53
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About the Item

Throughout Louise Nevelson's lifetime the artist continually experimented with printmaking and collage. The latter was a particularly important part of her practice. The process mirrored her approach in sculpture; taking disparate elements and assembling or uniting them into a complex whole. As a printmaker Nevelson worked with the leading printing studios in America adopting new techniques while expanding her aesthetic and oeuvre considerably. For this print Nevelson collaborated with Chiron Press in New York, which opened in 1962. Their workshop and was just a stone's through from her 11th Street home studio. At Chiron Nevelson created twelve prints that comprised "Façade: In Homage to Edith Sitwell" These prints were dedicated to the British poet Edith Sitwell who passed away in 1964. Sitwell had published a book of abstract poems titled Façade. The poems' rhythms were counterparts to music set by the famed English composer, William Walton. Façades became a form of entertainment as Sitwell's poems would be read aloud to Walton's music, ultimately being made into a ballet. Taking inspiration from Sitwell's poems, Nevelson created photo collages of her own sculptures. These maquettes were then silkscreened onto paper, creating a mixture of abstraction and still life, mirroring the merging of poetry and music of Sitwell's Façade's. "The Drum" is the only work from the series that appears on this deep crimson background. This bold primary color is an anomaly in Nevelson's world. This piece presents a rare opportunity to acquire an iconic collage by Nevelson at an affordable and accessible price. Questions about this piece? Contact us. "The Drum" (from "Façade: In Homage to Edith Sitwell") USA, 1966 Collage and screenprint on red wove paper Signed, dated, and numbered "10/150" by the artist in pencil, lower edge From an edition of 150 23"H 17.5"W (work) 28.5"H 23"W (framed) Framed with museum glass Printed by Chiron Press, New York. Published by Harry N. Abrams, New York, in collaboration with Pace Editions, Inc., New York. Very good condition.
  • Creator:
    Louise Nevelson (1899 - 1988, American)
  • Creation Year:
    1966
  • Dimensions:
    Height: 28.5 in (72.39 cm)Width: 23 in (58.42 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    very good condition.
  • Gallery Location:
    Toronto, CA
  • Reference Number:
    Seller: 06-251stDibs: LU215216633332

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Untitled
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Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century. Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques. Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement. This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition. The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm. Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation. Today Nevelson's work can be found in every major public collection across North America and beyond. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Untitled" USA, 1983 Mixed media collage Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood Signed and dated by artist, bottom right Nevelson Estate no. LN 40830 19.5"H 15.75"W (work) 31"H 21"W (framed) Very good condition Literature: Stein, Judith. Louise Nevelson Collages...
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Untitled
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The Night Sound
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By The Lake
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Collage was an important part of Louise Nevelson's practice. The process mirrored her approach to sculpture; taking disparate elements and assembling or uniting them into a complex whole. Similar to many of her American contemporaries, Nevelson delved into printmaking. She worked with the leading printing studios in America adopting new techniques while expanding her aesthetic and oeuvre considerably. This collage was the final maquette or design, that would be screen printed becoming "By the Lake" (from "Façade: In Homage to Edith Sitwell"). Nevelson worked with Chiron Press in New York, which had opened in 1962 and was just a stone's throw from her 11th Street home studio. The works in this series were dedicated to the British poet Edith Sitwell who passed away in 1964. Sitwell had published a book of abstract poems titled Façade, the poems' rhythms were counterparts to music set by the famed English composer, William Walton...
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