Etching Prints and Multiples

Color mezzotint on fibrous, buff wove paper, 19 x19 inches (482 x 484 mm), full margins. Titled in pencil, lower left, and with the artist's stamp in black ink in the lower right mar...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Image size: 3 3/8 ...

Rowland Langmaid (1897-1956) Tower of London from the Thames, Academy Proof Print. Signed in pencil with blind stamp. Image size: 27 x 20.5cm.

For Alberti, For Spain!  it's an original artwork realized by Joan Mirò in 1975. Etching,  90 x 66 cm.  Hand signed. Edition 50/90. Reference: Dupin 926 Printed on Fabriano paper...

Untitled, Sarayevo Winter Olympic Games 1984, is an etching with aquatint and lithograph in colors realized by Cy Twombly on the occasion of the Winter Olympics Games 1984 in Sarajev...

Paysage is an artwork realized by Léo Drouyn in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred C...

Edition of 50 71 x 76 cm (28 x 30 ins) RSE023

Georges Braque, French (1882 - 1963) - La Theogonie d'Hesiode Frontispiece, Year: 1953, Medium: Etching, Image Size: 14.5 x 11.5 inches, Size: 17.5 x 13.5 in. (44.45 x 34.29 cm), Pr...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...

Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Dominguin I', 2005 etching, aquatint, sugarlift on paper 21.3 x 27.4 in. (54 x 69.5 cm.) Edition of 20 Unframed ID: VAL-129 Hand-signed by...

Tomas Gondi (Mexico, 1948) 'Sospecha', 2006 aquatint on paper Guarro Super Alpha 250g. 6.5 x 7.5 in. (16.5 x 19 cm.) Hand-signed by author Unframed ID: GON-102

Woody Gruber (1946-2022) Listening to Bessie, 1975. Etching on paper, plate measures 7 inches h. x 7.75 w. Overall framed measurement in 14 x 15 inches. Numbered, titled, signed ...

atmospheric diptych by celebrated Latvian printmaker Guntars Sietiņš, executed in mezzotint and aquatint. This richly dark composition juxtaposes a dense field of smoke or vapor wit...

Spanish Steps is an artwork realized by Giuseppe Malandrino in the 1970s. Black and white Etching on paper. Hand-signed and numbered in the lower margin. Edition of 199. Excellen...

Scena di Battaglia (Battle Scene) is a wonderful hand-watered etching, made in 1760 by Luigi Guidotti ( Bologna, 1751 -1800 c.a), after Francesco Antonio Simonini. On lower margin u...

Medium: original etching. This impression on laid paper was printed in 1903 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 1/2 x 4 5/8 inches (167 x 11...

Artist Name: Barbara Kwasniewska Title: Belles de nuit - ladies of the Night Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signe...

Etching on paper realized by Giovanni Gromo in 1980s. Hand signed in pencil lower right. Not numbered.

Artist: Hans Figura (Austrian, 1898-1978) Title: Les Quais with Notre Dame de Paris Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Plate mark ...

"La Fuite en Egypte (The Flight into Egypt)" is an original etching by Claude Lorrain (Claude Gelee). This piece depicts the biblical story of Mary, Joseph, and the infant Jesus goin...

Complete Title: Dans l'Atelier (Peintre au travail avec une grande toile et un modèle debout). Etching, aquatint  and drypoint on Auvergne wove paper. Hand Signed.  Editions of 32/5...

Terry Haass, 'Quintet', etching and aquatint, edition 20, c. 1948. Signed, titled, and numbered '12/20' in pencil. A superb, richly-inked impression, on off-white wove paper, with fu...

Karl Michel, 'Ex Libris Dr. Witropp - Homunculus und Galatee', etching, 1923, edition not stated. Signed, dated, and numbered 'Op. 140' (the artist's inventory number) in pencil. Si...

Medium: original etching. Published in Paris by Floury in 1929. This impression is printed on watermarked Lafuma wove paper. Plate size: 7 1/4 x 5 1/4 inches (185 x 135mm). Signed in...

DOEL REED (1894 - 1958) PICURIS PUEBLO - WINTER ca. 1954 Aquatint, signed in pencil. Image. 9 7/8 15 ¾”, Sheet 13 ¼ x19” with deckle edges. Very good rich impression. Very small ...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Paysage d'Italie is an artwork realized by Corot in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfre...

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge assise au Pied d'une Muraille, Year: 1873, Medium: Heliogravure, Size: 6 x 4 in. (15.24 x 10.16 cm), Print...

Linda Plotkin, American (1938 - ) - Mountain Ridge, Year: circa 1965, Medium: Etching and Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 67/120, Image Size...

Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...

Letter T is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...

Mary Heilmann (American, b. 1940) Abstract color aquatint etching Jazz 2002 Hand signed, dated, and numbered 11/25 in pencil, lower margin. Publisher: Pace Editions Horizontal green...

Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...

An early abstract work, rich in visual texture and patterns with abstract leaves by Japanese print maker Kazuko. Etching pencil signed edition nu...

Pablo Picasso Maternité, (1924) Etching on Arches paper Hand signed and numbered 15/50 from the edition of 50 Published by Galerie Louise Leiris, Paris, 1955 Paper: 22 5/8 x 28 inche...

English Title: "Capitol Festively Decorated" Beautiful Proof, showing the apparatus for firework built by the “Cav. e Arch.” Paolo Posi, drown by “Giuse. Palazzi”, engraved by “Cava. Giusep. Vasi”. This wonderful Etching represents the Capitol festively decorated in occasion of the Feast of S. Peter and Paolo (29th June 1775). Signed on plate lower margin. Original Title with a detailed capture under the picture. In Very Good condition. Ref: G. Sassoli, Apparati architettonici per fuochi d'artificio, 1994, p.155, n. 97. Master of Giovan Battista Piranesi...

Salvador Dali The giants (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") References: - Field p...

Lonely Road by Harry McCormick, (1942 - ) Medium: Etching, signed and numbered in pencil Edition: 180 Size: 20 in. x 27 in. (50.8 cm x 68.58 cm)

J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...

The Spanish Modern and Surrealist artist Joan Miro was one of the great masters of the 20th century. His bold linework and childlike technique set him apart from his contemporaries a...

Al conde Palatino from "Los Caprichos" is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the...

Que se la Llevaron! is an original etching realized by Francisco Goya in 1799, from Los Caprichos series. The artwork is the plate 8 (as printed on plate on the higher right margin) from the series Los Caprichos, first edition. Good conditions. Los Caprichos. Put on sale the 6 February 1799, at the end of the last carnival of the century, Los Caprichos, first Goya’s printed...

This hand-colored lithograph is a minimal composition in red with hand-colored abstract markings connoting music and dance. It is being offered in honor of the Semiquincentennial cel...

Vieux Faust (Old Faust) is an artwork realized in 1968/69, from the Series "Faust" (La Nuit de Walpurgis).  Etching, Drypoint, Watercolor and Roulette on Japon Paper, Hand signed an...

Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions. The etching belongs...

This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...

ARTIST: Salvador Dali TITLE: Conquest of Cosmos 1 Suite MEDIUM: 6 color Etchings & Aquatints with embossing SIGNED: Each piece is Hand Signed PUBLISHER: Levine & Levine...

Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...

Girl and Child is an original Modern artwork realized by James Tissot, in full James-Joseph-Jacques Tissot, (born Oct. 15, 1836, Nantes, France—died Aug. 8, 1902, Buillon Abbey, near...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with trees on a different grounds with the most trees being in the background. The artwo...

This piece titled "This Must Be the Place VE 5/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 ...

The Dartmouth Portraits aer reworked plates from an earlier drypoint self portrait series done in 1971. For the second set, Dine used the same plates, the same theme and, in most cas...

A superb impression from the artist's own collection. Etching with drypoint on watermarked FJ Head & Co. handmade laid paper, 10 3/4 x 9 7/8 inches (272 x 252 mm); sheet 18 1/8 x 14 ...

Medium: original soft ground etching. Signed in pencil and annotated "Artist's Proof". Printed in 1967 for the Dreigroschen Film portfolio and published by Touchstone Publishers. Thi...

Etching on paper published by S. Merigot, London, in 1796. A finely executed late eighteenth-century topographical engraving depicting the celebrated Temple of Bacchus at Baalbek, L...

Howard Hodgkin (1932-2017) Springtime (2015-2016) Hand-painted sugar-lift aquatint from 1 plate, printed in Vine Black, then hand-painted in Carbon Black, Spring Green and Ultramari...

A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...

Disparate furioso - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 6 from of the second edition of t...

Work Not on the Sabbath Days At All, But Go and Watch the Teams Play Ball by Peter Paone, American (1936) Date: 1963 Etching, signed in pencil Edition of AP Image Size: 16 x 16 inche...