Etching Prints and Multiples

Henri Laurens: 1885-1954. Well listed French artist with Auction records in the millions of dollars and over $8000 for a print. This rare print came in a small edition of Which I bel...

Abstract Composition is an original print in etching and drypoint on white color paper, realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwor...

This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...

Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...

In Molvout, François Houtin merges organic vitality with the crumbling geometry of architecture. The composition presents a fantastical form that seems part tree, part tower, entwine...

Mary Cassatt, After, American (1844 - 1926) - Maternal Caress, Year: 1991; Original Published: 1890 - 1891, Medium: Color Etching on Arches Paper, Image Size: 13 x 10 inches, Size...

Jacqueline De Butler, French (1928 - ) - Red Composition, Year: circa 1968, Medium: Etching with Aquatint on Arches, signed and numbered in penc...

ONE WEEK ONLY SALE AT 40% "Untitled III" is a work that displays James Hansen's intense colors and shapes of his abstract and surrealist style. This print made with etching and aquatints with hand-coloring on Arches paper pops with the illusion of three dimensions set against a muted background of esoteric shapes and symbols. The print is 32-3/4 x 25-3/4 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 20 as there are multiple prints in the possession of Collected Detroit. James Hansen was born in 1951 in New Haven, Connecticut and spent most of his artistic career in Provincetown, Massachusetts where he befriended and worked with Paul Bowen...

The Bride is an original etching realized by Gabrijel Stupika in the 1980s. Good Conditions. Includes frame: 100 x 78 cm Hand-signed on the lower right margin. Bonne a tirè Gabrijel Stupika: Yugoslavian painter (Drazgose 1913-1990). He trained in the popular tradition, to the point of becoming one of the most notable representatives, with Pregely, Hededusic and V. Velickovic, of the neo-figurative current of Yugoslav painting...

Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...

Abstract "doodle" design in blue. Signed, titled and numbered in pencil, Edition of 3. Charles Eckart was born in Oakland, California and grew up in Yosemite Valley. He is a painte...

Etching on cream wove paper. 6 5/16 x 3 3/4 inches (159 x 94 mm), full margin. Signed in pencil lower center margin, from the edition of 111. A well inked impression with a minor cre...

A tour de force of late 20th-century printmaking, Frank Stella print The Pequod Meets the Jeroboam. Her Story, 1993, is among the most visually complex and ambitious compositions fro...

Louis Icart, French (1888 - 1950) - Mimi, Year: 1927, Medium: Color Etching, Signed in Pencil, Edition: 105/500, Image Size: 20.5 x 13 inches, Size: 27 in. x 19 in. (68.58 cm x ...

Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate I, page 76 Paris: Imprimerie Royale, 1771 Copperplate engraving on laid paper (approx. 24.5 × 19.5 c...

Aquatint, 1962 Handsigned by the artist in pencil and numbered 74/75 Publisher : Maeght (Paris) Printer : Maeght (Levallois-Perret) Catalog : [Dupin 342] 52.00 cm. x 80.50 cm. 20.47...

English Title: "Noble Pleasant Building" Beautiful Proof, showing the apparatus for firework designed and built in occasion of the Feast of S. Peter and Paolo (1776) by Giuseppe Pal...

Andre Masson, French (1896 - 1987) - Dragon vert, Medium: Etching and aquatint, signed and numbered in pecnil, Edition: 14/50, Image Size: 10.5 x 8 inches, Size: 16.25 x 13 in. (41....

on Hahnemuhle paper, hand signed and numbered. poster is not included. These depict synagogue interiors, Rabbis at prayer etc. Judaic religious events. Mauritz Lennart Rosensohn , bo...

"Backlighting" was issued in an edition of 50. Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in 1962, he com...

Joan Miró La Reine des éphémères (The Queen of Éphémeres), 1975, is a large sized etching and aquatint which is both immersive and abstract. Bold colors, animated imagery, and vivid ...

Charles Bragg, American (1931 - 2017) - Anesthesia 1848, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 6 x 9 inches, Size: 11...

Woody Gruber (1946-2022) Listening to Bessie, 1975. Etching on paper, plate measures 7 inches h. x 7.75 w. Overall framed measurement in 14 x 15 inches. Numbered, titled, signed ...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Le Téléphone (Lobster Telephone)" Portfolio: Hommage à Leonardo da Vinci (Great Inventions) *Signed by Dali in pencil lower right Y...

Created by David Shapiro in 1994, Savasan 8 is an original lithograph, collagraph, and aquatint in colors on Japon paper. Hand-signed in pencil, titled, dated, and numbered from the ...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2019 Fall colors along Ashland Creek in Lithia Park. Born in Berkeley, Ca...

A fascinating image of a well-known theif robbing a merchant of goods held atop her head. Paris: circa 1670. Etching and engraving on cream laid paper, 6 3/4 x 4 15/16 inches (17...

Desolation, S.C. or Deserted Cabins, Beauford, S.C. Etching & Aquatint, c. 1930 Signed by the artist in pencil lower right (see photo) Annotated "Trial Proof" in pencil lower left corner of sheet Provenance: Estate of the artist By decent Note: An impression of this image is in the collection of the Greenville County Museum of Art, Greenville, South Carolina Condition: Excellent Plate/Image size: 8 x 9 3/4 inches Sheet size: 12 7/8 x 15 inches Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Peintre et Modele Etching and aquatint on Rives wove paper, 1966 Signature stamp lower right (see photo) Annotated in pencil lower left: "epreuve avant acierage" (see photo) One of t...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...

A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...

Peter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888. Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...

The Profile is an etching on ivory-colored paper realized by anonymous Italian artist in 17th Century. Good conditions with slight foxing. The artwork is realized through deft smoo...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge a la Poire, Year: 1873, Medium: Heliogravure, Size: 6 x 4 in. (15.24 x 10.16 cm), Printer: Amand Durand, D...

Medium: original etching and drypoint. Catalogue reference: Seeber 194. This impression on japon paper is annotated "trial proof" and pencil-signed and titled in the margin, with Geo...

Auguste Rodin, French (1840 - 1917) - Victor Hugo, de Face State Nine, Year: 1885, Medium: Etching, Image Size: 8.75 x 6 inches, Size: 10.75 x 7 in. (27.31 x 17.78 cm), Reference: T...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...

Scena di Battaglia (Battle Scene) is a wonderful hand-watered etching, made in 1760 by Luigi Guidotti ( Bologna, 1751 -1800 c.a), after Francesco Antonio Simonini. On lower margin u...

Medium: etching (etched by Felix Bracquemond after Ingres). This impression on chine-colle paper was printed in 1903 and published in Paris by the Gazette des Beaux-Arts. The image m...

Published in Paris by Chalcographie Louvre around 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind st...

Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America (Havell Edition) Year: 1835 Medium: Original H...

Letter A is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Wolf hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

Otto Kuhler, 'George Washington Bridge' (under construction) also titled 'The Cables That Hold it All', etching, 1928, edition unknown. An uns...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...

Pablo Picasso, Spanish (1881 -1973) - Death of Orpheus from Ovids The Metamorphoses, Year: 1930, Medium: Etching on thin laid paper, Edition: , Image Size: 9 x 6.5 inches, Size: ...

Judy Pfaff Wufu Wu (The Five Chinese Blessings), 1995 Signed, dated, numbered and titled in graphite pencil on the front Edition of 120 (unnumbered) Original etching on Japanese Kozo...

Artist: Alex Katz Title: Man with Pipe Medium: Etching and Aquatint in Colors Image Dims: 19 1/2" x 26" Frame Dims: 25 1/2" x 31 1/2" Year: 1984 Edition: 51/185 Inscription: Edition ...

A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...

Rare, original hand colored etching (Aquatint) from the Poetical Sketches of Scarborough titled “A Tro to Scarbro’”. Condition is good. Executed in 1813. Under glass. The etching ...

Salvador Dali (1904-1989) - Femme-feuille Etching from 1969. 66/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt. Reference: M...

Salvador Dali, Spanish (1904 - 1989) - Look Not Upon Me..., Portfolio: The Song of Songs of King Solomon, Year: 1972, Medium: Color Etching with Gold Dust on Arches Paper, signed ...

Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8.25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...