Glaze Prints and Multiples

MIMOSA, SEPT 29, 2021 2021 Silkscreen with enamel inks and flocking on Rising 4-ply museum board 42 x 42 inches (107 x 107 cm) Edition of 40 Signed and numbered DONALD SULTAN (b. 1...

Donald Sultan's 'Seven Blues Jan. 24, 2024' is a masterful color silkscreen featuring enamel inks, flocking, and tar-like textures, limited to an edition of 30. Donald Sułtan Seven...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

The Next Wave relates to The Endless Summer by John Van Hamersveld, an illustration of a cresting wave in the bright colors synonymous with his work. In 1963, Van Hamersveld was hire...

Colours of Life I By Tim Southall [2021] Limited Edition silkscreen print Edition of 10 Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:38 cm x W:48 cm x D:0.01cm Sol...

Donald Baechler, Ice Cream Cone, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching an...

Donald Baechler, Blue Muffin, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and a...

Vantage point by Chris Keegan. This Five colour handmade screen print depicts a multi-layered dynamic set of landscapes all floating above and below each ...

Gilded Forest [2022] limited_edition Screen print Edition number 50 Image size: H:56 cm x W:25 cm Complete Size of Unframed Work: H:56 cm x W:25 cm x D:0.1cm Sold Unframed Please no...

Clare Halifax Hello Yellow (and Green) Limited Edition 4 colour screen print Edition of 100 Sheet Size: H 37cm x W 38cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset...

Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches The work is matted on board and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...

This print was featured in “Dreamland”, the first solo exhibition of Chicano artist Frank Romero at MOLAA (Museum of Latin American Art). The freeway and car culture of southern Ca...